Titres dans Canadienne

Rinaldo Walcott’s groundbreaking study of black culture in Canada, Black Like Who?, caused an uproar upon its publication. With its incisive readings of hip-hop, film, literature, social unrest, sports, music, and electronic media, Walcott’s book not only assesses the role of Black Canadians in defining Canada, it also argues strenuously against any notion of an essentialist Canadian blackness.

This is both a single novel and three separate novels in one. In the first, Mauve Desert, 15-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the Horizon - is Laures's eventual translation of Mauve Desert.

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. The Genesis of the Doughnut Club: When John Henry died there seemed to be nothing for me to do but pack up and go back east.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

Renny Whiteoak, l’héritier de Jalna, revient d’Europe à la fin de la Première Guerre mondiale. Le domaine a été mal géré et ses quatre jeunes frères ne se montrent guère disciplinés. Renny commence par remonter l’écurie. Son rêve, c’est de renflouer la fortune familiale en gagnant des courses.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labor, law, prejudice and reconciliation, to name a few, are the heart of My Conversations with Canadians.

Stella's world was one of misery and despair, wandering the streets of Victoria, BC, cold, wet and hungry. She had adapted to street-life, but on most days, she would rather be dead. Living amongst the nameless, faceless and placeless tribe of the homeless, Stella's very existence depended on the generosity of strangers. She never spoke of her past, determined to keep her life-story a secret. Faced with constant hunger, Stella begged and pushed her trolley filled with junk, trying to remain invisible as she moved from alcove to park bench and back again, clinging to anonymity.

Developed from Adam Sol’s popular blog, How a Poem Moves is a collection of 35 short essays that walks listeners through an array of contemporary poems. Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick listen or to be grouped together as a curriculum.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more.

Zelda, 21 ans, n'est pas tout à fait comme les jeunes femmes de son âge, parce que sa mère buvait trop quand elle était enceinte. Qu'à cela ne tienne, elle mènera sa vie comme elle l'entend ! Zelda aime son grand frère Gert, son amoureux Marxy, son nouveau travail à la bibliothèque, faire des listes et, surtout, elle voue un culte immodéré aux Vikings. Mais, alors qu'elle rêve de combats à l'épée et de Valkyries, elle découvre que Gert s'est lié à de dangereux dealers pour payer les factures.

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following.

First published in 2007, Souvankham Thammavongsa's remarkable second collection was acclaimed for its originality and cemented her reputation as a poet with a rare, astonishing gift.

There are poems about a sparkle, about how to say light, about a scarecrow, a dung beetle, a fish without eyes. Known for her precision and elegance, for her small clear voice, for distilling meaning from details, for not wasting words, Thammavongsa confirms her gifts with these new poems. Light is a work that shines with rigour, humour, courage, and grit.

With propulsive, intimate stylings and an eye toward Black liberations, pop culture, sports, and familial fractures, Wires that Sputter meets the world with the posture of a portraitist and the deftness of a poet-as-acrobat, as seeker. Here in these wondrous poems is an attentiveness toward that which harrows as well as that which heals, toward the power of space-giving and fragmentation. Rupture and recovery, tribute and tribulation, a revivifying musicality, and room to breathe—all dapple within, where electricity manifests in every line.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

Reinvention is a largely autobiographical collection of poetry - a project that followed on the heels of Rik Emmett retiring from a touring musician’s and college educator’s life in early 2019. Inside all of the slashes that define him - singer/songwriter/guitarist/rock star/teacher/columnist - writing has always been his strongest avocation, and the poetic style of “Ultra Talk”, in particular, offered a welcome spark for a songwriter’s freedom of expression.

The recipient of the Journey Prize and Edna Staebler Award, Heather Birrell made a splash in the literary world with her first collection, I Know You Are But What Am I? In Mad Hope, Birrell employs her keen insight into the human condition to present tales featuring a complex array of characters, including a gay man caring for a friend and a science teacher faced with a shocking request.

The poetry in Love Life Loss and a little bit of hope invites non-Indigenous people to see through the eyes of Indigenous people with topics of peace and humanity, as well as grief, trauma, and a little bit of hope. Chief Stacey Laforme breathes life into every poem and story he shares, drawing from his own experiences. Rich with the essence of his soul, the poems in this book capture the moments and emotions that have shaped his life. His desire is for listener to not just listen, but to truly feel the humour and pain intertwined in these poems.