Résultats Éditeur "Macmillan Audio" dans Littérature et fiction

Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in New York City. When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes over its depictions of occult practices and queer debauchery.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own—both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

In her stunning debut, written in protest to an absence of representation, Marsh recalls her early life and the attendant torments of a butch Black woman coming of age in America. In lush, powerful, and vulnerable verses, dayliGht unpacks traumas to unearth truths, revealing a deep well of resilience, a cutting sense of irony, and an astonishing fresh talent.

Carl Phillips' new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten.

In the near future water falls from the sky whenever someone lies (either a mist or a torrential flood depending on the intensity of the lie). This makes life difficult for Matt as he maneuvers the marriage question with his lover and how best to "come out" to his traditional Chinese parents.

Conrad Aybinder is a boy with a secret; 16 and ready for anything. A chemistry genius, he has spent the summer on an independent-study project with his favorite teacher, Sammy Tampari. Sammy is also Conrad’s first love. But the first day of senior year, the students are informed that Mr. Tampari is dead. Rumors suggest an overdose. How can it be? Drugs are for unhappy people, Conrad is sure, not for people who have fallen in love.

In this heartfelt and absorbing novel, Valdes-Rodriguez opens up the lives of six upwardly mobile Latina friends in their late 20's. These women, who come from widely varied backgrounds, meet at Boston University and, after graduating, reunite every six months to share their stories. Facing the complications and pressures of everyday lives, the Social Club offers a chance to meet regularly, dish, dine, and help each other over the bumpy course of life and love.

Unsinkable and wrecked by grief, motherless and aimless and looking for connection, Helen Dedleder is a girl with a gift she doesn't want to use and a pack of friends who are all just helping each other get by. So cut off from the rest of the world that even the internet is blocked (never mind traffic in and out), Rosary, California, is run by evangelicals but was named by Catholics. It’s a town on very formal relations with its neighbors, one that boasts an oil refinery as well as a fairly sizable population of teenagers.

At age 33, Penelope “Pepper” Bradford has no career, no passion, and no children. Her intrusive parents still treat her like a child. Moving into the Chelmsford Arms with her fiancé Rick, an up-and-coming financier, and joining the co-op board give her some control over her life - until her parents take a gut dislike to Rick and urge Pepper to call off the wedding. When, the week before the wedding, she glimpses a trail of desperate text messages from Rick’s obsessed female client, Pepper realizes that her parents might be right.

Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his listener. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started.