Résultats de "Willa Cather" dans Toutes les catégories

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

In 1851, Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

A great new collection of classic short fiction, brilliantly read by a selection of narrators. Includes the following stories: "The Lightening-Rod Man" by Herman Melville, "One of the Missing" by Ambrose Bierce, "The Leopard Man's Story" by Jack London, "Tennessee's Partner" by Bret Harte, "The New Catacomb" by Sir Arthur Conan Doyle, "A Pair of Silk Stockings" by Kate Chopin, "My Watch" and "The Widow's Protest" by Mark Twain, "An Ideal Family" by Kate Mansfield, "A Painful Case" by James Joyce, "Small Fry" by Anton Chekhov, and more!

The most romantic literary lovers in history: Jane Eyre and Mr. Rochester. Oliver Mellors and Constance Chatterley. Marie Shabata and Emil Bergson. Now, all three of their classic stories are collected in one volume.

The country is America; the woman is Alexandra Bergson, a fiercely independent young Swedish immigrant girl who inherits her father's farm in Nebraska. A model of emotional strength, courage, and resolve, Alexandra fights long and hard to transform her father's patch of raw, wind-blasted prairie into a highly profitable business. A gripping saga of love, murder, greed, failure, and triumph, O Pioneers! vividly portrays the hardships of prairie life.

In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to 12-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche.

Willa Cather renders the tough inner terrain of a man in mid-life crisis. Bartley Alexander is a master bridge engineer. At 43 he is at the height of his power, comfortable with success and all it brings. Yet he yearns for the lost vibrancy of his youth. He leads a double life, veering between his beautiful, accomplished wife and his mistress, an actress he knew as a student in Paris. The conflict creates a crack in the structure of his life that ultimately undermines him.

Orphaned at age ten, Jim is traveling west to his grandparents’ home in Black Hawk when he first meets Ántonia, the daughter of a Bohemian family who settles on a neighboring farm. Through sunbaked summers and frigid winters, Ántonia bears the hardships of a young immigrant as she longs for a vanishing past.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

The first part of Willa Cather’s Great Plains trilogy, O Pioneers! follows the tragedies and triumphs of Alexandra Bergson, a strong and independent young woman who inherits the family farm following the death of her father.

Willa Cather achieved recognition for her novels depicting American life on the prairie frontier.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

Professor Godfrey St. Peter is a man in his fifties who has devoted his life to his work, his wife, his garden, and his daughters, and achieved success with all of them. But when St. Peter is called on to move to a new, more comfortable house, something in him rebels. And although at first that rebellion consists of nothing more than mild resistance to his family's wishes, it imperceptibly comes to encompass the entire order of his life.

At the end of the 19th century, fourteen-year-old Ántonia Shimerda has realized the immigrant's dream. She has just arrived in rural Nebraska with her Bohemian (Czech) family at the same time as ten-year-old Jim Burden, an orphan sent to live with his grandparents. While Jim's family is prosperous and steady, the Shimerdas quickly find themselves mired in poverty and struggle to make ends meet. But they live near to each other (by pioneer standards), and the two youngsters become close. Ántonia's warmth belongs to the land and the people who love her. For Jim, Ántonia is home.

To the people of Sweet Water, a fading railroad town on the Western plains, Mrs. Forrester is the resident aristocrat, at once gracious and comfortably remote. To her aging husband she is a treasure whose value increases as his powers fail. To Niel Herbert, who falls in love with her as a boy and becomes her confidant as a man, Mrs. Forrester is by turns steadfast and faithless, dazzling and pathetic: a woman whose charm is intertwined with a terrifying vulnerability.

At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

One January day, many years ago, the little town of Hanover, anchored on a windy Nebraska tableland, was trying not to be blown away. A mist of fine snowflakes was curling and eddying about the cluster of low drab buildings huddled on the gray prairie, under a gray sky. The dwelling-houses were set about haphazard on the tough prairie sod; some of them looked as if they had been moved in overnight, and others as if they were straying off by themselves, headed straight for the open plain. None of them had any appearance of permanence, and the howling wind blew under them as well as over them.

My Ántonia tells the stories of several immigrant families who move out to rural Nebraska to start new lives in America, with a particular focus on a Bohemian family, the Shimerdas, whose eldest daughter is named Ántonia. The book's narrator, Jim Burden, arrives in the fictional town of Black Hawk, Nebraska, on the same train as the Shimerdas, as he travels to live with his grandparents after his parents have died.

The lure of the American West is in the spirit of adventure, in the majestic expanse of unconquered wilderness and in rugged individuals on a quest for identity and sometimes for survival. Owen Wister's unsmiling Virginian... Dorothy M. Johnson's, "A Man Called Horse": These are a few of the colorful, even legendary characters who populate The American West in Fiction, a collection of stories edited by Jon Tuska.