Résultats Éditeur "Knopf Canada" dans LGBTQ2S+

Curiosities opens with a present-day amateur historian, Anne, who describes her unexpected discovery of five seventeenth-century manuscripts that, astonishingly, tell the same strange story from vastly different points of view. The five manuscripts spin this tale: after the Plague descends upon a village in England, two small children, Joan and Thomasina, are the only survivors.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the dovecote that James has built for his prize racing pigeons.

In the last few years, following the publication of his debut novel Jonny Appleseed, Joshua Whitehead has emerged as one of the most exciting and important new voices on Turtle Island. Now, in this first non-fiction work, Whitehead brilliantly explores Indigeneity, queerness, and the relationships between body, language and land through a variety of genres (essay, memoir, notes, confession). Making Love with the Land is a startling, heartwrenching look at what it means to live as a queer Indigenous person "in the rupture" between identities.

Judith Butler, the pioneering theorist whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts one of the most pressing issues of our time. So-called "gender ideology"—and its supposed dangers—has provoked reactionary backlash across the world. Global networks spread the idea that “gender” is a dangerous, if not diabolical, ideology threatening to destroy families, local cultures, civilizations—and even "man" himself.

In the final year of the 19th century, Peter Winceworth is toiling away at the letter S for Swansby’s multivolume Encyclopaedic Dictionary. Increasingly uneasy that his colleagues are attempting to corral language and regiment facts, Winceworth feels compelled to assert some sense of individual purpose and artistic freedom, and begins inserting unauthorized, fictitious entries into the dictionary.

Published to some acclaim in 1977 but swiftly forgotten, Kay Dick's They follows a nameless, genderless narrator living along the lush but decimated English coast, where a loose cohort of cultural refugees live meditative, artistic, often polyamorous lives. But this rustic tranquility is punctuated by bursts of menace as they must continually flee a faceless oppressor, an organization known only as “They,” whose supporters range the countryside in a grisly mob of mostly mute, quasi-automatons. 

From Hilary Weston Prize-winning author Jenny Heijun Wills comes a new collection of piercing, breathtaking essays on beauty, identity, and language—as well as the grey zones that exist between and beyond these notions of self.