Résultats Éditeur "McClelland & Stewart" dans Littérature et fiction

Dionne Brand’s hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world. This is a work of deep engagement, sensuality, and ultimate craft.

On a lonely wharf a clerk in an ink blue coat inspects bales and bales of paper that hold a poet's accumulated left-hand pages--the unwritten, the withheld, the unexpressed, the withdrawn, the restrained. In The Blue Clerk award-winning poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages.

Vivid, profound, moving, and with moments of sly humor, the stories in The Night Piece reveal worlds both familiar and deeply strange. Drawing from Alexis' acclaimed debut collection, Despair and Other Stories of Ottawa, and the highly original Beauty and Sadness, and including previously uncollected stories, here is the surreal and brilliant short fiction of André Alexis - one of Canada's most extraordinary writers.

In this volume, Shaun Usher turns to the subject of love. What emotion inspires humans to put pen to paper more than love? It's unsurprising that love letters provide an endless source of extraordinary writing. Letters of Note: Love gathers together some of the most powerful messages about love ever composed, whether inspired by love's first blush or the recriminations at its ending, the regrets of unrequited feelings and the joys of passions known. Includes letters by Zora Neale Hurston, Napoleon Bonaparte, Frida Kahlo, Nelson Mandela, and many more.

London, 1944/45. Kate Henderson is an energetic and spirited young woman. As a trained paramedic and ambulance driver she does her work courageously and with determination, even though underneath she is still wrestling with grief after witnessing the shooting death of her diplomat father seven years earlier. Her father’s murder was never properly investigated and it remains unsolved. Kate’s life is interrupted once more when she wakes up one night to the sound of the air raid alarm and the terror whistles of a bomb’s stabilizers screaming toward the roof of her house.

In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on first through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what their younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”

Benedict is an inventor whose life’s work is a clean energy machine. It has just made him an overnight sensation and his family is suddenly wealthy. Benedict’s wife, Karen, and his teenage daughters, Charlotte and Poppy, are proud of him. But there are problems Benedict is too busy to see: Karen is deeply unhappy in the marriage and contemplating an affair, Charlotte, who is dealing with a chronic illness, is growing more and more distant, and Poppy is cracking under the pressures of her social circle. And there’s another problem.

Sal Cannon is a struggling magazine writer, dealing with the professional humiliation of being conned by a serial liar. She’s close to rock-bottom when she reads a short story by Martin Keller, the much older author she met at a literary event years ago. Much to her surprise, the piece is about her and their brief encounter.

Veteran reporter David Lang reluctantly arrives on assignment to the small prairie town of Shelby, Alberta, to write a piece on the 111st birthday of Daddy Sherry, the town’s oldest resident. Uptight, jaded, and eager to return to Toronto, David plans to file a simple story and leave Shelby as quickly as possible - but David’s plan is thwarted when the curmudgeonly, elusive Daddy Sherry sends him on a wild goose chase that leads David to an entirely different story than he first expected - as well as his own journey to happiness and self-acceptance.

In a unique listening experience from the unforgettable writer and public speaker W.O. Mitchell, An Evening with W.O. Mitchell is a curated, abridged selection of nine remarkable pieces from Mitchell’s lifetime of public readings, read by the author himself. Featuring both a wide variety of recognizable characters from his novels as well as new, never-before-published work, the collection revives Mitchell’s distinctive voice and comedic perspective on universal subjects.

For over thirty years, The Journey Prize Stories has consistently introduced audiences to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.

Set in Toronto and Italy, this powerful sequel to In a Glass House explores the sometimes forbidden aspect of desire and one’s longing for what is unrecoverable. Victor Innocente remeets his half sister in Toronto, shortly after his father’s death. Uneasy with their new proximity in each other’s lives, they are at first restrained. But gradually what is unspoken between them comes closer to the surface, setting in motion a course of events that will take Victor back to Valle del Sole in Italy, the place of his birth.

Nell—funny, brave and so much loved—is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions. This is a meditation on love: spiritual, romantic, darkly sexual or genetic.

Trapped in a milieu of deceit and pettiness–her own and that of others–Rachel longs for love, and contact with another human being who shares her rebellious spirit. Through her summer affair with Nick Kazlik, a schoolmate from earlier years, she learns at last to reach out to another person and to make herself vulnerable.

Margaret Bradley is the most senior associate at a prestigious law firm, and she is on track to make partner. It is the 1970s; her climb up the career ladder in this male-dominated profession has been difficult, but with hard work she has made herself one of the best in it. She is dedicated to her work and is happily married until one day her entire world is shattered by the sudden death of her son Andrew, a military pilot. Now, Margaret lives with a heavy, all-encompassing sense of loss and regret that is pushing her further and further away from the person she once knew herself to be, and from her husband, Jack, a successful geologist and a loving partner.

Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples.

Spanning almost four decades, Dionne Brand’s poetry has given rise to whole new grammars and vocabularies. With a profound alertness that is attuned to this world and open to some other, possibly future, time and place, Brand’s ongoing labours of witness and imagination speak directly to where and how we live and reach beyond those worlds, their enclosures, and their violences.

The language of Small Arguments is simple yet there is nothing simple in its ideas. The work touches on the structures of argument, orchestrating material around repetition, variation and contrast. Thammavongsa's approach is like that of a scientist/philosopher, delicately probing material for meaning and understanding. The poet collects small lives, and argues for a larger belonging: a grain of dirt, a crushed cockroach, the eyes of a dead dragonfly. It is a work that suggests we can create with what we know and with that alone.

Colorado, July 1989. Fourteen-year-old Adam Lisinski is mesmerized the moment Beatrice Cyr steps into his life. Adam has a lot going for him: he's hoping to be a starter on his high school football team, he has a fiercely protective mom, a girlfriend, and a part-time job at Eugene's Gas Stop, where he works with his best friend. But he neglects everything that matters to him after Beatrice, his neighbour's enigmatic new wife, comes to town. Adam is desperate, caught between wanting to spend time with Beatrice - whose past is catching up with her - and lying to everyone he cares about.

It is August 12, 1945. Tomorrow, August Snow will be tried at the International War Crimes Court for patenting a more lethal variation on the atomic bomb. He invented a radiation machine to cure his young daughter’s cancer, despite knowing that the very same technology was capable of great destruction, and inevitably profited from disaster. But are his intentions relevant when the fate of the world is at stake?