Résultats Éditeur "Brilliance Audio" dans Arts et divertissement

Science fiction often takes its inspiration from the latest science . . . and our oldest questions. After all, the two are inextricably linked. At a time when advances in artificial intelligence are genuinely leading us closer to a computer that thinks like a human, we can’t help but wonder: What makes a person a person? Countless writers and filmmakers have created futuristic scenarios to explore this issue and others like it. But these scenarios may not be so futuristic after all.

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.

Produced by Louis G. Cowan, Command Performance aired between 1942 and 1949 over the Armed Forces Radio Network (AFRS) with a direct shortwave transmission to American troops overseas. Performed before a live audience in Hollywood, the weekly listening military audience was estimated at 95.5 million. Troops sent in requests to hear their favorite celebrities, and they also suggested unusual ideas or situations for them to be put into. Top stars of the day appeared, including Bob Hope, Bing Crosby, Shirley Temple, Frank Sinatra, Clark Gable, Ginger Rogers, Cary Grant, Humphrey Bogart and many more.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947, until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees and/or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape!

Hosted by Norman Rose, "Dimension X" was one of radio's first adult science-fiction series and made its mark by adapting short stories by acknowledged masters in the field, including: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert. A. Heinlein, Clifford D. Simak, Kurt Vonnegut, Jr., and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the stories.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. Enjoy 12 of the greatest episodes from this award-winning drama series.

Gloria Gaynor’s number-one hit single "I Will Survive" debuted in 1978 to overwhelming success. Shortly thereafter, the single went double platinum. Over three decades later, it still strikes a chord among men and women everywhere. Over the years, the disco legend has received thousands of personal messages from adoring fans whose lives have been transformed by this timeless song. Here, she shares 40 of those inspirational, true stories.

What songs have made up your life's soundtrack? Which have captured your every mood and deepest sentiments? Pop music, like no other form of entertainment or art, is capable of articulating our feelings, desires, joy, and pain. In a few soul-grabbing minutes, artists from every genre - from Little Richard to Lou Reed, Willie Nelson to Wu-Tang Clan, Sly and the Family Stone to the Rolling Stones - can help us understand our place in our own lives.

Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.

Aretha Franklin: The Queen of Soul documents the beloved singing star’s rocky personal life and internationally acclaimed show business career. An in-depth and frank examination of Aretha, this definitive biography traces her career from her beginnings as a 12-year-old member of a church choir in the early 1950s, recording her first album at the age of 14, a major recording contract at 18, and stardom in her 20s, right up through her headline-grabbing 2010 health scare, to her triumphant return: singing to her cheering Detroit hometown fans in summer 2011.

The Columbia Workshop aired on CBS radio from 1936 until 1947. Created by Irving Reis, it was an experimental platform with no boundaries for what radio had to offer. Broadcast from New York, it featured the biggest stars from stage, screen and radio including Orson Welles, Burgess Meredith, Agnes Moorehead, Art Carney, Charles Laughton, Vincent Price and Laurence Olivier. Stories were by William Shakespeare, Oscar Wilde, Charles Dickens, John Keats, Edgar Allan Poe, Ernest Hemingway, Rudyard Kipling, Mark Twain, Lucille Fletcher, Carl Sandburg and Herman Melville with music by Bernard Herrmann.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke and they made it the #1 western on radio. It soon made a successful transition to television becoming the longest-running dramatic series in TV history. Join William Conrad (U.S. Marshal Matt Dillon) in the continuing “story of the violence that moved west with young America and the story of a man who moved with it, Matt Dillon, United States Marshal.”

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

The Adventures of Philip Marlowe was radio's top detective program. Raymond Chandler's celebrated hardboiled private eye, Philip Marlowe, made his radio debut in 1945 on The Lux Radio Theatre with "Murder My Sweet" starring Dick Powell. Two years later, NBC would bring the character to the air in his own weekly series starring Van Heflin in The New Adventures of Philip Marlowe. Being a summer replacement for The Bob Hope Show, the series was short-lived and ended on September 9th, 1947.