Résultats Éditeur "Penguin Audio" dans Arts et divertissement

Since the dawn of the recycling system, men and women the world over have stood by their bins, holding an everyday object, wondering, "can I recycle this?" This simple question reaches into our concern for the environment, the care we take to keep our homes and our communities clean, and how we interact with our local government. Recycling rules seem to differ in every municipality, with exceptions and caveats at every turn, leaving the average American scratching her head at the simple act of throwing something away.

After Andy is Natasha Fraser-Cavassoni's insider's account of working in Andy Warhol's studio and Interview magazine and explores Warhol's impact on the art world, pop culture, society, and fashion - and how his iconic status gave rise to some of our most influential tastemakers today.

The "Fox Mole" delivers a funny, opinionated memoir of his eight years at the unfair, unbalanced Fox News Channel. An Atheist in the FOXhole has everything that liberals and Fox haters could desire: details about how Fox’s right-wing ideology is promoted throughout the channel; why specific angles and personalities are the only ones broadcasted; the bizarre stories Fox anchors actually believed (and passed on to the public); and tales of behind-the-scenes mayhem and mistakes, all part of reporting Fox’s version of the news.

14 November, 2012 marks the 90th anniversary of the BBC's first-ever broadcast and the beginning of the British love affair with radio. This fascinating book takes as its starting point those early, tentative programmes broadcast from Marconi House on the Strand, and follows the story of those magical radio voices through the years of economic depression, war and austerity, to the swinging 60s and up to the digital era. Above all, it celebrates the great, the forgotten and the notorious voices of radio from the last nine decades, and the programmes they made famous.

Russell 'The Voice' Watson is a star with a real story to tell. While most stars of today find success early, Russell was still working in a Salford factory at the age of 30. He spent the evenings singing in working men's clubs for extra cash to keep the bailiffs from his family's door. The chairman of Manchester United gave him his big break in May 1999: the opportunity to sing at Old Trafford. His extraordinary performance was quickly followed by a record deal and his phenomenal debut album.

I used to love the rattle and whoosh of my grandma's buttons as they scattered from their Quality Street tin. An inlaid wooden chest the size of a shoe box holds Lynn Knight's button collection. A collection that has been passed down through three generations of women: a chunky '60s-era toggle from a favourite coat, three tiny pearl buttons from her mother's first dress after she was adopted as a baby, a jet button from a time of Victorian mourning. Each button tells a story.

War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

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Pop music’s a simple pleasure. Is it catchy? Can you dance to it? Do you fancy the singer? What’s fascinating about pop is our relationship with it. This relationship gets more complicated the longer it goes on. It’s been going on now for 50 years. David Hepworth is interested in the human side of pop. He’s interested in how people make the stuff and, more importantly, what it means to us. In this wide-ranging collection of essays, he shows how it is possible to take music seriously and, at the same time, not drain the life out of it.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.