Résultats Éditeur "Booktrack" dans Horreur

The Oval Portrait is a short horror story written by Edgar Allan Poe and first published in 1842. Our protagonist takes refuge in an abandoned castle and discovers a room with a series of paintings accompanied by a small book describing them. His attention is attracted by an oval portrait depicting a young woman of rare beauty.

The anonymous narrator is suffering from a strange hypersensitivity to everything around him. He lives with an old man who has a clouded bluish eye, an abnormality that fascinates and disturbs him. Resolving to kill the man and dispose of his body, he soon realizes in horror, however, his innocent victim may never let him forget what he has done.

Twenty-four short stories in fairly typical Bierce fashion - ghostly, spooky, to be listened to in the dark, perhaps with a light, crackling fire burning dimly in the background. Stories of ghosts, apparitions, and strange, inexplicable occurrences are prevalent in these tales, some of which occur on or near Civil War fields of battle, some in country cottages, and some within urban areas. Can Such Things Be? implies and relates that anything is possible, at any time.

The narrator is interested in mesmerism, a pseudoscience involving bringing a patient into a hypnagogic state by the influence of magnetism, a process that later developed into hypnotism. He points out that, as far as he knows, no one has ever been mesmerized at the point of death, and he is curious to see what effects mesmerism would have on a dying person. He considers experimenting on his friend Ernest Valdemar, an author whom he had previously mesmerized and who has recently been diagnosed with phthisis (tuberculosis).

The story is set in an unnamed Italian city (perhaps Venice) at carnival time in an unspecified year, and is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.