Résultats Éditeur "Doubleday Canada" dans Littérature mondiale

M.G. Vassanji has been exploring the immigrant experience for over three decades, drawing deeply on his own transnational upbringing and intimate understanding of the unique challenges and perspectives born from leaving one's home to resettle in a new land. The question of identity, of how to configure and see oneself within this new land, is one such challenge faced. But Vassanji suggests that a more fundamental and slippery endeavour than establishing one's identity is how, if ever, we can establish a sense of belonging.

Pacific Hills, California: Gated communities, ocean views, well-tended lawns, serene pools, and now the new home of the Shah family. For the Shah parents, who came to America twenty years earlier with little more than an education and their new marriage, this move represents the culmination of years of hard work and dreaming. For their children, born and raised in America, success is not so simple. For the most part, these differences are minor irritants, arguments between parents and children, older and younger siblings. But one night, the twelve-year-old son is arrested.

Born into a magical Cree world in snowy Northern Manitoba, Champion and Ooneemeetoo Okimasis are all too soon torn from their family and thrust into the hostile world of a Catholic residential school. Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests. As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen - a wily, shape-shifting trickster - watches over them with a protective eye.

On the surface, Alice is exactly where she should be. She's just given birth to a beautiful baby girl, Dawn; her charming husband, Steve, is nothing but supportive; and they've recently moved to a wealthy neighborhood in Toronto. And yet, Alice feels like an imposter. She isn't connecting with Dawn, a struggle made even more difficult by the recent loss of her mother, and every waking moment is spent hiding her despair from her watchful white neighbors. Her growing self-doubt hinders the one vestige of her old life she has left.

In a ruinous country house in the now barren English countryside—decimated by heat and drought—and in a dusty library damaged by earthquake and floods, Penelope archives what remains of the estate’s once notable, now diminished, art collection. As she delves into the objects and images, she also keeps a diary of her final months in the dilapidated estate that has been her home for two decades and a refuge for those who have been displaced by disasters.

Relinquished as an infant, Ruby is placed in a foster home and finally adopted by Alice and Mel, a less-than-desirable couple who can't afford to complain too loudly about Ruby's Indigenous roots. But when her new parents' marriage falls apart, Ruby finds herself vulnerable and in compromising situations that lead her to search, in the unlikeliest of places, for her Indigenous identity. Unabashedly self-destructing on alcohol, drugs, and bad relationships, Ruby grapples with the meaning of the legacy left to her.

Set in Emperor Haile Selassie’s Ethiopia and the racially charged world of Thatcher’s London, Sweetness in the Belly is a richly detailed portrayal of one woman’s search for love and belonging. Lilly, born to British parents, eventually finds herself living as a devout, young, white Muslim woman in the ancient walled city of Harar in the years leading up to the deposition of the emperor.

A serial killer is on the loose in Tel Aviv. The victims are found tied to chairs with baby dolls glued to their hands, the word mother carved into their foreheads like a mark of Cain. As soon as Sheila Heller hears the news, while tucked away between the wax figurines of the Bible museum where she works, she knows the police will be calling. Sheila knew both victims. She suspects the killings have something to do with a pact their group all made at university - to never have children.

SET AGAINST THE VIVID backdrop of The Bahamas, these eighteen luminous and haunting stories introduce us to women and girls searching for certainty and belonging as they navigate profound upheaval. The characters are bold and big-hearted, complex and intimately familiar. They grapple with the bonds of kinship and the responsibilities of parenthood, with grief, longing, betrayal, coming of age and what it means to be a woman.

As a young man, Virgil Moody vowed he would never be like his father, he would never own slaves. When he moves from his father's plantation in Savannah to New Orleans, he takes with him Annie, a tiny woman with sharp eyes and a sharper tongue, who he is sure would not survive life on the plantation. She'll be much safer with him, away from his father's cruelty. And when he discovers Annie's pregnancy, already a few months along, he is all the more certain that he made the right decision. As the years pass, the divide between Moody's assumptions and Annie's reality widens ever further.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?