Résultats Éditeur "Tantor Audio" dans Journalistes, rédacteurs et éditeurs

Throughout her life, Alexandra Penney's worst fear was becoming a bag lady. Even as she worked several jobs while raising a son as a single mother, wrote a multimillion-dollar best-selling advice book, and became editor in chief of Self magazine, she was haunted by the image of herself alone, bankrupt, and living on the street. And then, one day, that's exactly what happened.

When even his friends refer to him in print as "a balding, bug-eyed opportunist with the looks of a beach ball, the charisma of a glove-puppet, and an ego the size of a Hercules supply plane", the odds of Toby Young scoring, in any sense, appear to be slim. But then How to Lose Friends and Alienate People, his account of the five years he spent trying (and failing) to take Manhattan, improbably catapults Toby to best sellerdom, and his book is translated into 12 languages, including American.

Three simple words that provided Kathryn Johnson, a reporter for The Associated Press' Atlanta bureau, unprecedented access to the grieving widow in the days following her husband's death. Johnson was on her way to a movie date when word came from Memphis that Martin Luther King Jr. had been assassinated. She immediately headed for the King home where, despite resistance from authorities on the scene, she was the only reporter allowed inside.

There's No Crying in Newsrooms tells the stories of remarkable women who broke through barrier after barrier at media organizations around the country over the past four decades. They started out as editorial assistants, fact checkers, and news secretaries and ended up running multi-million-dollar news operations that determine a large part of what Americans read, view, and think about the world.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

The bookshop is, and will always be, the soul of the trade. What happens there does not happen elsewhere. The multifariousness of human nature is more on show there than anywhere else, and I think it's because of books, what they are, what they release in ourselves, and what they become when we make them magnets to our desires. A memoir of a life in the antiquarian book trade, A Factotum in the Book Trade is a journey between the shelves—and then behind the counter, into the overstuffed basement, and up the spine-stacked attic stairs of your favorite neighborhood bookshop.

A Times former White House and investigative correspondent, Robert M. Smith, discloses how some stories make it to print, some do not, how the filters work, and how the paper may have suppressed the most important US political story of the day - Watergate. Smith shows how the paper stepped into the ring and begun slugging it out with President Trump, instead of staying outside the ring and neutrally reporting what it saw. The book argues that the paper would have been far more effective in countering and exposing the president if it had remained neutral.

Born on the West Coast, the son of Bronx-born parents, Steve Wasserman is a generalist and public intellectual but is perhaps less well known as a cultural essayist and social critic of the first rank. In thirty splendid essays, originally published in such diverse publications as The New Republic and The Nation, The American Conservative and The Progressive, The Village Voice and The Economist, Wasserman delivers a riveting account of the awakening of an empathetic sensibility and a lively mind.

As a journalist in London, William discovered the Eurovision Song Contest—an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. William was soon jetting across the continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice.

Country Editor's Boy picks up where Hal Borland's classic memoir High, Wide and Lonesome left off: with Borland, on the cusp of adulthood in the early twentieth century, making his way in an eastern Colorado town that still retained all the flavors of the Old West. Borland's father, the editor of a local weekly newspaper, was working to help his publication transition along with the town around him. At the same time, young Hal was experiencing dramatic social and economic change in his own way.

In this memoir of a lost America, Hal Borland tells the story of his family's migration to eastern Colorado as homesteaders at the turn of the twentieth century. On an unsettled and unwelcoming prairie landscape, the Borlands build a house, plant crops, and eke out a meager existence. While life is difficult—and self-reliance is necessary with no neighbors for miles—the experience brings the family close and binds them closer to the terrible and beautiful natural patterns that govern their lives.