Résultats Éditeur "Tantor Audio" dans Récits initiatiques

Growing up, life is idyllic for Lily Rose Cates due to one constant - her father's love. But in her 16th summer, all that changes without warning. There begins Lily's struggle to find herself and the life she's lost...Marriage promises fulfillment, but her happily-ever-after barely survives the honeymoon. Her husband's sophisticated façade hides a brooding man with even darker secrets. When all illusions shatter, Lily must make hard choices - abandon her husband or risk losing much more than her marriage.

For Noah Sullivan, being the best friend of Jake Nelson has never been easy. It's been a rocky road since kindergarten when Jake duct-taped Noah to his chair before recess. With just six weeks to high school graduation, Jake accidentally blows his drunken ass up on his grandfather's tractor, and Noah finds himself immersed not only in a whirlwind of grief, but on a quest to find a mystery girl from Jake's past.

Meet the hapless Jeremy: a man in his late 50s, he scrapes together a living in Paris by writing soft-core pornography under the saucy guise of "Nathalie Cray". When his all-but-estranged sister tells him their father is on his deathbed, Jeremy reluctantly travels back to his parental home in the depths of the English countryside. Confronted with a life that he had always been eager to escape, his return marks the start of an emotionally fraught journey into the family's checkered past.

For twelve-year-old Martha "Sonny" Creech, there is no place more beautiful than her family's cotton farm. She, her two brothers, and her parents work hard on their land - hoeing, planting, picking - but only Sonny loves the rich, dark earth the way her father does. When a tragic accident claims his life, her stricken family struggles to fend off ruin - until their rich, reclusive neighbor offers to help finance that year's cotton crop.

After the death of their abusive patriarch, sixteen-year-old Desiree "Dez" Sarpe and her family moved to the high plains of Wyoming for a fresh start. Life is quieter now, but peace doesn't put food on the table. Unable to get a job, Dez reluctantly stays home—before following a track in the long grass and finding Granny Iyaga. Granny hires Dez for housecleaning, and also begins teaching her peculiar things. School starts, winter approaches, and for the first time, Dez begins to relax.

A surfing, boy-crazy teenager comes of age in the summer of 1957 in this classic novel that inspired movies, television, and created an American pop culture icon. This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget—short for girl midget. Based on the experiences of his daughter, Frederick Kohner's novel became an international sensation with an irrepressible heroine whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.

Set in northern Minnesota, The Road Back to Sweetgrass follows Dale Ann, Theresa, and Margie, a trio of American Indian women, from the 1970s to the present, observing their coming of age and the intersection of their lives as they navigate love, economic hardship, loss, and changing family dynamics on the fictional Mozhay Point reservation. As young women, all three leave their homes. Margie and Theresa go to Duluth for college and work; there Theresa gets to know a handsome Indian boy, Michael Washington, who invites her home to the Sweetgrass land allotment to meet his father, Zho Wash.

Sheryl already lost one daughter by being the fun parent. She's determined to do it right with her other daughter, no matter how much Mariana whines about one chance for a normal night. No misbehavior, no stoner friends, and absolutely no parties. As if missing homecoming amounts to tragedy. Sheryl knows real tragedy—and she's not about to make the same mistake twice. But all Mariana wants is to escape the shadow of her sister Sheena. She's tired of being seen as the daughter that survived and missing out on experiences she shouldn't have to fight for—like senior homecoming.

New Orleans, 1982. Voodoo spells, prostitutes, prisoners, and veterans who are adamant about the size of their manhood—it's all just another day at Charity Hospital, also known as The Big Free. It's a medical free-for-all with the toughest trauma surgery in America, and Elizabeth—fresh from medical school in Charleston, wearing pearls and pink plaid socks—is one of the first women to work there. Half of the doctors who start the surgery program never finish. Nothing in her proper Southern upbringing prepared Elizabeth for the gritty and gruesome world she now experiences on a daily basis.

What stage of grief is it when your grandmother's ghost keeps popping up on your electronic devices? Denial? For RayAnne that seems to be the stage for launching the second season of Fishing!—in New Zealand. Ready or not, she is taking public television's first all-women fishing talk show on the road, putting the cold Minnesota winter in the rearview mirror—which, it turns out, Gran is haunting, too. RayAnne and her indefatigable producer Cassi set out across New Zealand in search of noteworthy women who fish.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

The tale of a man and the memory that haunts him, River City One is the poetic and compassionate story of John Walker, a lawyer and ex-Marine adrift in a nameless city. Home from the war, he has become a man on the edge, quietly raging against the people he must now work for and live among—the kind of people incapable of understanding the terror he felt in combat and the guilt he carries in his heart. When he meets Ruth, a beautiful, famous singer traveling through the city, John discovers a new passion for living.

When his family is plunged into poverty during the Great Depression, Ben Taylor takes a job with the US Civilian Conservation Corps developing the Great Smoky Mountains National Park. A tragic accident puts him in a dilemma: does he let someone else take the fall for what he did so he can keep his position? The repercussions of his decision plague him all the way to the Battle of the Bulge in World War II where Ben is reunited with an old friend from his time with the Corps.

Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina, in 1941 to spread the gospel of kudzu—claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches—Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is determined to be crowned Kudzu Queen and capture the attentions of the Kudzu King.

"I'm not inarticulate, but I leave language to the room around me," says Fine Gråbøl's nameless narrator as she dreams of furniture flickering to life in the room she occupies at a temporary psychiatric care unit for young adults. Our narrator is obsessed with the way items rise up out of their thingness, assuming personalities and private motives. She also cannot sleep and practices her daily routines with the urgency of survival—peeling a carrot, drinking prune juice—all an acutely calibrated exploration into having a home.

Clara Batchelor is twenty-two. Her brief doomed marriage to Archie over, she returns to live with her parents in the home of her childhood. She hopes for comfort but the devoutly Catholic household confines her and forms a dangerous glass wall of guilt and repression between Clara and the outside world. Clara both longs for and fears what lies beyond, and when she escapes into an exhilarating and passionate love affair her fragile identity cracks.

The Sugar House is the second in the trilogy sequel to Frost in May, which began with The Lost Traveller and continues in Beyond the Glass. Although each is a complete novel in itself, together they form a brilliant portrait of a young girl's journey to adulthood.

When Clara returns home from the convent of her childhood to begin life at a local girls' school, she is at a loss: although she has comparative freedom, she misses the discipline the nuns imposed and worries about keeping her faith in a secular world. Against the background of the First World War, Clara experiences the confusions of adolescence—its promise, its threat of change. She longs for love, yet fears it, and wonders what the future will hold. Then tragedy strikes and her childhood haltingly comes to an end as she realizes that neither parents nor her faith can help her.

Newly orphaned Magnolia Parker must protect her sick little brothers, but when the authorities send the boys to an unknown orphan asylum, Magnolia calls on her unwavering grit to bring them home. She's lost everything but still has a secret weapon—a promise from Eleanor Roosevelt, the most famous woman in America. Setting out on a cross country quest, she befriends two unlikely travelers: Hop, a migrant worker with a big heart, and Red, a young girl traumatized into silence.

When Eli Harpo was four, he underwent emergency open-heart surgery, flatlined on the operating table, and for a brief time, went to heaven and met Jesus. Or at least that's what his father, a loving but devout Baptist minister, has raised him to believe. Nine years later, Eli isn't so sure. His rounds with his father to evangelize at hospices and sell his father's self-published book, Heaven or Bust!, feel inauthentic and strange, especially now that he's started having sex dreams about Jesus.