Résultats Éditeur "Tantor Audio" dans Récits initiatiques

Meet the hapless Jeremy: a man in his late 50s, he scrapes together a living in Paris by writing soft-core pornography under the saucy guise of "Nathalie Cray". When his all-but-estranged sister tells him their father is on his deathbed, Jeremy reluctantly travels back to his parental home in the depths of the English countryside. Confronted with a life that he had always been eager to escape, his return marks the start of an emotionally fraught journey into the family's checkered past.

No one needs that many hookups! Not even soon to be major league pitcher Theo Von Bremen. So, I help him by routinely thinning out his contact list - because I'm the best roommate ever. And he's optimal baby daddy material. For me - not Amanda one, two, or three. But since the man can't take a hint, I'll continue to spray his sheets with my perfume and accidentally leave my panties in his laundry. That has to be enough to break a man eventually. Right?

Abigail Milton was born into the British middle class, but her family has landed in unthinkable debt. To ease their burdens, Abby's parents send her to America to live off the charity of their old friend. When she arrives in Charleston at the age of 17, Abigail discovers that the man her parents raved about is a disagreeable widower who wants little to do with her. Just as she begins to grow comfortable in her new life, she overhears her benefactor planning the escape of a local slave - and suddenly, everything she thought she knew about Douglas Elling is turned on its head.

For twelve-year-old Martha "Sonny" Creech, there is no place more beautiful than her family's cotton farm. She, her two brothers, and her parents work hard on their land - hoeing, planting, picking - but only Sonny loves the rich, dark earth the way her father does. When a tragic accident claims his life, her stricken family struggles to fend off ruin - until their rich, reclusive neighbor offers to help finance that year's cotton crop.

Ritwik Ghosh, twenty-two and recently orphaned, finds the chance to start a new life when he arrives in England from Calcutta. But Oxford holds little of the salvation Ritwik is looking for. Instead, he moves to London, where he drops out of official existence into a shadowy hinterland of illegal immigrants. The story that Ritwik writes to stave off his loneliness begins to find ghostly echoes in his own life. And, as present and past of several lives collide, Ritwik's own goes into free fall.

After the death of their abusive patriarch, sixteen-year-old Desiree "Dez" Sarpe and her family moved to the high plains of Wyoming for a fresh start. Life is quieter now, but peace doesn't put food on the table. Unable to get a job, Dez reluctantly stays home—before following a track in the long grass and finding Granny Iyaga. Granny hires Dez for housecleaning, and also begins teaching her peculiar things. School starts, winter approaches, and for the first time, Dez begins to relax.

City girl Luce May's first year out of high school has been the worst. When she escapes her turbulent life in Sydney to start over at a university in the middle of nowhere, the last thing she wants is anyone in her new life to know of her past. Especially that to escape her chaotic, alcoholic mother, Luce also had to abandon her teenage sister. As Luce slowly starts to find another version of herself in this place, she also finds a new family in her eclectic group of friends.

Newly orphaned Magnolia Parker must protect her sick little brothers, but when the authorities send the boys to an unknown orphan asylum, Magnolia calls on her unwavering grit to bring them home. She's lost everything but still has a secret weapon—a promise from Eleanor Roosevelt, the most famous woman in America. Setting out on a cross country quest, she befriends two unlikely travelers: Hop, a migrant worker with a big heart, and Red, a young girl traumatized into silence.

Set in northern Minnesota, The Road Back to Sweetgrass follows Dale Ann, Theresa, and Margie, a trio of American Indian women, from the 1970s to the present, observing their coming of age and the intersection of their lives as they navigate love, economic hardship, loss, and changing family dynamics on the fictional Mozhay Point reservation. As young women, all three leave their homes. Margie and Theresa go to Duluth for college and work; there Theresa gets to know a handsome Indian boy, Michael Washington, who invites her home to the Sweetgrass land allotment to meet his father, Zho Wash.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

The tale of a man and the memory that haunts him, River City One is the poetic and compassionate story of John Walker, a lawyer and ex-Marine adrift in a nameless city. Home from the war, he has become a man on the edge, quietly raging against the people he must now work for and live among—the kind of people incapable of understanding the terror he felt in combat and the guilt he carries in his heart. When he meets Ruth, a beautiful, famous singer traveling through the city, John discovers a new passion for living.

Sheryl already lost one daughter by being the fun parent. She's determined to do it right with her other daughter, no matter how much Mariana whines about one chance for a normal night. No misbehavior, no stoner friends, and absolutely no parties. As if missing homecoming amounts to tragedy. Sheryl knows real tragedy—and she's not about to make the same mistake twice. But all Mariana wants is to escape the shadow of her sister Sheena. She's tired of being seen as the daughter that survived and missing out on experiences she shouldn't have to fight for—like senior homecoming.

A surfing, boy-crazy teenager comes of age in the summer of 1957 in this classic novel that inspired movies, television, and created an American pop culture icon. This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget—short for girl midget. Based on the experiences of his daughter, Frederick Kohner's novel became an international sensation with an irrepressible heroine whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.

Vulgarian Rhapsody immerses listeners in a fading bohemia of queer dive bars, drag clubs, and countercultural cafes. The book's narrator (a longtime frenemy of Harris who's every bit as snarky and annoying as he is) tells the story with sadistic relish and an ironist's eye for the absurd. Anyone feeling sickly from too many uplifting stories of personal empowerment, precious coming-of-age tales, or sugarcoated romances will find the perfect antidote in this hilariously acidic comedy of manners.

I didn't realize I was hooking up with my student, but once I saw his hockey-player body, I couldn't help myself. If anyone finds out, I'll be out of a job. Unlike most college boys, he's mature in all the right ways and completely knows how to turn on a woman.

Nanda Gray, the daughter of a Catholic convert, is nine when she is sent to the Convent of Five Wounds. Quick-witted, resilient, and eager to please, she accepts this closed world where, with all the enthusiasm of the outsider, her desires and passions become only those the school permits. Her only deviation from total obedience is the passionate friendships she makes.

Outside the walls of Phoenix City, where the plague has overrun Ireland, one bite from the savage skrake means death or infection. Inside, Orpen and the other survivors of the plague gather in meager numbers. They are protected from disease and death, but the city is by no means a refuge. Phoenix City is ruled with an oppressive hand, with even the best of the leadership power hungry and ruthless. Orpen and the banshees—a fierce all-women force of fighters—keep the peace, or shatter it, depending on their orders. But when two women are publicly executed, Orpen knows she must make a choice.

"I'm not inarticulate, but I leave language to the room around me," says Fine Gråbøl's nameless narrator as she dreams of furniture flickering to life in the room she occupies at a temporary psychiatric care unit for young adults. Our narrator is obsessed with the way items rise up out of their thingness, assuming personalities and private motives. She also cannot sleep and practices her daily routines with the urgency of survival—peeling a carrot, drinking prune juice—all an acutely calibrated exploration into having a home.

When twenty-seven-year-old Linh Ly's recently divorced mother begins dating a coworker, Linh is determined to make sure he is worthy of her mother. She's seen the kind of men her mother ends up with—she grew up watching her unreliable and volatile alcoholic father as her mother worked two jobs to make ends meet. Linh is certain that her mother can't do this on her own, but what begins as genuine worry quickly turns obsessive.

Clara Batchelor is twenty-two. Her brief doomed marriage to Archie over, she returns to live with her parents in the home of her childhood. She hopes for comfort but the devoutly Catholic household confines her and forms a dangerous glass wall of guilt and repression between Clara and the outside world. Clara both longs for and fears what lies beyond, and when she escapes into an exhilarating and passionate love affair her fragile identity cracks.