Résultats lu par "Joe Van Riper" dans Toutes les catégories

The show of Michelangelo drawings at the British Museum in London counted as one of the artistic events of 2006. It is unlikely that the public will have another chance to see such a complete panorama of the artist’s achievement as a draughtsman for many years to come, if indeed ever again. The reasons for this rush to get in are not hard to discover. Michelangelo’s reputation is that of the greatest of all artists. Most of his finished, or near-finished, works are in marble or fresco, and can never leave their locations in Florence or Rome.

In the early years of the 20th century, Paris became the center for an international community of artists. Some of them were French, but the city also offered its hospitality to artists from an increasingly wide range of other nationalities. Some, like Marc Chagall, came from communities that had never produced artists of international note before. The result was a mixture between a stewpot and a laboratory.

This exhibition, based on a single, very personal and - dare one say it? - extremely distinguished private collection, tackles a large subject within a relatively small compass. It aims to examine a now universally recognized crisis, which is what is happening to painting as an art form. Quite a large number of critics and curators have, in recent years, proclaimed that painting is dead: that attention must now be paid to other kinds of art.

Rothko is now one of those mythical artists, an icon of 20th century creativity, the central figure in a tragic legend. Which means to say that one is pretty much compelled to agree that everything he did was wonderful, a manifestation of genius. I have to say that I find myself increasingly resistant to this approach. Some works by Rothko I do in fact respond to, with their glowing blocks of color.

Alex Katz is one of the great survivors of a heroic period in American art. He is also one of the great unclassifiables. At various times he has been described both as a Pop artist and as a classic American Realist, though critics admit that he does not fit comfortably into either of these categories. What most people admit, however, is that he reflects and presents aspects of American culture and American landscape in a uniquely skillful and economical way.

Grayson Bolt isn't about to compromise his integrity to help a notorious crime boss escape the cross-hairs of the IRS. But there's a steep price to pay for defying The Man. Grayson's beloved wife and older son. There's only one way for Grayson to prevent his younger son, Jim, an innocent golf prodigy, from also being taken out: play a dangerous game of cat and mouse. And what will Jim be forced to do when the woman he loves gets ensnarled in a web of betrayal and deceit?

There is so much about Texas that few people know. Who knows about the lawless Horrell Brothers, who feuded for years with "Pink" Higgins. What is the oldest town in Texas? Learn about the Jaybird-Woodpecker War, or about the Texas Enchanted Rock. Then there was the fence-cutting war along with the usual Texas favorites, the Alamo, Cattleman Charles Goodnight, Texas' First Navy, and the San Elizario Salt War. If that not enough, you can learn more about Pirate Jean Lafitte.