Résultats Éditeur "Vintage Canada" dans Toutes les catégories

It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents.

One freezing winter morning a dead body is found in the backyard of the Dharma family’s house. It’s the body of Anu Krishnan. For Anu, a writer seeking a secluded retreat from the city, the Dharmas' "back-house" in the sleepy mountain town of Merrit's Point was the ideal spot to take a year off and begin writing.

In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here—June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In this book, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.

Life in Winnipeg didn’t go as planned for Knute and her daughter. But living back in Algren with her parents and working for the longtime mayor, Hosea Funk, has its own challenges: Knute finds herself mixed up with Hosea’s attempts to achieve his dream of meeting the Prime Minister — even if that means keeping the town’s population at an even 1500.

Certainty follows Gail Lim, a producer of radio documentaries in Vancouver, as she works to uncover the history of her parents' relationship and struggles to come to terms with the events that brought them together. Gail's search for the truth leads her to Amsterdam where she meets a war photographer named Sipke, who tells her the story of a woman named Ani - and in so doing, reveals valuable information that not only sheds further light on Gail's parents, but also brings Gail face to face with the complications in her own life and closer to unraveling the questions that have gripped her imagination.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender—and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word—and note—perfect novel of ideas that only a great artist at the height of her powers could write.

In 1824, on the island of Trinidad, Marie Ursule, queen of a secret society of militant slaves, plots a mass suicide—a quiet, passionate act of revolt. But she cannot bring herself to kill her small daughter, Bola, whom she smuggles away in the early dawn light. As Bola's children, grandchildren, and great-grandchildren spill out across the world to America, Canada and Europe, they find their lives both haunted and vindicated by the dreams and passions of their defiant ancestor.

Bread Out of Stone is an original and forceful study of race, sex and politics in contemporary culture. Personal and poetic, these essays speak of matters close to the heart of a black writer. This evocative and insightful collection has been fully updated and includes four previously unpublished essays. She turns her clear, unflinching eye to issues of sex and sexism; male violence toward women; how Black women learn the erotic; the stereotypes of Black females in popular culture and the centrality of Whiteness in definitions of Canadian culture.

Longing, familiarity, and hope suffuse these stories as they mine the charged territory of relationships - subtly weaving in conflicts between generations and cultures. Madeleine Thien's characters in some way want to make amends, to understand the events that have shaped their lives. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and lay bare the heartbreaking truths at the core of our closest bonds.

Since her the appearance of her novel In Another Place, Not Here, which was a New York Times Notable Book in 1998, award-winning author Dionne Brand has become one of the most revered figures in Canadian fiction. Sans Souci is Brand’s bold fiction debut, collecting eleven stories that breathe life and language into the lives of women in the Caribbean and the Black diaspora, often dealing with the process—and aftermath—of transit and arrival.

The Randall family was always a little strange. For generations, each member receives a prophetic vision of the apocalypse—but always on a different date. When the End of Days fails to materialize, yet another Randall goes mad. In the summer of 1989, Hope Randall's mother, in an attempt to forestall the latest imminent apocalypse, loads up the Lada and heads west from Yarmouth. After their car dies in Rivière-du-Loup, the mother and daughter put down roots, as yet another day of reckoning comes and goes.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends—each of whom is grappling with their own familial complexities and heartache. By turns thrilling and heartbreaking, Tuyen's lost brother—who has since become a criminal in the Thai underworld—journeys to Toronto to find his long-lost family.