Résultats Éditeur "Faber & Faber" dans Toutes les catégories

These are the recently discovered journals of Benjamin Tooth: alchemist, inventor, and discoverer of the Windvale sprites. They chronicle his journey of scientific discovery from pompous boy to mad old man in his pursuit of the sprites on Windvale Moor. The sprites hold the key to eternal life, and Tooth is determined to capture it.

Simon Gray is determined to give up smoking. Really. At last. Can he kick the habit of 60 years? Will he, sometime soon, be able to leave his house without nervously feeling for his two packets of 20 and his two lighters, and add no more singes to his cardigan? As this wonderful, wayward record of Gray's life progresses, these questions are overtaken by much larger ones. What is that lady on the plane to Athens doing with her nose? What was sex like before 1963? Will his name be in lights on Broadway? Why did he leave the bedside of his dying mother?

Look We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years as well as one of the most relevant and accessible. Nagra, whose parents came to England from the Punjab in the 1950s, draws on both English and Indian English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.

Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world.

Catching a sudden look of defiance from his granddaughter inspires Hugo Williams to take up his pen and write this deeply moving new collection of poetry - the first since I Knew the Bride (2014), short-listed for the Forward and T. S. Eliot prizes. He navigates assuredly from thoughtful reminiscences of childhood and accounts of the war, through various climes and sensitively drawn relationships, to grim humour in the hospital ward and growing older with its attendant doubts and disappearances.

Kingdomland is the debut poetry collection of Rachael Allen - a writer of rare vision and flair. The world she creates is suffused with surreal images and uncanny incidents. Unexplained violences and strange metamorphoses take shape in the 'glowering dusk'. And yet, all too clearly, we recognise life here on earth, its everyday griefs, dysfunctions and injustices. Where distinctions between murder and bloodletting, corruption and consumption are blurred. Where a pet tarantula or mimic octopus might find itself beside glands and processed meats.

We live in a world where strongman politics are rising, neo-liberalism has hollowed out political parties and corporations have undermined democracy. Ordinary voters feel helpless to effect change, resulting in outbreaks of populist anger, and traditional platforms for debate are losing their viability as readers source information online. In this short and vital polemic, progressive thinker and activist Billy Bragg argues that accountability is the antidote to authoritarianism and that without it, we can never truly be free.

Kismet [n.] /'kismet/ Destiny; Fate. Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'. Anna [n.] /'æne/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; in love. Or maybe not. Anna's a free spirit. Definitely happy. Or anxious. Or is it more panicked? She's certainly talented. Unless she's really a fraud. Absolutely hilarious - but possibly grieving. And lustful. On the edge. Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very limits.

Tom Hope doesn't chase rainbows. He does his best on the farm - he milks the cows, harvests the apples, looks after the sheep - but Tom's been lonely since Trudy left, taking little Peter with her to go join the holy rollers. Enter Hannah Babel, quixotic smalltown bookseller: the second Jew - and the most vivid person - Tom has ever met. When she asks him to help her build Australia's most beautiful bookshop, Tom dares to believe they could make each other happy. But it is 1968: 24 years since Hannah and her own little boy arrived at Auschwitz.

New York, 1993. Seventeen-year-old Lucy Adler, a street-smart, trash-talking baller, is often the only girl on the public courts. Lucy's inner life is a contradiction. She's by turns quixotic and cynical, insecure and self-possessed, and, despite herself, is in unrequited love with her best friend and pick-up teammate Percy, scion of a prominent New York family who insists he wishes to resist his upper crust fate....

The Greek myths were first told thousands of years ago, by poets and singers who wanted to tell how the world came to be. These brilliant stories are full of adventure and drama, but they also explore our deepest fears and fantasies. There's a reason these myths still feel so powerful—they've formed the foundations of narratives and archetypes that we see in today. Having changed the way we look at fairy tales in their last book, Karrie and Jon have turned to these ancient stories to see what magic their marvellous gender-swapping machine can work on them.

Between October 2018 and March 2021, Will Ashon collected voices—people talking about their lives, needs, dreams, loves, hopes and fears—all of them with some connection to the British Isles. He used a range of methods including letters sent to random addresses, hitchhiking, referrals from strangers and so on. He conducted the interviews in person, on the phone, over the internet or asked people to record themselves. Interview techniques ranged from asking people to tell him a secret to choosing an arbitrary question from a list.

On the last stretch of its epic voyage from England to Australia, a disintegrating warship inches towards land. But there are still trials ahead, as the vessel is smashed against an ice cliff and blasted by a great storm, while the claustrophobic passengers battle erotic desires, masculine rivalry and violent power struggles—all experiencing a sea change in their natures. And when an unseen fire begins to smoulder below decks, the other side of the world has never seemed further away.

A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads ominously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces, and the very planks seem to twist themselves alive as the ship comes apart at the seams.

This is a story about an eleven-year-old boy making his way through school, trying to earn pocket money, stay out of trouble and make the most of the talents he has. Kofi is a natural entrepreneur, and is always quick to spot a moneyspinner. But what he had overlooked is his best friend's Kelvin's amazing photographic memory - and the fact that he can remember every single line of a song he's heard only once.

For the last three decades Gary Younge has had a ringside seat during the biggest events and with the most significant personalities to impact the black diaspora: accompanying Nelson Mandela on his first election campaign, joining revellers on the southside of Chicago during Obama's victory, entering New Orleans days after hurricane Katrina or interviewing Archbishop Desmond Tutu, Maya Angelou and Stormzy. He has witnessed how much change is possible and the power of systems to thwart those aspirations.

The Floodmeadow draws us into a seething pastoral where lightning threatens and thunder gathers, pylons and powerlines hum, and steel-framed gates sing out into the wind. In these incantatory pieces, everything is present at once. This is a visionary collection that invokes other times, dimensions and soundscapes to tell out some word of beauty and abundance in the here and now.