Résultats Éditeur "McClelland & Stewart" dans Toutes les catégories

Raised in a Southern Ontario town in the ’50s and ’60s, Thomas is abandoned to the care of his eccentric Trinidadian grandmother. Then, at 10, his mother, Katarina, reclaims him, taking him to Ottawa and to the once-splendid Victorian home of Henry Wing, a gentle conjurer whose love of science and the imagination becomes an important legacy. But is he Thomas’ father?

On a small island in the South Pacific nation of Vanuatu, the Tabés are a family mourning the death of their son in the aftermath of a devastating cyclone, while worrying over the looming departure of another. Desperate to find a way to change their fates, David Tabé places a phone call halfway around the world to the Stewarts, a family bound to his own through a fraught connection in the distant past—their ancestors met on the island two hundred years earlier, with calamitous results.

Elin Henriksen is a middle-aged single parent under pressure. Her formidable mother's health is declining, her fearless teenage daughter wants to leave but won't say where, and the new high school principal has problems with her unorthodox teaching of physics. And then there is the upcoming ceremony at the Art Museum. In 10 days, a gallery will be named after her late father, Tig Henriksen, a modernist furniture designer whose sought-after cult pieces hide a troubled narrative.

Dionne Brand’s hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world. This is a work of deep engagement, sensuality, and ultimate craft.

Layton Reid was a globe-trotting, risk-taking, sunshine-addicted bachelor - then came a melanoma diagnosis. Cancer startled him out of his arrested development - he returned home to Halifax to work as a wedding photographer - and remission launched him into a new, passionate life as a husband and father-to-be. When the melanoma returned, now at Stage IV, Layton and his family put all their stock into a punishing alternative therapy, hoping for a cure.

During the hot Saskatchewan summer of 1924, 12-year-old Hugh digs up a cave to discover an escaped patient from the nearby mental hospital hiding inside. In an attempt to shelter the runaway, Hugh and his friends enlist the help of war veteran and rumrunner King Motherwell, who introduces them to an illicit underworld they never knew existed. When the boys find themselves embroiled in a murder, they are forced to leave behind their childhoods or an adult world of sex, violence and deceit.

Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women - sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces - Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world—describing himself as a “mongrel,” someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time.

I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.

Growing up, R. Renee Hess didn’t care about hockey. In fact, she was barely aware of it. She was born and raised in Southern California, hardly a hotbed for the game, despite the state having three NHL teams. But, as Hess puts it, she is “a fan of being a fan,” and when she found herself stuck in traffic after a Pittsburgh Penguins game, the streets filled with cheers, something sparked within her. Ever since Hess made that discovery, she has been actively trying to bust the myth that “Black folks don’t like hockey.”

The bestselling author of The Architecture of Happiness and The Art of Travel spends a week at an airport in a wittily intriguing meditation on the "non-place" that he believes is the centre of our civilization.

An emergency call comes in the middle of the night. There is an ongoing burglary at a closed campsite in Bredäng, outside Stockholm. When the police respond to the call, there is a light on in one of the farthest caravans in the otherwise dark area, where the officers are greeted by a horrific sight. The floors, walls, and furniture are completely covered in blood. A person has been killed with an axe and brutally dismembered. In one of the rooms, a young man is sleeping on the floor with a severed arm as his pillow. He is arrested and taken into custody at Kronobergshäktet.

The debut memoir from award-winning journalist Morgan Campbell: an incredible history of a family’s battles across generations, a hilarious and emotional coming-of-age story, and a powerful reckoning with what it means to be Black in Canada—particularly when you have strong American roots.

Montréal, 1680s: Minique has a secret she can’t ever tell. She knows there are horrific consequences for girls and women who do not conform. She saw it with her own eyes when Anne, the aubergiste, was viciously marched through town and charged with crimes she didn’t commit. Besides, Minique has never had family members to tell. She remembers little of her mother, a fille du roi, who arrived in Montréal on a ship; she rarely sees her father, a coureur des bois who is often away; and she barely speaks with her Tante Marie, a stern, hard woman.

On a lonely wharf a clerk in an ink blue coat inspects bales and bales of paper that hold a poet's accumulated left-hand pages--the unwritten, the withheld, the unexpressed, the withdrawn, the restrained. In The Blue Clerk award-winning poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages.

London, 1944/45. Kate Henderson is an energetic and spirited young woman. As a trained paramedic and ambulance driver she does her work courageously and with determination, even though underneath she is still wrestling with grief after witnessing the shooting death of her diplomat father seven years earlier. Her father’s murder was never properly investigated and it remains unsolved. Kate’s life is interrupted once more when she wakes up one night to the sound of the air raid alarm and the terror whistles of a bomb’s stabilizers screaming toward the roof of her house.

Before the celebrated late-career world tours, before the Grammy awards, before the chart-topping albums, before “Hallelujah” and “So Long, Marianne” and “Famous Blue Raincoat,” the young Leonard Cohen wrote poetry and fiction and yearned for literary stardom. In A Ballet of Lepers, readers will discover that the magic that animated Cohen’s unforgettable body of work was present from the very beginning.

Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that, despite all odds, refuse to be eradicated.

Ferociously in love and in their own universe, Lydie and Nico’s first year together was so beautiful that they've been recreating it, day by day, ever since. The anniversaries, sometimes elaborate, sometimes small, become the couples' own internal logic, tethering them to a reality they've built together. But the real world is starting to creep in. As the people around them start to get married, get pregnant, get serious, Lydie wonders what it is they're really doing—and why it leaves her so little time to focus on what she moved to the city for: creating art.

Sal Cannon is a struggling magazine writer, dealing with the professional humiliation of being conned by a serial liar. She’s close to rock-bottom when she reads a short story by Martin Keller, the much older author she met at a literary event years ago. Much to her surprise, the piece is about her and their brief encounter.