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From the collection Mary Russell's War, "Stately Holmes" delivers the author's signature blend of narrative mastery and historical detail while shining light on previously unexplored corners of the Russell-Holmes universe. Laurie R. King blends her long-running brand of crime fiction with historical treats and narrative sleight of hand.

In the hillside beauty of San Francisco, Kate Martinelli, a young female officer, is promoted to the Homicide division, inheriting a middle-aged partner who is expected to resent her. Instead, the two forge a rare and rich partnership. When rookie detective Kate Martinelli hunts for a sadist who is strangling six-year-old girls, something about the trail makes her think that she may be falling into a trap.

Inspector Kate Martinelli has worked the SFPD's Homicide Detail for nearly 30 years. One day her 15-year-old daughter, Nora, asks about an aunt she'd never met. Kate's kid sister died in the 1980s, a wild young woman who lost control of a car and hit a tree, end of story...except it isn't. Because once Kate begins to look, seeking to reassure Nora that it was only a senseless accident and not the suicide a small town's gossip made it, she starts to find pieces that don't fit the picture.

Sherlock Holmes has received a call for help from an old friend. The Reverend Barring-Gould, noted parson and folklorist, wants Holmes to investigate some strange sightings. When Mary Russell realizes where their search will take them, however, her blood runs cold. A ghostly coach and giant dog have been glimpsed on Dartmoor—the chilling landscape of the Hound of the Baskervilles. As Holmes and Russell work through a challenging tangle of evidence, gossip, and legend to uncover the truth, the grey mystery of the moor swirls around them.

When an old archeologist friend gives Mary Russell a curled scrap of papyrus, Mary is startled to see that it is covered with Greek symbols. The writing may be a letter from an unknown-female-apostle. Soon the old friend has been murdered, the Holmes' cottage has been ransacked, and Mary is faced with a particularly dangerous and painful investigation. From the solitude of the English countryside to the dark teeming streets of London, A Letter of Mary carries the two quick-witted sleuths through a maze of clues and cul-de-sacs.

A classmate from Oxford University introduces Mary to Margery Childe, the charismatic spiritual leader of the New Temple of God. Curious about Margery’s popular teachings, Mary begins attending temple meetings. But when Margery’s followers—all well-bred, well-heeled young women—become targets for murder, Mary senses something sinister lurking within the walls of the temple. With Holmes at her side, she plunges headlong into the most dangerous investigation of her life.

adrift in mist-shrouded San Francisco mornings and alcohol-fogged nights, homicide detective Kate Martinelli can't escape the void left by her departed lover, who has gone off to rethink their relationship. But when twelve-year-old Jules Cameron comes to Kate for a professional consultation, Kate's not sure she's that desperate for distraction. Jules is worried about her friend Dio, a homeless boy she met in a park. Dio has disappeared without a word of farewell, and Jules wants Kate to find him Reluctant as she is, Kate can't say no.

The unthinkable has happened in a small community outside of San Francisco. A series of shocking murders has occurred, the victims far too innocent and defenseless. For Detective Kate Martinelli, just promoted to Homicide and paired with a seasoned cop who's less than thrilled to be handed a green partner, it's a difficult case that just keeps getting harder. Then the detectives receive what appears to be a case-breaking lead.

When a band of homeless people cremate a beloved dog in San Francisco's Golden Gate Park, the authorities are willing to overlook a few broken regulations. But three weeks later, when the dog's owner gets the same fiery send-off, the SFPD has a real headache on its hands. The autopsy suggests homicide, but Inspector Kate Martinelli and her partner, Al Hawkin, have little else to go on: a homeless victim with no positive ID, a group of witnesses with little love for the cops, and a possible suspect, known only as Brother Erasmus, who proves both articulate and impossible to understand.

In England’s silent-film industry, Randolph Fflytte is king. Mary Russell is dispatched to investigate the criminal activities that surround Fflytte’s movie studio, but nothing seems amiss until the company starts rehearsals in Lisbon. There the 13 blonde-haired, blue-eyed actresses whom Mary is bemusedly chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fade-out.

Homicide detectives Kate Martinelli and Al Hawkin are investigating the death of a man whose cremated remains are found in San Francisco’s Golden Gate Park. Implicated in the death is Erasmus, a wandering soul and latter-day Shakespearean Fool who Kate doubts is guilty. He will say nothing to point the investigation away from himself, and Kate must not only prove his innocence, she must also nail the real killer.

By the 21st century, bombs and a deadly virus have reduced the male to female ratio to 1:10. Now what was America is ruled by tribes of woman warriors. Dian guards over her village and its people. But when strangers arrive with a precious gift and a request for aid, she must embark on a journey that leads her far from safety.

New York Times best-selling author Laurie R. King has won or been nominated for every major award in mystery writing. King's beloved sleuth Mary Russell here attempts to reverse her legendary husband Sherlock Holmes' greatest failure.

The first cremation the homeless people held in Golden Gate Park was for a dog; their second pyre held a much larger body. To find the one responsible for these deaths, Martinelli sets out on a quest for Brother Erasmus. An enigmatic creature who has befriended the homeless, he speaks only in quotations. When public fear of the peculiar band of park-dwellers threatens to grow out of control, Martinelli must unravel the guilt that lies at the bottom of Erasmus' refusal to give direct answers to her questions.