Résultats lu par "John Moffatt" dans Toutes les catégories

Following an otherwise-enjoyable literary luncheon, the celebrated crime novelist Ariadne Oliver is accosted by a particularly formidable woman who engages her in conversation about one of her many god-daughters, whom Ariadne hasn’t seen since she was a child. She lands a bombshell with the question ‘What I want to know is this: did her mother kill her father, or was it the father who killed the mother?’

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

The mice of Brambly Hedge have many adventures, but they always have time for fun, too. All through the year, they mark the seasons with feasts and festivities, and, of course, the mice never miss an opportunity to meet and celebrate. These four classic stories, read by John Moffatt and Harriet Carmichael, follow the mice’s adventures throughout the year.

Ariadne Oliver, Queen of Crime Fiction, has been asked to devise a Murder Hunt for a fête at Nasse House, the home of Sir George Stubbs. But she begins to suspect that someone is manipulating the scenario of her game and fears that something very sinister is being planned. She sends for her old friend Hercule Poirot. At first, he is not inclined to take her very seriously, but soon a series of events propels him to change his mind.

Hercule Poirot is a guest at a weekend house party, given at the Cornish clifftop home of the celebrated actor Sir Charles Cartwright. The other visitors include keen amateur detective Mr Satterthwaite and distinguished Harley Street nerve specialist Sir Bartholomew Strange. Death visits the house soon after Poirot's arrival, the victim an elderly clergyman who's only had a sip of dry martini. What else was in the glass? Are natural causes to blame... or murder?

Gordon Cloade is killed in a London air raid, and his vast fortune passes to his young wife Rosaleen. Five of his relatives are desperate to get their hands on Cloade's money, and Rosaleen begins to fear for her life. The prospects for the Cloades improve when they discover that Rosaleen had a previous husband who perished mysteriously in Africa. Then a mysterious stranger appears in the village, saying that he has something to communicate to her, but the following morning he is found dead.

John Moffatt and Rosemary Leach star in this BBC Radio 4 production of Noël Coward’s patriotic play about the ups and downs of a working-class family between 1919 and 1939. This Happy Breed opens in 1919, when the Gibbons family have just moved to their smart new home in the suburbs of South London. Against a background of social change and national upheaval spanning twenty years, the family celebrate their own triumphs and deal with their personal traumas.

A full-cast BBC Radio 4 dramatisation of an Agatha Christie story. On a flight from Le Bourget to Croydon, on which Hercule Poirot is an apprehensive passenger, a woman is found dead. A doctor on board is inclined to put it down to a wasp-sting, but Poirot suspects that a poisoned dart is the real cause - and, perhaps rather too conveniently, a blow pipe is discovered stuffed down the back of his seat. Clearly the murder can only have been committed by one of the passengers or crew on the plane.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective with Simon Williams and Philip Jackson. Alice Ascher, a poor, elderly shopkeeper, is murdered in Andover. Betty Barnard, a young waitress, is strangled with her own belt at Bexhill-on-Sea. Next comes Carmichael Clarke, collector of Chinese art, clubbed to death in Churston. Only in Doncaster does the pattern vary: the man found stabbed in the Regal Cinema is called George Earsfield.

Long before he'd produced any of his great works, Oscar Wilde was already famous for being famous. Armed only with some witty epigrams, a carefully crafted persona and his genius for self-promotion, he had conquered America and transformed himself from nobody to star. This radio collection opens with four plays from Radio 4's Born to be Wilde season, offering a 21st-century perspective on the making of one of the first true celebrities. First up are two sparkling and surprising productions of his two most popular comedies, marking the peak of his theatrical career.

Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration.

BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot. When Poirot arrives in France, following an urgent appeal for help, he finds he is too late. His client, a South American millionaire, has been stabbed to death and his body flung into a freshly dug open grave on the golf course adjoining the property. Meanwhile the millionaire's wife is found bound and gagged in her room. Poirot launches an investigation and the baffling mystery begins to unfold.

A haunting, magical fairy tale collection, in which Oscar Wilde beautifully evokes (amongst others) 'The Happy Prince', who was not so happy after all; 'The Selfish Giant', who learned to love little children; and 'The Star Child', who did not love his parents as much as he should.

Magical listening for young and old, narrated by John Moffatt.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

‘Monsieur Poirot, somehow or other I’ve just got to get rid of my husband!’ No sooner had she uttered the words than Lady Edgware’s husband was dead, brutally stabbed in the neck. The evidence against her is overwhelming, the case cut and dried. But what was the truth behind it all? What enemies lurked in the background of the victim’s life? Hercule Poirot is on the case, intrigued once more, ready to investigate murder in the library...

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective. Hercule Poirot and his good friend Captain Hastings are enjoying a well-deserved break on the Cornish Riviera, in the idyllic village of St Loo. Wandering along the terrace of the Hotel Majestic on the first morning of their stay, Poirot literally falls at the feet of a pretty, dark-haired girl and, much to Hastings’ delight, insists that she join them for a cocktail.

Tristram Shandy is an ironic masterpiece, a work of extraordinary originality, wit, and learning. It is a work of considerable philosophical complexity but at the same time it is just a piece of flim-flam; it has been called the longest shaggy dog story in English literature. It is both a classic novel and an anti-novel. It includes passages of seemingly serious theology - but it can also be read as an elaborate bawdy joke.

Christmas brings out the best and the worst in us, as can been seen in this evocative anthology. Among what Thomas Love Peacock calls the "many poetical charms in the heraldings of Christmas," there are eulogies by saints and diatribes from curmudgeons. Here, Christmas is expounded by divines, sung by rustics, deplored by philosophers, made mystical in stories and summed up in a line by the poet Elizabeth Jennings: "The hush, the star, the baby, people being kind again."

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.