Résultats lu par "John Morgan" dans Toutes les catégories

An innovative communication method for making change happen in any organization, Getting Change Right presents a new view of leadership communication that says change doesn't flow top-down, bottom-up, or sideways, but inside out. This is how change spreads through a complex system successfully - the other options are force or failure.

Sandro Vasiliadis, a nurse at the Whidbey Island General Hospital, has died of an apparent heroin overdose. When his grieving mother bends over to kiss her son's corpse at the viewing, she shrieks, "That's not Sandro!" Convinced that her son must still be alive, Maria Vasiliadis hires Kyra Rachel and Noel Franklin to solve the mystery. With questions of foul play continuing to swirl around the death, the detectives' inquiries lead them deeper into Sandro's life and eventually to a medical clinic that specializes in transgendering.

The second in the Islands Investigations International Mystery series, Always Kiss the Corpse takes Kyra and Noel's investigation from the rush of Seattle to the seeming peace of the San Juan Islands in this thrilling pause-resistor. It's only once the detectives come to understand Sandro in life that they unlock the secret to his death.

James Conaway's remarkable bestseller delves into the heart of California's lush and verdant Napa Valley, also known as America's Eden. Long the source of succulent grapes and singular wines, this region is also the setting for the remarkable true saga of the personalities behind the winemaking empires. This is the story of Gallos and Mondavis, of fortunes made and lost, of dynasties and destinies.

Will the unlikely romance between the rough and tumble stoker, Mat Burke, and Anna Christopherson, the world-weary daughter of the captain of a coal barge, survive? Set in 1910, the timeless question of, "How does love make us grow?" is pondered. This American classic, Anna Christie by Eugene O'Neill, is a play in four acts and won the Pulitzer Prize in 1922.

"Why does A. J. Liebling remain a vibrant role model for writers while the superb, prolific St. Clair McKelway has been sorely forgotten?" James Wolcott asked this question in a recent review of The Complete New Yorker on DVD. Anyone who has read a single paragraph of McKelway's work would struggle to provide an answer. His articles for The New Yorker were defined by their clean language and incomporable wit, by his love of New York's rough edges and his affection for the working man (whether that work was come by honestly or not).

The Islands Investigations International team is back! This time, Kyra Rachel and Noel Franklin are sleuthing around Quadra Island in the employ of Noel's old high school buddy, Jason Cooper. In a quiet wooded area of the island, Jason, his wife and two younger boys are worried for the oldest son in the family. Derek was discovered badly beaten in the woods by Campbell River and has remained in a deep coma for three weeks. Desperate to find out what happened to his son and why, Jason hires Noel and Kyra.

In The Icarus Syndrome, Peter Beinart tells a tale as old as the Greeks—a story about the seductions of success. Beinart describes Washington on the eve of three wars—World War I, Vietnam, and Iraq—three moments when American leaders decided they could remake the world in their image. Each time, leading intellectuals declared that history was over, and the spread of democracy was inevitable. Each time, a president held the nation in the palm of his hand.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

In compiling this collection of humorous short stories by both well known and more obscure authors, Alexander Jessup applied a broad interpretation of humour; the stories span the period between 1839 and the beginning of the first World War. 

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.