Résultats lu par "Kyla Garcia" dans Toutes les catégories

Cat, Magda, Gabi, and Luz have helped each other up the ladder with unshakable encouragement - and raw honesty - since forever. But lately, trouble is throwing everything these formidable women thought they knew into doubt. Now all four women will have to face the truths that make them vulnerable and the failings that give them strength to discover who they really are - and what real happiness means.

Who ever said being nice would get you to the top? Certainly not Alexandra Miles. She isn't nice, but she's more than skilled at playing the part. She floats through the halls of Spencer High, effortlessly orchestrating the actions of everyone around her, making people bend to her whim without even noticing they're doing it. She is the queen of Spencer High - and it's time to make it official.

My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, many, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was 25. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up.

In her striking second collection, Natalie Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limon illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the US and Mexico, and of the politics of the present day. Her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure.

Harper couldn't help it. Her first day at Westwood High, she saw Emerson Lopez sitting across the cafeteria and fell for him. Hard. The problem? Her friends insist he's bad news, and rumor has it he's NOT interested in relationships. But it's not like Emerson even knows she exists. Until summer unexpectedly brings both of them together. Harper may be the only person who can save Emerson from himself. But what if he doesn't want to be saved?

Seventh grader Estefania "Stef" Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family's taco truck. She wants nothing more than for her dad to get a normal job and for Tia Perla to be put out to pasture. It's no fun being known as the "Taco Queen" at school. But just when new city regulations are proposed, and her family's livelihood is threatened, she will have to become the truck's unlikely champion.

Dreamers and their allies, those who care about immigration justice, and anyone interested in the experience of Mexicans in the US will respond to these stories of Mexican immigrants (some documented, some not) illuminating their complex lives. Regardless of status, many are subjected to rights violations, inequality, and violence - all of which existed well before the Trump administration - and have profound feelings of being unwanted in the country they call home.

When a shy girl named Sarah Sierra first joins an after-school program in her neighborhood, she never expects to travel back in time and discover the words of Miguel de Cervantes. But at Still Waters in a Storm, a teacher named Stephen and a group of kids have pushed together tables piled high with books so they can gather round to talk about and translate Cervantes’ classic, Don Quixote de La Mancha. They begin to reimagine Don Quixote as the story of a group of modern-day kids from immigrant families in Brooklyn.

This volume cultivates, for students and teachers in classrooms, as well as citizens in libraries and cafes, a language to deliberate about the possibilities and problems of democracy in America.

The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart as he tries to care for his father; daughter Dina, beleaguered by fear that her nightmares are real, is a shut-in. When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them―could this be the reason for all their troubles?

Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, "Maria, Maria"—a family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias.

Kaya is a Nez Perce girl who takes pride in helping out and supporting the tribe—and also in her beloved horse, Steps High. But when she chooses racing her horse over family responsibilities, Kaya has to prove herself to earn her tribe’s respect. Kaya’s story of adventure in the wilderness is sure to engage today's listeners as they learn what it was like to be a Native American girl in 1764 in this book. This exciting book is based on an American Girl story by Janet Shaw.

The stories cover a range of settings and topics, including finding freedom during the Civil War, growing up in a Nez Perce Indian tribe in 1764, standing up for equality in the Civil Rights era, celebrating Christmas during World War II, and helping a friend in need in turn-of the century New York in 1904.

Labor and delivery nurse Penelope is an expert at her job, but a complete mess when it comes to her personal life. Despite avoiding relationships in the past, now all she wants is for her boyfriend to leave his wife. But soon after he dumps her in favor of his marriage, Penelope discovers she’s pregnant. Suddenly, she doesn’t feel like such an expert anymore. What happens when women tell the truth about themselves, their desires, and the sacrifices they’re willing—or unwilling—to make?

Former LAPD cop turned private investigator Yolanda Ávila blames herself for her mother's death. If she'd only followed her cop instincts instead of the juju—her random prophetic dreams—the perpetrator would have been off the streets and her mother would still be alive. The only salve against her guilt is Yolanda's vow to reject that juju crap, and to solve cases using only good solid detective work. But when her godson is kidnapped and his parents are suspected of murder, Yolanda finds herself caught between what she feels and what she knows.

The first story collection from prize-winning author Fabio Morábito available in English, Mothers and Dogs features fifteen tales that show the emotional extremes in seemingly trivial details and quotidian situations: two brothers worry more about a dog locked in an apartment who hasn’t been fed than they do about their dying mother; when the lights go out on a racetrack, a man’s evening jog turns into a savage battle between runners; a daughter learns to draft business letters as an homage to her mother.

It's a new calendar year, and Stella is determined to make it her best one yet. Not only are Stella and her family finally becoming United States citizens, but the Sea Musketeers are also presenting their plastics pledge to the school council. With her trusty schedule in hand, Stella is ready for anything! But after life takes unexpected turns, Stella will have to fight to keep her perfect year on track. Not to worry, because Stella Diaz is to the rescue! Right?

From the award-winning Native American literary writer Diane Glancy comes a book about travel, belonging, and home. Travel is not merely a means to bring us from one location to another. "My sense of place is in the moving," Glancy writes. For her the road is home—its own satisfying destination. But the road also makes demands on us: asking us to be willing to explore the incomprehensible parts of the landscapes we inhabit and pass through-as well as to, ultimately, let them blur as they go by. This, Glancy says, is home.