African American Biography

Before Talib Kweli became a world-renowned hip hop artist, he was a Brooklyn kid who liked to cut class, spit rhymes, and wander the streets of Greenwich Village with a motley crew of artists, rappers, and DJs who found hip hop more inspiring than their textbooks (much to the chagrin of the educator parents who had given their son an Afrocentric name in hope of securing for him a more traditional sense of pride and purpose).

Problem Child is the unbelievably true story of Terrell Carter, an American musician and actor who grew up in Buffalo, New York, in a dysfunctional family, each member crazier than the next. And the Problem Child is the only one in the story who may, or may not, actually have a problem. An emotional journey of trials and revelations, with a huge secret at its core, this story may force you to laugh - just to keep from crying.

In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale.

Philippe Girard shows how Toussaint Louverture transformed himself from lowly freedman into revolutionary hero as the mastermind of the bloody slave revolt of 1791. By 1801, Louverture was governor of the colony where he had once been a slave. But his lifelong quest to be accepted as a member of the colonial elite ended in despair: he spent the last year of his life in a French prison cell. His example nevertheless inspired anticolonial and Black nationalist movements well into the 20th century.

Rebecca Carroll grew up the only Black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic - and yet she couldn’t articulate the deep sense of isolation she increasingly felt as she grew older. Everything changed when she met her birth mother, a young White woman, who consistently undermined Carroll’s sense of her blackness and self-esteem.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

How does a white kid from the New York suburbs, harmonica in hand, end up earning himself a busker's spot on the Harlem sidewalks next to Mr. Satan, a Mississippi-born legend? How did an interracial blues duo fare on the streets of New York during a turbulent, fractious time marked by racially-motivated murders in Howard Beach, Bensonhurst, and Crown Heights?

A testament to the importance of imagination, trusting oneself, and making space for your creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a '90s kid who confided in his imaginary sidekick to navigate everything from parallel pop culture universes, like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews, to a lifetime of birthday disappointment (being a Christmas season Capricorn will do that to you) and hoop dreams gone bad.

In this, Frederick Douglass’s second memoir, the abolitionist leader reflects further on the inhuman oppression he had personally endured and explores the larger impact of such injustice on society as a whole. At the time of writing, Douglass had emerged from chattel slavery in Maryland to a qualified freedom in the North and become a renowned speaker on the power of literacy and self-reliance. This story goes deeper than what Douglass was able to address in his Narrative of the Life of Frederick Douglass....

Harry Belafonte is not just one of the greatest entertainers of our time; he has led one of the great American lives of the last century. Now, this extraordinary icon tells us the story of that life, giving us its full breadth, letting us share in the struggles, the tragedies, and, most of all, the inspiring triumphs.

Acclaimed archeologist and historian Karolyn Smardz Frost painstakingly resurrects Thornton and Lucie Blackburn's perilous 1830s journey from Kentucky slavery to Canadian freedom.

First published in 1789, this autobiography of Olaudah Equiano comprises a variety of styles, such as a slavery narrative, travel tale, and spiritual journey. It recounts Equiano's time as a slave, and chronicles his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his freedom.

In this unprecedented deep dive into inner-city gang life, Mark Bowden takes listeners inside a Baltimore gang, offers an in-depth portrait of its notorious leader, and chronicles the 2016 FBI investigation that landed eight gang members in prison.

Life and Times of Frederick Douglass covers the life of the prominent abolitionist during and after the Civil War. Here, Douglass provides a fuller account of his escape from slavery and the underground railway to freedom. It includes his recollections of presidents Garfield and Lincoln, Johnson and Garfield, and an account of his service as Marshall of the District of Columbia.

When Amos Fortune was only 15 years old, he was captured by slave traders and brought to Massachusetts, where he was sold at auction. Although his freedom had been taken, Amos never lost his dignity and courage. For 45 years, Amos worked as a slave and dreamed of freedom. And, at age 60, he finally began to see those dreams come true.

In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.

In the historical context of the Jim Crow South, Gail explores her mother's decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother's fear and shame, Gail embarks on a quest to uncover her mother's racial lineage, tracing her family back to 18th-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage.

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.

From its founding in 1966 to contemporary attempts to censure its history and revise its significance, the Black Panther party has aroused fear, hope, pride, vilification, and government-sponsored oppression. This is the first and only collection of the most vital, representative writings of the party. Here are Huey P. Newton, Bobby Seale, Eldridge Cleaver, David Hilliard, and Fred Hampton; Kathleen Cleaver and other Panther women; the party's court battles and acquittals; its positions on black separatism, the power structure, the police, violence, education, and more.

You may know W. Kamau Bell from his new Emmy-nominated hit show on CNN, United Shades of America. Or maybe you've read about him in The New York Times, which called him "the most promising new talent in political comedy in many years." Or maybe from The New Yorker fawning over his brand of humor writing: "Bell's gimmick is intersectional progressivism: he treats racial, gay, and women's issues as inseparable."