African American Families

Roux is a novel that brims with family, secrets, and love. Award-winning author Tamika Christy writes about the devastation of loss, the difficulty of relationships, and the family ties that bond. Written in the vein of Steel Magnolias, the story takes us into the lives of African American families with their unique hardships, triumphs in relationships, culture, and values. It is relatable, comforting, and challenging.

At 72, Johnny Ribkins shouldn't have such problems: he's got one week to come up with the money he stole from his mobster boss or it's curtains. What may or may not be useful to Johnny as he flees is that he comes from an African American family that has been gifted with superpowers that are a bit, well, odd. Okay, very odd. For example, Johnny's father could see colors no one else could see. His brother could scale perfectly flat walls. His cousin belches fire. And Johnny himself can make precise maps of any space you name, whether he's been there or not.

Jonah Winters has it all. An Ivy Leaguer born to expatriate parents, he is never in want for money and calls both New York City and Paris his home. Aware that his fortunes are rare for a Black man like himself, he attempts to give back by teaching English at a New York City public school only to be profoundly disillusioned by his apathetic students. When a friend offers Jonah a chance to escape down to South America, he accepts, ready to leave the struggling African American community to solve their own problems.

For the five Reeves women, nothing is more important than keeping their family bond tight and their communication flowing. But honesty isn't so clear cut when it could blow up everything they've fought to build. Already reeling from betrayal, middle sister Coco is fed up with lies - including her own. If she has her way, someone else's neck needs to be on the line for a change. But soon, Coco's in deep trouble with the law, her future hanging in the balance....

To keep their family ties strong, the five Reeves sisters meet regularly to give each other a reality check. But explosive family secrets begin to pour out like molten lava and forever change all they treasure most.

A solid marriage, a thriving business, and the esteem of their close-knit Alabama community - Joyce and Odell Watson have every reason to count their blessings. Their marriage has given well-off Joyce a chance at the family she's always wanted - and granted Odell a once-in-a-lifetime shot to escape grinding poverty. But all that respectability and status comes at a cost. Just once, Joyce and Odell want to break loose and taste life's wild side, without consequences.

In the wake of a major loss, five sisters agree to meet on the regular to keep it real. But secrets they never saw coming will challenge them and everything they counted on. Savvy and decisive, Burgundy Reeves feels blessed with a good husband and a successful career. She is the sister everyone envies. Since her beloved mother's death, she's given troubled youngest sister, Elyse, a stable home when she needs it most. And she's taken it on herself to keep her contentious siblings together.

When Mildred and Richard Loving wed in 1958, they were ripped from their shared bed and taken to court. Their crime: miscegenation, punished by exile from their home state of Virginia. The resulting landmark decision of Loving v. Virginia ended bans on interracial marriage and remains a signature case—the first to use the words “white supremacy” to describe such racism.

As the 20th century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, "King and Queen of the Racially Nebulous Prom". Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

Joy Okafor is overwhelmed. The recently divorced life coach whose phone won’t stop ringing is also the dutiful Nigerian daughter who has planned every aspect of her mother’s seventieth birthday weekend on her own. As the Okafors slowly begin to arrive, Mama Mary goes to take a nap. But when the grandkids try to wake her, they find that she isn’t sleeping after all. Refusing to believe that her sister is gone-gone, Auntie Nancy declares that she has had a premonition: Mama Mary will rise again like Jesus Christ himself on Easter Sunday.

The Hairstons is the extraordinary story of the largest family in America, the Hairston clan. With several thousand black and white members, the Hairstons share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family.

All hell has broken loose, and the McPhearson clan is right in the middle of the chaos. After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.

When Bonnie Wilder's husband, Naz, finds an abandoned baby by the river, she thinks her prayers have been answered. But Naz refuses to raise another man's child.

Simone Garcia-Hampton is starting over at a new school, and this time things will be different. She's making real friends, making a name for herself as student director of Rent, and making a play for Miles, the guy who makes her melt every time he walks into a room. The last thing she wants is for word to get out that she's HIV-positive, because last time...well, last time things got ugly.

Courtney Cooper and Jupiter Sanchez (Coop & Jupe!) have been next-door neighbors and best friends since they were seven years old. She's his partner in crime and other half. But lately, Cooper can't ignore he might want something more than friendship from Jupiter. When Rae Chin moves to town she can't believe how lucky she is to find Coop and Jupe. Being the new kid is usually synonymous with pariah, but around these two, she finally feels like she belongs. She's so grateful she wants to kiss him...and her.

Knight Barron, the second eldest son of the Barron family is led by duty, honor, and chivalry. Above all else, he is dedicated to his family. When it’s his turn to accept a marriage planned by his parents, Knight steps up fully prepared to play dutiful husband. What Knight cannot foresee is another woman falling into his life. A woman that isn’t a part of the plan, but has him intrigued. It doesn’t take long before Knight is questioning whether to choose family loyalty or his happiness.

Rio Duncan is one of the youngest children of the Duncan clan. With no solid position in the family business like his other siblings, he has been feeling out of place and decides to disappear. Rio leaves his Duncan identity behind and goes on a search for friends and family who can relate to him. His destination is Baltimore, and he is sure to find what he is looking for in the city with a community like no other.

In this deeply researched, movingly narrated portrait of the extended Townsend family, R. Isabela Morales reconstructs the migration of this mixed-race family across the American West and South over the second half of the nineteenth century. Searching for communities where they could exercise their newfound freedom and wealth to the fullest, members of the family homesteaded and attended college in Ohio and Kansas; fought for the Union Army in Mississippi; mined for silver in the Colorado Rockies; and, in the case of one son, returned to Alabama.

The most any one of us can hope for is a good death, but what is a good death? It’s going in peace. Going without pain. Going without being a burden to the ones we love. Leaving some good behind. Many in the African American community don't like to think or talk about the end, good or otherwise. So we die and leave a mess or someone we love dies and leaves us a mess. This book is a guide to help African Americans deal with what we in the culture call “transitioning” or “homegoing”.