African American Families

In 1916, Celia Coleman and Lucy Grimes flee the racism and poverty of their homes in the post-Civil War South for the “Promised Land” of the North. But soon they learn that even in Vauxhall, New Jersey, black women are mainly hired for domestic work, money is scarce, children don’t progress in school, and black men die young. Within a few short years, both women’s husbands are dead. Left to navigate this unwelcoming place alone, Celia and Lucy turn to one another for support in raising their children far from home.

The Butler family has had their share of trials - as sisters Althea, Viola, and Lillian can attest - but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with, and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat, the family goes from one of the most respected in town to utter disgrace.

Secrets are revealed in more ways than one. The truth always has a way of revealing itself. What happens when everyone is hiding something from the other? When relationships and bonds are tested in more ways than one. Will these relationships end before they could fully start?

Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat—by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes.

Jonah Winters has it all. An Ivy Leaguer born to expatriate parents, he is never in want for money and calls both New York City and Paris his home. Aware that his fortunes are rare for a Black man like himself, he attempts to give back by teaching English at a New York City public school only to be profoundly disillusioned by his apathetic students. When a friend offers Jonah a chance to escape down to South America, he accepts, ready to leave the struggling African American community to solve their own problems.

Raymond Jaffe feels like he doesn’t belong. Not with his mother’s new family. Not as a weekend guest with his father and his father’s wife. Not at school, where he’s an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he’s tamed and to a blind ninety-two-year-old woman in his building who’s introduced herself with a curious question: Have you seen Luis Velez?

This recently rediscovered and critically acclaimed 1937 novel tells the story of Janie Crawford, a long-legged, articulate, and fiercely independent African-American woman of the 1930s. Janie's quest for identity includes three marriages and a return to her roots. Despite her struggles, Janie never defines herself by regret, fear, or unrealistic dreams, and refuses to be anything but her own person.

Embark on an extraordinary journey through the segregated South of 1957 with Drunetta Brown, a woman determined to rewrite her story of struggle and heartbreak. Fleeing her shattered dreams and an alcoholic husband, Drunetta takes her children to New York City for a fresh start. There, she finds unexpected allies in Raycie, a talented bar singer, and Rose, a devoted church secretary. As Drunetta navigates the challenges of her new life, her friendships become her lifeline, offering the strength she needs to carve her own path in a changing world.

At the age of 12, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her.

Jamison Jareau has suffered a terrible loss. His wife of eighteen years passed away the day she gave birth to their son. Consumed with grief and guilt over her death, Jamison has thrown himself into work and raising his four children without her. Two and a half years have passed since he lost his soulmate. The kids are growing up and Jamison realized he needs a little more help with them than he wants to admit. At the urging of his mother-in-law, he seeks a live-in nanny to alleviate some of the stress of being a single parent.

Joy Okafor is overwhelmed. The recently divorced life coach whose phone won’t stop ringing is also the dutiful Nigerian daughter who has planned every aspect of her mother’s seventieth birthday weekend on her own. As the Okafors slowly begin to arrive, Mama Mary goes to take a nap. But when the grandkids try to wake her, they find that she isn’t sleeping after all. Refusing to believe that her sister is gone-gone, Auntie Nancy declares that she has had a premonition: Mama Mary will rise again like Jesus Christ himself on Easter Sunday.

Through the darkest tunnel comes the light, but for Caesar King, there is nothing but more darkness on the other side. After the failed attempt on his life, he is afraid that the Pact of the Five Families is no more. He can trust nobody. Whoever murdered Barry is now aiming for Caesar's crown, and the only way to flush them out and figure out who's responsible is to go to war...with everybody.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair.

At 72, Johnny Ribkins shouldn't have such problems: he's got one week to come up with the money he stole from his mobster boss or it's curtains. What may or may not be useful to Johnny as he flees is that he comes from an African American family that has been gifted with superpowers that are a bit, well, odd. Okay, very odd. For example, Johnny's father could see colors no one else could see. His brother could scale perfectly flat walls. His cousin belches fire. And Johnny himself can make precise maps of any space you name, whether he's been there or not.

You gotta know the rules to play the game. Ball is life. Take it to the hoop. Soar. What can we imagine for ourselves? What if we were the star players, moving and grooving through the game of life? What if we had our own rules of the game to help us get what we want, what we aspire to, what will enrich our lives? The Playbook is intended to provide inspiration for kids ages 10 and up to help them succeed on and off the court.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

In We Live for the We, first-time mother Dani McClain sets out to understand how to raise her daughter in what she, as a black woman, knows to be an unjust—even hostile—society. Black women are more likely to die during pregnancy or birth than any other race; black mothers must stand before television cameras telling the world that their slain children were human beings. What, then, is the best way to keep fear at bay and raise a child so she lives with dignity and joy?

June Hanson: Calix Moore was like nothing I’d ever experienced in this life. He stormed in with no regard for what it might do to my heart, only his own. I wanted to open up and give him a chance, same as I had the first night we met—the night we threw all caution to the wind and spent twelve passionate hours behind closed doors. But when the sky brightened, and I looked next to me, I knew I could never allow him to see me again. Except fate had other plans and now he’s standing in front of me, at my place of business, with a knowing smirk pulling at his lips.