African American Literature Fiction

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know.

He's hard, cold, and stubborn as a bull. He has no right to want to be with her. She's everything he's not. Warm, patient, and attentive. Yet, the two of them find themselves badly wanting each other. Neither of them has ever had the guts to tell each other how they truly feel. Will they get it together, or will she find comfort in the arms of someone else who's brave enough to steal her heart?

In Trinidad, in 1796, teenage Rosa Rendon quietly but purposefully rebels against typical female roles and behavior. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house - it is obvious her talents lie in running the farm she expects to be her birthright, despite her two older siblings. But as her homeland goes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners - Rosa's family among them - will be allowed to keep their assets, their land, and ultimately, their freedom.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

I knew he had the power to make me feel, but he also had the power to break me. To pull my heart outside of my chest and stomp on it. I knew falling for a man like Capone came with more than I was ready for. He wasn't feared for no reason. Timmy never meant Jaiden any good, and I knew it from the first time I met him. I've never wanted someone dead as much as I wanted him dead. Timmy needed to go, and I didn't care how he went as long as he wasn't breathing. Capone put it on his life that he would always protect me and mine.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.

Trying to put past hurts behind you is hard when your ex is a fool, but buoyed by child support and alimony, Jo Walker is moving forward with her life, pursuing a career, raising her little girl, and trying to live in peace. She believes she has all the bases covered in her world. But what about her heart? Rap legend Everett "Big South" McClain is divorced, too, knows all about failed relationships, and has relegated his love life to casual connections rather than pursuing something real. That is, until he lays eyes on Jo.

The day Lisara Compton caught her husband in a rather compromising position changed her life in a way neither she nor her sons ever saw coming. Realizing too late that divorcing him would cause a domino effect of turmoil, she is now forced into an uncomfortable life that she can't seem to stay afloat in. With her eldest son acting out and a nonexistent ex-husband, Lisara feels things can't get any worse. That's until her ex betrays her and their son in a way that leaves her in need like never before. It seems she just can't catch a break, until she meets him.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days."

Madam C.J. Walker wasn't just an inventor. She was also a political activist and businesswoman. Young listeners will discover that she was not only fought for civil rights, but became one of the most successful African-American business owners ever.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

The daughter of a powerful Atlanta dynasty, Ricki Wilde is the opposite of her famous socialite sisters. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When she moves into a Harlem brownstone, she leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. One evening Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way.

Esi Edugyan won wide acclaim for her stunning novel Half-Blood Blues - a Man Booker Prize finalist and winner of the Scotiabank Giller Prize. In it, 83-year-old Sid Griffiths remembers his time during WWII playing in a Berlin jazz band called the Hot Time Swingers. When jazz music was denounced by the Nazis, Sid and his bandmates fled to Paris - a move that put Hieronymous, the band's brilliantly talented trumpeter, in constant danger due to his Afro-German heritage.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.