African American Science

Mississippi, 1955: 14-year-old Emmett Till was murdered by a white mob after making flirtatious remarks to a white woman, Carolyn Bryant. Till's attackers were never convicted, but his lynching became one of the most notorious hate crimes in American history. It launched protests across the country, helped the NAACP gain thousands of members, and inspired famous activists like Rosa Parks to stand up and fight for equal rights for the first time.

In Teaching White Supremacy, Donald Yacovone shows us the clear and damning evidence of white supremacy’s deep-seated roots in our nation’s education system in a fascinating, in-depth examination of America’s wide assortment of texts, from primary readers to college textbooks and other higher-ed course materials. Sifting through a wealth of materials, from the colonial era to today, Yacovone reveals the systematic ways in which white supremacist ideology has infiltrated American culture and how it has been at the heart of our collective national identity.

First published in 1789, this autobiography of Olaudah Equiano comprises a variety of styles, such as a slavery narrative, travel tale, and spiritual journey. It recounts Equiano's time as a slave, and chronicles his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his freedom.

The final volume of Taylor Branch's monumental, much honored, and definitive history of the Civil Rights Movement (America in the King Years), At Canaan's Edge covers the final years of King's struggle to hold his non-violent movement together in the face of factionalism within the Movement, hostility and harassment of the Johnson Administration, the country torn apart by Vietnam, and his own attempt (and failure) to take the Freedom Movement north.

A provocative, lively deep dive into the meaning of America's first Black president and first Black presidency, from "one of the most graceful and lucid intellectuals writing on race and politics today" (

Vanity Fair).

A tragedy is unfolding all around us and is receiving well overdue attention. Black women are three times more likely to die from pregnancy than their white peers. But Dr. Monique Rainford is working to better understand these disparities and do something about them.

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.

bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

In this groundbreaking book, Aldon D. Morris’ ambition is truly monumental: to help rewrite the history of sociology and to acknowledge the primacy of W. E. B. Du Bois’ work in the founding of the discipline. Calling into question the prevailing narrative of how sociology developed, Morris, a major scholar of social movements, probes the way in which the history of the discipline has traditionally given credit to Robert E. Park at the University of Chicago, who worked with the conservative Black leader Booker T. Washington to render Du Bois invisible.

Richard Wright's powerful and eloquent memoir of his journey from innocence to experience in the Jim Crow South. At once an unashamed confession and a profound indictment, Black Boy is a poignant record of struggle and endurance - a seminal literary work that illuminates our own time. The once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Seventy-five years later, his words continue to reverberate.

Ha dado comienzo una estación de desenlaces. Empieza con una gran grieta roja que recorre las entrañas del único continente del planeta, una grieta que escupe una ceniza que oculta la luz del sol. Empieza con la muerte, con un hijo asesinado y una hija perdida. Empieza con una traición, con heridas latentes que comienzan a supurar. El lugar es la Quietud, un continente acostumbrado a la catástrofe en el que la energía de la tierra se utiliza como arma. Y en el que no hay lugar para la misericordia.

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

Black churches in America have long been recognized as the most independent, stable, and dominant institutions in Black communities. Drawing on interviews with more than 1,800 Black clergy in both urban and rural settings, combined with a comprehensive historical overview of seven mainline Black denominations, C. Eric Lincoln and Lawrence H. Mamiya present an analysis of the Black church as it relates to the history of African Americans and to contemporary Black culture.

In Created Equal, Dr. Carson uses his own personal experiences as a member of a racial minority, along with the writings and experiences of others from multiple backgrounds and demographics, to analyze the current state of race relations in America. Instead of using race as an excuse to remake America into something completely antithetical to the Constitution, Dr. Carson suggests ways to enhance and bring great success to our nation and all multiethnic societies by magnifying America's incredible strengths instead of her historical weaknesses.

From one of the most exciting new storytellers in epic fantasy, Son of the Storm is a sweeping tale of violent conquest and forgotten magic set in a world inspired by the pre-colonial empires of West Africa.

Remaking a Life uses the HIV/AIDS epidemic as a lens to understand how women generate radical improvements in their social well being in the face of social stigma and economic disadvantage. Drawing on interviews with nationally recognized AIDS activists as well as over one hundred Chicago-based women living with HIV/AIDS, Celeste Watkins-Hayes takes listeners on an uplifting journey through women’s transformative projects, a multidimensional process in which women shift their approach to their physical, social, economic, and political survival.

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison.

If you can count on one thing from "Madea" Mabel Simmons, star of Diary of a Mad Black Woman and Madea's Family Reunion, it's that she's got something to say. She's the beloved, hilarious, sharp-witted, pistol-packing grandmother who's watching out and speaking her mind. Now Madea is telling her own story, dishing her memoirs and hard-won, hilarious wisdom in her own inimitable voice (with a little help from her friend Tyler Perry).

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.