African Politics

"Bloody Sunday" - March 7, 1965 - was a pivotal moment in the civil rights struggle. The national outrage generated by scenes of Alabama state troopers attacking peaceful demonstrators fueled the drive toward the passage of the Voting Rights Acts later that year. But why were hundreds of activists marching from Selma to Montgomery that afternoon?

One of the nation's preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

For too long, the narratives surrounding Black communities in America have been dominated by deficit-based thinking, focusing on perceived weaknesses rather than the inherent strengths and resilience that have been fostered through generations of hardship. This book seeks to challenge that paradigm, offering a critical but constructive analysis of the socio-political and economic realities confronting Black Americans.

The forgotten story of a criminal trial that brought national attention to a young defendant named Rev. Martin Luther King Jr. as told by Fred D. Gray, Dr. King’s lawyer and friend, along with New York Times bestselling authors Dan Abrams and David Fisher. The audiobook concludes with an exclusive conversation between Fred Gray and Dan Abrams.

Black vernacular doesn’t often get its due—despite its enormous influence on mainstream culture—but Historically Black Phrases is here to give Black language its flowers. A celebration of more than two hundred staples of Black conversation—from church sayings and units of measure to compliments and reprimands—this sharp and witty guide explores the unique importance of Black expression and communication.

You may never have heard of him, but you've probably heard of the many people civil rights activist Bayard Rustin influenced. He was a mentor to Dr. Martin Luther King, Jr., and refused to move to the back of the bus many years before Rosa Parks did. The son of a freed slave, Bayard Rustin grew up during the peak of the Jim Crow laws, which segregated Blacks and Whites.

Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification.

Fifty years ago Malcolm X told a White woman who asked what she could do for the cause, "Nothing." Dyson believes he was wrong. In Tears We Cannot Stop, he responds to that question. If we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, or discounted.

Enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin color, and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic.

In Black Feminism Reimagined, Jennifer C. Nash reframes Black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence.

This book covers many questions about how we as a country got to Black American racism. As I found more and more answers, I realized how many of them were totally new to me and how I felt that I had been so deceived about so much of our history. After talking to many people, Black and white, I knew that it wasn't just me who had been deceived. There is so much that has been done to Black Americans over the ages, not just slavery, that I felt everyone could understand better if various truths were revealed.

Three powerful African-American female executives celebrate their gender and heritage as they share their secrets for success in this effective guide for businesswomen. Ways to communicate thoughtfully, trust yourself, and exude self-esteem are just a few tactics the authors discuss for those who want to enter the workforce as confident leaders.

Descended from Arkansas sharecroppers, BJ, Larry, and Willie Chambers moved to Detroit seeking economic opportunity, and built a successful drug empire by applying strict business principles to their trade; their business grossed an estimated $55 million annually until the brothers were sent to prison in 1989.

In this unforgettable work, Pulitzer Prize-winning journalist Chris Hedges provides an intimate and moving look at the lives of the students he teaches in a maximum-security prison. He and 28 students (who together are serving a combined sentence of 515 years) read and discussed plays by Amiri Baraka, John Herbert, Tarell Alvin McCraney, Miguel Piñero, and August Wilson, among others. Together they set out to write an original play drawing on their experiences of poverty, institutionalized racism, police brutality, and mass incarceration.

Dreams and Death in African Mythology: The History of Legends and Folk Stories About Dreams and Death Across Africa examines the various stories that sought to explain death and dreams, from their origins to their evolution across different cultures.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

In late September 1919, black sharecroppers met to protest unfair settlements for their cotton crops from white plantation owners. Local law enforcement broke up the union's meeting, and the next day a thousand white men from the Delta - and troops of the US Army itself - converged on Phillips County, Arkansas, to "put down" the black sharecroppers' "insurrection". Writer and Delta native Grif Stockley considers the evidence and tells the full story of this incident for the first time, concluding that black people were murdered in Elaine by white mobs and federal soldiers.

C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion.

King Peggy chronicles the astonishing journey of an American secretary who suddenly finds herself king to a town of 7,000 souls on Ghana's central coast, half a world away. Upon arriving for her crowning ceremony in beautiful Otuam, she discovers the dire reality: there's no running water, no doctor, and no high school, and many of the village elders are stealing the town's funds. To make matters worse, her uncle (the late king) sits in a morgue awaiting a proper funeral in the royal palace, which is in ruins.

To discover the true role of Black women in the creation of American, and especially Southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African-American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind. The Jemima Code presents more than 150 Black cookbooks that range from a rare 1827 house servant’s manual to modern classics.