African Studies

The slave ship Amistad set sail from Havana on July 2, 1839, on a routine delivery of human cargo. A few days into its voyage, the 53 African captives aboard would seize control and steer a new course - one that took them to freedom and ultimately into history. Though the Amistad rebellion has been celebrated in films and books, its story has largely been told through the eyes of white abolitionists, with the Supreme Court victory by the Africans as the ultimate triumph. Now, Marcus Rediker’s captivating new history turns the lens on the Africans themselves.

When The Real Housewives of New York City hired its first black cast member after more than 13 years on the air, attorney, speaker, and journalist Eboni K. Williams knew that the public would consider her a diversity hire. But instead of accepting the label, Williams re-envisioned her role as a “Diversity Higher,” an opportunity to prove the significance of Black excellence in the workspace and in society at-large. In this book, she shares all the benefits and advantages that have helped her and many others historically reach great heights in their careers and beyond.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Drawing from stratification economics, intersectionality, and respectability politics, The Love Jones Cohort centers on the voices and lifestyles of members of the Black middle class who are single and living alone (SALA). While much has been written about both the Black middle class and the rise of singlehood, this book represents a first foray into bridging these two concepts.

After a deadly pandemic, shocking incidents of police brutality, a racial justice crisis, and the fall of a dangerous demagogue, America remains more divided than at any time in decades. At the heart of this national crisis is the fear of a darkening America - a country in which there is no longer a predominant White majority. As the Republican Party has lost the popular vote in seven of the last eight presidential elections, its leaders have incited White Americans in a last-ditch race against time to stop the advance of a new, multiracial emerging majority.

This stunningly personal document and extraordinary history of the turbulent '60s and early '70s displays James Baldwin's fury and despair more deeply than any of his other works. In vivid detail he remembers the Harlem childhood that shaped his early consciousness, the later events that scored his heart with pain - the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his return to the American South to confront a violent America face-to-face.

In this unforgettable work, Pulitzer Prize-winning journalist Chris Hedges provides an intimate and moving look at the lives of the students he teaches in a maximum-security prison. He and 28 students (who together are serving a combined sentence of 515 years) read and discussed plays by Amiri Baraka, John Herbert, Tarell Alvin McCraney, Miguel Piñero, and August Wilson, among others. Together they set out to write an original play drawing on their experiences of poverty, institutionalized racism, police brutality, and mass incarceration.

In Colonize This!, Daisy Hernandez and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing, Colonize This! will reach the hearts and minds of listeners who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all races.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well.

Abra Dixon is well educated, fashionable, and married to the perfect man. She also runs a film production company with her childhood friend, Natasha. Abra’s perfect life is suddenly thrown off course when her husband leaves her for a sexy young model.As Abra and Natasha try to find a backer for their latest film, they must navigate the opulent world of directors and investors. But now Abra must learn to be single and strong again. In a world where everyone seems so confident, Abra will need to develop her own definition of success.

Historian Joel Augustus Rogers provides his evidence that there have been 19th- and 20th-century presidents of the United States who had partial Black ancestry, including Harding, Jefferson, Jackson, and Lincoln.

Beauty in a Box uses an interdisciplinary framework, engaging with African American history, critical race and cultural theory, consumer culture theory, media studies, diasporic art history, Black feminism, visual culture, film studies and political economy to explore the history of Black beauty culture in both Canada and the United States.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

In Black Feminism Reimagined, Jennifer C. Nash reframes Black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence.

After the 1969 season, the St. Louis Cardinals traded their star center fielder, Curt Flood, to the Philadelphia Phillies, setting off a chain of events that would change professional sports forever. At the time there were no free agents, no no-trade clauses. When a player was traded, he had to report to his new team or retire. Unwilling to leave St. Louis and influenced by the civil rights movement, Flood chose to sue Major League Baseball for his freedom.

According to the 2010 US census, more than 70 percent of Black women in America are unmarried. Black Women, Black Love reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split couples again as millions embarked on the Great Migration north.

C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion.

This cultural biography tells the enthralling story of the high-achieving Black elites who thrived in the nation's capital during Reconstruction. Daniel Murray (1851-1925), an assistant librarian at the Library of Congress, was a prominent member of this glorious class. Murray's life was reflective of those who were well-off at the time. This social circle included African American educators, ministers, lawyers, doctors, entrepreneurs, US senators and representatives, and other government officials.