American High

In these buoyant and inventive stories, Karen Tei Yamashita transfers classic tales across boundaries and questions what an inheritance - familial, cultural, emotional, artistic - really means. In a California of the '60s and '70s, characters examine the contents of deceased relatives' freezers, tape-record high school locker-room chatter, or collect a community's gossip while cleaning the teeth of its inhabitants.

Benjamin Franklin: Cultural Protestant follows Franklin's remarkable career through the lens of the trends and innovations that the Protestant Reformation started (both directly and indirectly) almost two centuries earlier. His work as a printer, civic reformer, institution builder, scientist, inventor, writer, self-help dispenser, politician, and statesmen was deeply rooted in the culture and outlook that Protestantism nurtured.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

The half-century before the Civil War was beset with conflict over equality as well as freedom. Beginning in 1803, many free states, claiming the authority to maintain the domestic peace, enacted laws that discouraged free African Americans from settling their boundaries and restricted the rights to testify in court, move freely from place to place, work, vote, and attend public school. But over time, African American activists and their white allies, often facing mob violence, courageously built a movement to fight these racist laws.

The Civil War ended more than 150 years ago, yet our nation remains fiercely divided over its enduring legacies. In A Thousand May Fall, Pulitzer Prize finalist Brian Matthew Jordan returns us to the war itself. Creating an intimate, absorbing chronicle from the ordinary soldier's perspective, he allows us to see the Civil War anew - and through unexpected eyes.

In a suburban LA neighborhood, neighbors keep wary distance and at times collide, propelled by desire, fury, and mischief. Precocious Korean-American sisters Mira and Rosemary find their world rocked by a suicide; a charismatic and creepy drama teacher grooms his students; an aging gay horror novelist fights loneliness; and a white mother and her adopted Vietnamese daughter deal with lifelong anger issues.

In Stand Up Straight and Sing!, Jessye Norman recalls in rich detail the strong women who were her role models, from her ancestors to family friends, relatives, and teachers. She hails the importance of her parents in her early learning and experiences in the arts. And she describes coming face-to-face with racism, not just as a child living in the segregated South, but also as an adult out and about in the world.

American democracy is at an impasse. After years of zero-sum partisan trench warfare, our political institutions are deteriorating. Our norms are collapsing. Democrats and Republicans no longer merely argue; they cut off contact with each other. In short, the two-party system is breaking our democracy, and driving us all crazy.

Since the end of the second World War, the United States has sunk hundreds of billions of dollars into foreign economies in the hope that its investments would help remake the world in its own image - or, at the very least, make the world "safe for democracy." So far, the returns have been disappointing, to say the least. Pushing for fair and free elections in undemocratic countries has added to the casualty count, rather than taken away from it, and trying to eliminate corruption entirely has precluded the elimination of some of the worst forms of corruption.

An earthquake unnerves Tokyo on March 11, 2011, triggering the Fukushima nuclear disaster - and a tectonic stirring of the collective past. Mr. Yoshie Watanabe, an aging executive at an electronics company and a survivor of the atomic bomb, feels as though he is a fugitive of his own memory. As the seams of his country threaten to come undone yet again, he braces himself to make the biggest decision of his life. Meanwhile, four women narrate their own memories of Watanabe to an enigmatic Argentinian reporter investigating his life.

Mark Doty has always felt haunted by Walt Whitman's bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty - a poet, a New Yorker, and an American - keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work.

In 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed 55 whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel.

When Ohio newspapers published the story of Alice Chenoweth's affair with a married man, she changed her name to Helen Hamilton Gardener, moved to New York, and devoted her life to championing women's rights and decrying the sexual double standard. She became one of the most sought-after speakers on the 19th-century lecture circuit, published seven books and countless essays, supported herself, hobnobbed with the most interesting thinkers of her era, visited 22 countries, and was celebrated for her audacious ideas and keen wit.

This indelible quote from The Man Who Shot Liberty Valance applies especially well to California, where legend has so thoroughly become fact that it is visible in everyday landscapes. Our foremost historian of the West, Richard White, never content to "print the legend," collaborates here with his son, a talented photographer, in excavating the layers of legend built into California's landscapes. Together they expose the bedrock of the past, and the history they uncover is astonishing.

When Trump's first Deputy National Security Advisor left Washington, she disappeared from sight. Now former government official and political commentator KT McFarland returns with tenacity, resolve, and the truth about the Trump Administration and those seeking to destroy it. For decades, KT McFarland has been one of the country's most prominent conservative foreign policy experts. She was part of the Trump Revolution from the beginning. As Trump's first Deputy National Security Advisor, she had a seat at the table for everything.

On a windy night in 1937, a 17-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him "Cesare" after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr's enemies.

Jack Duncan is a high school senior whose dream is to play baseball in college and beyond - as far away from Delano as possible. He longs to escape the political turmoil surrounding the labor struggles of the striking fieldworkers that infests his small ag town. Ever since his father, a grape grower, died under suspicious circumstances 10 years earlier, he's had to be the sole emotional support of his mother.

Just before her father's sudden death, Cuban-American artist Veronica Gonzalez is offered her first gallery exhibit, a real chance to break into the art world. Torn between the need to mourn and the pressure to create new artwork, Veronica is propelled into a fever-dream of productivity and grief, amidst memories of her tumultuous relationship with her colorful but infuriating Cuban emigre father, a volatile man of outsize appetites and passions who never stopped longing for his homeland.

In a feat of remarkable research and timely reclamation, Eric K. Washington uncovers the nearly forgotten life of James H. Williams (1878-1948), the chief porter of Grand Central Terminal's Red Caps - a multitude of Harlem-based Black men whom he organized into the essential labor force of America's most august railroad station. Washington reveals that despite the highly racialized and often exploitative nature of the work, the Red Cap was a highly coveted job for college-bound Black men determined to join New York's bourgeoning middle class.

Established by the leaders of the country's only successful slave revolt in the mid-19th century, Cross River still evokes the fierce rhythms of its founding. In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations - like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.