Art Horror

Darrell Scott said it best when he said country music sounds tired, but it doesn't sound Haggard, that is has money, but it doesn't have Cash. Well, Bubba is visited by the Ghosts of Music Past, Present, and Yet to Come in a Christmas Carol-style romp guided by legends of song to save Music from Auto-Tune Hell, literally!

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

50 Years of Hammer Horror by John L. Flynn, Ph.D. is the follow-up book to his popular 75 Years of Universal Monsters. Hammer Film Productions was the most successful independent film company in the world. Between 1935 and 1983, the company produced more than 250 motion pictures and television shows, and their signature productions headlined theater marquees all around the globe. Those productions included thrillers, comedies, historical dramas, and science fiction. The company was best known for its series of gothic horror films.

Celebrate 50 years of The Rocky Horror Picture Show with a bold new spoken-word album featuring original cast icon Patricia Quinn (Magenta), joined by special guests Barry Bostwick (Brad Majors) and Nell Campbell (Columbia).

In Running Wild, the second installment of Zombie Games, Cassandra Wild is on the run, trying to escape the clutches of a deranged psychopath and locate her family before it's too late... What do flesh-eating zombies, an insane lunatic, and a group of misfits all have in common? They all have a place in the game... Warning: Some adult situations and language.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

This triumphant final volume of Spinechillers begins with Doug Bradley's personal guide to the writers and the history of the stories. M. R. James' classic "Number 13" starts off this volume with a mystery about a disappearing and reappearing hotel room, can you guess the room number? Story two is the tale of a cat that can not only talk, but spills secrets that should have been truly left behind. Next, we present one of the most famous stories by H.P. Lovecraft, "The Call of Cthulhu".

This volume starts with the famous M. R. James story of occult revenge, "Casting the Runes", about a slighted occultist out for murderous revenge using his diabolical black arts to achieve it. It was adapted into the equally chilling movie Night of the Demon in 1957. Next up is another famous classic, W. W. Jacobs' "The Monkeys Paw", a brilliantly written tale of greed and getting what you wish for. The third story is "Hop-Frog" by Edgar Allan Poe - a classic yarn about the grisly revenge conjured up by a mistreated court jester.

A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade. When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day.

Torture porn, shock-for-shock’s sake, violence that doesn’t serve the plot, and characters you hate — what was going on in the 2000s in horror cinema? And why were audiences hungry for it? Millennial Nasties takes a critical but appreciative look at an oft-ignored subset of horror. This book dissects the English-language horror films of the 2000s and the cultural events they were responding to.

Arthur Roth is a lonely sixth-grader with a head full of big ideas and a gift for getting the hell kicked out of him. It's hard to make friends when you're the only inflatable boy in town.

A broken author tries to get back on his feet by staying at the super-cheap Fairfax Gardens. But the menacing Vagrant outside warns him repeatedly that the place is DAMNED. It all swings from bliss to horror and back, daily and inexplicably, due to the sweet and bubbly Sistine and her marauding demon of a mother. All, as the diabolical Vagrant outside seemingly grows more and more bent on killing them all.

The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Have you ever wanted to improve your ability to write Horror Genre screenplays by 100%...200%…300% or more? If so, then here's how you can gut, slice, chainsaw, bite, hack, howl and chew your way to the top by writing Horror screenplays that slit throats, haunt houses, cook brains and tear souls apart. Believe it or not, it doesn't matter how much you already know about the Horror genre.

With Blumhouse celebrating its 15th anniversary throughout 2025, Horror’s New Wave captures the company’s journey to become a powerhouse in the horror and thriller film genres—taking you through the process of conception to premiere for films like Five Nights at Freddy’s, Split, Get Out, Glass, now-classic franchises like The Purge, and so much more.

Sixteen-year-old Juliet Moreau has built a life for herself in London - working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true. Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward - both of whom she is deeply drawn to - Juliet travels to the island, only to discover the depths of her father's madness.

In 1920s Switzerland, vampire lovers Charlotte and Karl are drawn into turmoil as Godric Reiniger, a local filmmaker and activist with sinister ambitions, begins his rise to power. Meanwhile, fiery dancer Emil achieves his dream to partner the legendary ballerina and vampire Violette Lenoir until his forbidden desire for her becomes an obsession. Rejected, spiralling towards madness, he seeks solace with a mysterious beauty, Fadiya. But she, too, is a vampire, with a hidden agenda. Karl and Charlotte decide to rescue Emil.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

New Orleans artist Kira McGovern paints tribute portraits of the dead by mixing their cremated ashes into her oil paints. This sends her into an altered state, reliving blissful moments of their lives. But a new commission jolts her into reliving grotesque, bloody murder scenes. Kira has a horrifying realization: She’s painting the portrait of a serial killer.