Art Study

The Four Loves (1960) by C. S. Lewis explores the nature of love from a Christian theological perspective. Making a careful distinction between “like” and “love", the author first defines the terms. The discussion is based on four Greek words for love: storgē, philía, éros, and agápe. These four types are friendship, affection, erotic love, and charity, or the love of God. Lewis defines each of these types of love and how they affect our lives. Lewis considers affection, friendship, and eros as natural loves, while charity is supernatural since it is closest to the form of love which is defined by the expression “God is love”. Lewis examines each of the four loves in detail, including their benefits and potential dangers.

Suzanne Brøgger, der er en vigtig stemme i køns- og samfundsdebatten, har aldrig været bange for at ændre mening, fordi hun er blevet klogere. Her går hun i dialog med sine gamle bøger og opdaterer, nuancerer og diskuterer de emner, der altid har optaget hende, fx privatlivet, kernefamilien og parforholdet, voldtægt, skyld og skam, datter-, mor- og kvinderolle. Alt kommer til udtryk i Brøggers veloplagte og provokerende stil.

Unique among books that examine the bible as literature, this brilliantly compact introduction offers an intriguing double-edged look at this universal text - a religiously informed literary analysis. The book first explores the major sections of the New Testament - the gospels, Paul's letters, and Revelation - as individual literary documents. Keefer shows how, in such familiar stories as the parable of the Good Samaritan, a literary analysis can uncover an unexpected complexity to what seems a simple, straightforward tale.

When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster....

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

They've traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling 20 feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform - and survive - great moments of action in movies have been hitting their mark in Hollywood since the beginning of film.

Forty-eight stories of brave sparrows, wilds winds, and how to live in times of climate change. A prize-winning book by the natural storyteller Georgiana Keable, sharing long experience with children in the forests and snows of Norway. Meet the girl who became a fish, married a bear, and had a tree as her mum and dad. Meet the boy who tried to stop the wind, fetched fire from the center of the earth on the back of a bird, and whose father was the river.

Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women's voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only five percent of top studio films are directed by women and less than 20 percent of leading characters in mainstream films are female.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

With an in-depth look at the two most empowering years in the life of Marilyn Monroe, The Girl details how The Seven Year Itch created an icon and sent the star on an adventure of self-discovery and transformation from a controlled wife and contract player into a businesswoman and unlikely feminist whose power is still felt today. When Marilyn Monroe stepped over a subway grating as The Girl in The Seven Year Itch and let a gust of wind catch the skirt of her pleated white dress, an icon was born.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Perhaps all of Jonathan Ames' problems, and the genesis of this hilarious audiobook, can be traced back to the late onset of his puberty. After all, it can't be easy to be 16 with a hairless penis "undistinguishable from that of a five-year-old's".

In her senior year of college, asha bandele and a group of other writers went to a prison to read their works for a Black History Month program. There, she met Rashid, a man who was serving 20 to life for murder, a man who spoke softly and wisely, a man who would become asha’s soul mate. This is her account of a relationship that has thrived despite terrific odds.

The controversial American poet Amy Lowell (1874-1925), a founding member of the Imagist group that included D. H. Lawrence and H. D., excelled as the impresario for the "new poetry" that became news across the U. S. in the years after World War I.

John Tournour, known to his many listeners and fans as JT the Brick, is one of the biggest sports radio personalities in America. Making it as a sports radio host is almost impossible, and JT went about it in a fearless way, leaving a lucrative position as a Merrill Lynch stockbroker to pursue his dream. But Tournour's hardest challenge would come when his best friend and mentor, Andrew Ashwood was diagnosed with cancer.

Almost 200 years after her death, Austen remains a hot topic, and the current flare in the cultural zeitgeist echoes the continuous revival of her works, from the time of original publication through the 20th century. In Jane's Fame, Claire Harman gives us the complete biography of the author and analyzes her lasting cultural influence, making this essential listening for anyone interested in Austen's life, works, and remarkably potent fame.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Kimberly Drew and Jenna Wortham have brought together this collection of work - essays, memes, dialogues, recipes, tweets, poetry, and more - to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The audiobook presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Listeners will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to insightful infographics.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.