Author Memoirs

Agatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure and a mystery too in the manner in which she achieved her astonishing success. HRF Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery.

"Connaître mieux Hugo. Ou plutôt le connaître. Tel fut le propos de ma vie entière. Aller plus loin que le "témoin", voire à son encontre, plus loin que la légende du poète de la République, de la barbe blanche et de l'art d'être grand-père. Répudier Epinal. Retrouver le quotidien au-delà du génie. Admettre la sincérité du révolutionnaire et le comprendre bourgeois. Croire à sa générosité totale et constater son amour de l'argent. Le voir vivre en leur absolu ses passions amoureuses et asservir la meilleure des amantes.

In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past.

Steinbeck and Capa's account of their journey through Cold War Russia is a classic piece of reportage and travel writing.Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize-winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune.

A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence during 1922, the birth year of modernism.

aking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity, and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succor, from one of our most vital contemporary writers.

Perhaps the most unconventional and literally breathtaking father-son story you'll ever read, My Friend Leonard pulls you immediately and deeply into a relationship as unusual as it is inspiring. The father figure is Leonard, the high-living, recovering coke addict, "West Coast Director of a large Italian-American finance firm" (read: mobster) who helped to keep James Frey clean in A Million Little Pieces.

Annie Liontas suffered multiple concussions in her thirties. In Sex with a Brain Injury, she writes about what it means to be one of the “walking wounded,” facing her fear, her rage, her physical suffering, and the effects of head trauma on her marriage and other relationships. Forced to reckon with her own queer mother’s battle with addiction, Liontas finds echoes in their pain. Liontas weaves history, philosophy, and personal accounts to interrogate and expand representations of mental health, ability, and disability—particularly in relation to women and the LGBT community.

English novelist Barbara Pym’s career was defined, in many senses, by rejection. Her first novel Some Tame Gazelle was turned down by every publisher she sent it out in 1935, finally published only 15 years later. Though she picked up a publisher from there and received modest praise, the publishing industry grew restless and her sales spiralled downwards. By her seventh novel, she had been dropped. This brilliant biography, brimming with Pym’s private diaries and intimate letters, offers a first full insight into Barbara Pym’s life and how it informed her writing.

What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of 55, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief - an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond.

Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. Inspired by the novel Go Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar.

As an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion. In the nine years that followed, Cory shared Joan’s rarefied world, transformed not only by her blazing intellect but by her generous friendship and mentorship.

Iowa housewife Tracey Pittman Roberts seemed to have it all: natural beauty, three loving children, and a fairy-tale second marriage to a wealthy, handsome businessman. But beneath the happy façade was a woman who used lies, manipulation, sex, ugly allegations, blackmail - and even murder - to serve her own selfish ends. In 2001, police rushed to Tracey's home after a shooting left her vulnerable young neighbor dead. Tracey claimed it was an act of self-defense. Nine gunshot wounds - and a decades-long trail of extortion and fraud - said otherwise.

Beginning with Nin's arrival in New York, this volume is filled with the stories of her analytical patients. There is a shift in emphasis also, as Nin becomes aware of the inevitable choice facing the artist in the modern world.

Samuel Pepys kept a diary in which he wrote with astonishing candour about the life he saw around him in London in the 1660s, and about his private desires and ambitions. The diary was kept for fewer than 10 years of his long life: Claire Tomalin tells the whole story of the Fleet Street tailor's son who made himself rich and powerful, an MP and adviser to royalty.

A former US naval intelligence worker, Milton William Cooper published his manifesto Behold a Pale Horse in 1991. Since then it has gone on to sell hundreds of thousands of copies, becoming the number-one best seller in the American prison system. According to Behold a Pale Horse, JFK was assassinated - because he was about to reveal that extraterrestrials were about to take over the earth - by his driver, an alien himself; AIDS is a government conspiracy; and much more.

In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century - and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy.

Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.

He was an ambitious but drifting writer from a prominent Scottish family. She was a tough Nevada silver miner’s wife, with children, when they met. Who could have predicted that Fanny Van de Grift and Robert Louis Stevenson would go on to create one of history’s great literary marriages? From their first encounter in France in 1876, Fanny and Louis’s partnership transcended societal expectations to become a literary union that was progressive, eccentric, and tempestuous, but always animated by a profound mutual respect

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Literary legend James A. Michener was "a Renaissance man, adventurous, inquisitive, unpretentious and unassuming, with an encyclopedic mind and a generous heart" ( The New York Times Book Review). In this exceptional memoir, the man himself tells the story of his remarkable life and describes the people, events, and ideas that shaped it.