British Crime

When young girls start to disappear, newly arrived prison psychologist Saskia Monet is called in to assist Detective Inspector Winter Labey. But Saskia has secrets of her own—ones that give her a unique insight into the mind of a criminal… As a fourth child disappears, a chilling ransom note arrives, along with wooden flutes left at each crime scene—echoing the haunting tale of the Pied Piper. Saskia is convinced the kidnapper's motives run deeper than they are letting on, but can she persuade Winter to trust her instincts before it's too late?

An early-morning jogger is murdered in Hyde Park. It's the center of London, but no one saw him enter the park, no one saw him die. He carries no identification, only a water-logged phone. As the pieces unravel, it's clear that the dead man had a history of deception. Is the murderer one of those that loved him? Or was it someone with a vengeance? It's proving difficult for DCI Isaac Cook and his team at Challis Street Homicide to find the guilty person—not that they'll cease to search for the truth, not even after one suspect confesses.

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?

A group of old friends gather in a peaceful suburban street for a dinner party. They are expecting a fun evening of wine, food and pleasant company. But then they start to play the game… It’s about trust and dark secrets – it tests marriage to its limits – and none of them can begin to imagine its consequences. Because the next day, two guests are dead and the others are trapped in a nightmare.

The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit Artist in Crime, held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.

A chilling encounter on London's Necropolis Railway leads to murder, and a man escapes the gallows after a witness gives sensational evidence. After this string of strange, fatal events, journalist Jacob Flint discovers that he has been framed for murder. To save himself, he flees to Mortmain Hall, a remote estate on the northern coast. There, an eccentric female criminologist hosts a gathering of eclectic people who have all escaped miscarriages of cruel justice. This strange group puts Jacob a little on edge, but they may be his only hope to clear his name.

Susan Grey’s fiftieth birthday party promised to be a talked-about event—an over-the-top extravagant gathering of a hundred guests at her sprawling Georgian home. But it would be talked about for all the wrong reasons… From an escalated argument to the disappearance of an expensive piece of jewelry, the party was quickly spiraling out of control. But the worst was yet to come—Susan suffered a horrific fall down the grand staircase. Was it an accident, or was she pushed? For DI Grace Roth, relegated to desk duty, this could be a high-profile case and a chance to redeem herself.

As criminal gangs rampage unchecked across London, a secretive elite squad begins a campaign of action, delivering the guilty to the cops – along with all the evidence they need for a conviction. But when innocent people are shot after the vigilante crew blunders into a major police operation – Detective Rick Turner among the unintended victims – it’s clear they must be stopped. Rick’s brother Sam might be able to help, but he’s a fugitive from the law himself, on nobody’s side but his own.

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

When Dorothy Martin goes to France—alone because Alan is stuck back home in Sherebury with a broken ankle—she worries about her ability to get along in a language she barely speaks, and in a country she hasn’t seen for over fifty years. But by the time Alan joins her a week later, Dorothy has found herself embroiled in one mystery after another: a woman drowning in quicksand; a man suffering a near-fatal fall in the abbey at Mont Saint Michel; and a missing American archaeologist—all seemingly connected to a monk named Abelard who has been dead for almost nine hundred years.

When Dorothy Martin and her husband, retired police detective Alan Nesbitt, decide to visit the beautiful island of Alderney in the English Channel, they hope for a pleasant, peaceful holiday. It’s not to be. Taking a walk on their very first day, they discover a body, apparently the victim of an unfortunate accident, on a precipitous hill path.

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

Dorothy Martin isn’t overly enthusiastic when her husband, retired police detective Alan Nesbitt, invites her to accompany him to a conference in Cambridge, picturing cramped student accommodation. But St. Stephen’s turns out to be recently renovated, and, bolstered by ensuite facilities, Dorothy is looking forward to exploring the historic and beautiful city. It is not long, though, before disaster strikes. Lost in the maze of college buildings, Dorothy stumbles into a laboratory—and is shocked to find what looks like a pool of blood on the floor.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Killing Goldfinger charts the extraordinary rise and spectacular bullet-riddled fall of John Palmer, the richest, most powerful criminal ever to have emerged from the modern British underworld. Palmer earned his nickname Goldfinger after smelting (in his back garden) tens of millions of pounds worth of stolen gold bullion from the 20th century's most lucrative heist; the Brink's-Mat robbery. Palmer then used his share of the millions to become the vicious overlord of a vast illegal timeshare property empire in Tenerife.

Dorothy Martin’s husband, Alan Nesbitt, is heavily involved in the complex and lengthy process of choosing a new bishop for Sherebury Cathedral. The very day that the short list is announced publicly, one of the candidates is found murdered in his own church. With a long list of possible suspects, including Alan himself, Dorothy and Alan start to delve into the history of the victim, hoping to find some clue to a motive for murder. Then a second candidate is found dead, and the case becomes very complicated indeed. Who is murdering England’s clergymen and why …?

Inspired by the author’s own experience, The Vicar introduces Terry Nolan, an MI5 operative who, when he discovers his cover is blown and millions of lives are at stake, will do whatever it takes to stop enemy forces. Terry Nolan, an off-the-books MI5 operative known as the Vicar, has been officially dead for the past thirty years. But when Nolan is attacked in Boston, it becomes clear his cover is blown. Even worse, his Parishioners—the network of spies who work under the Vicar—have all been compromised.

When a bloody corpse is discovered in a North London park, Detective Inspector Daniel Graves is the man tasked with finding the killer. However, with no clues and no suspects, the case seems like a dead end. Then another body turns up—and this time, it looks like it could be Graves’s fault. Has his investigation caused the murderer to strike again? As the case gets ever more complicated, a report comes in of another suspicious death—but this is nothing like any other Graves has dealt with. All involved are convinced that something supernatural is to blame: a demon.