British Police

Book 1 in the thrilling new crime series, by David J. Gatward, author of the DCI Harry Grimm crime series, and set in the hauntingly beautiful Somerset countryside.

When Detective Mark Turpin is assigned the task of investigating the death of a local businessman, the case is first thought to be one of accidental drowning. Until a bullet hole is found where the victim fell into the River Thames. Then a number of graves are unearthed at a disused airfield site being redeveloped by the dead man, exposing a horrific secret and plunging Mark into one of the darkest investigations of his career. After two more bodies are discovered amongst the burnt-out ruins of a building on a nearby industrial estate, Mark realises that a serial killer is at large.

If someone was in your house, you’d know...wouldn’t you? But the Hunter family are deaf, and don’t hear a thing when a shocking crime takes place in the middle of the night. Instead, they wake up to their worst nightmare: the murder of their daughter. The police call Paige Northwood to the scene to interpret for the witnesses. They’re in shock, but Paige senses the Hunters are hiding something. One by one, people from Paige’s community start to fall under suspicion. But who would kill a little girl? Was it an intruder? Or was the murderer closer to home?

DS Kat Ballantyne came to the crime-writing festival for an escape. Instead she’s walked straight into a murder scene. Moments before he’s due on stage, a famous novelist is found dead in a locked room. It looks like natural causes, but Kat sees tiny clues that suggest murder. As she investigates, she uncovers literary rivalries, personal vendettas and hidden agendas. Is there anyone who didn’t have a motive to murder Mark Swift?

A body is found floating in the local beauty spot known as Silent Pool. When DCI Jon Pilgrim and his team are brought in, they soon discover foul play. She was murdered. The woman belonged to a local aristocratic family that was gathering at the family’s estate. Jon investigates with his partner, Kate, and soon discovers secrets and rivalries. The victim was the family's black sheep. No one liked her; they all have a motive.

Seven years ago, Thomas Frost was arrested for the murders of five women in the Manchester area, and Detective Sergeant Blake Harte was the officer in charge of his arrest, saving the life of Kerry Nightingale in the process. Now, Frost has promised that Kerry was never safe, and she'll be dead within a few days. Sure enough, somehow, Kerry is found dead in her top floor apartment - a place that was being guarded by Blake and the apartment's security. How is it possible for Kerry to have been murdered in her apartment when nobody could have gotten in or out?

When Sukey Reynolds receives news of a death at the elegant Mariners Hotel, she is intrigued. Who could possibly have wanted to hurt Dr. Whistler, a shy and retiring archaeology professor? The dusty documents he was carrying couldn’t possibly be of value, could they? You would never expect this sophisticated establishment to be home to murder. What secrets are hiding inside the charming Mariners Hotel?

A man has been mutilated and left to drown on the incoming tide, handcuffed in his van. With the murder bearing a striking resemblance to a string of sadistic killings carried out with surgical precision in 1990s gangland Manchester, it can mean only one thing: the killer is back. Transferred to the Major Investigation Team, DI Nick Dixon is assigned a new partner and sent to Manchester. Meanwhile, the gruesome murders in Somerset continue.

DI Bliss attends the aftermath of an apparent murder-suicide—but the scene tells him and his colleagues something very different occurred. Now the Peterborough Major Crimes Unit face an adversary like no other. They have no idea why his victims had to die. They have no idea who he is. They have no idea where he might strike next—only that he will. But while the killer is cunning, leaving no evidence for them to find, his biggest mistake might be in underestimating the team now hunting him. Because when Jimmy Bliss is on the case, all bets are off.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence.

When the police are unable to find a body, they are forced to dismiss a homeless veteran’s claim that he witnessed a homicide. But after he is found murdered in the same spot two days later, DI Bliss and the Major Crime Unit set their sights on catching a ruthless killer. Elsewhere, when the daughter of a cuckooed family is reported to have attempted suicide, Jimmy Bliss and DC Penny Chandler have their doubts and vow to uncover the truth. But the situation is about to get much worse, and violence is certain to erupt on the city streets.

When a homeless man’s body is found in a derelict school, Victor Mitchum knows it wasn’t an accident. He knew Sawney from his own days on the streets. Sawney was clean, scared, and being hunted by dangerous people. Working with private investigators Kasper and Zofia Dąbrowski, Victor traces the events that led to Sawney’s death. His search leads him into Manchester’s hidden places—disused buildings, private security firms, and communities forced to live in the margins.

1792, England: Lord Francis and Lady Ottilia Fanshawe are on their way home when their coach comes to a sudden stop. A woman is standing in the middle of the road - covered in blood. The woman refuses to speak but on further investigation they find the body of a man hidden in the woods. Ottilia insists on bringing the woman home to find out what occurred. But the more she finds out the more complicated the case becomes....

Returning to work after an extended leave of absence, Detective Constable Hazel Best's first task is to shadow TV historian Oliver Ford, who has arrived in Norbold to open a new museum. What should have been a routine assignment takes a decidedly dramatic turn, however, when Hazel saves Ford from a murderous attack that would appear to be an act of jihad. But why would someone fly thousands of miles to firebomb an obscure little museum in a quiet English village? Hazel can't help but think that there's something more to this case than meets the eye.

Chloe Todd believes her baby daughter is sleeping peacefully in her pram in the back garden. She lifts away the blanket to check on her – and gasps in shock. Chloe's neighbor calls the police. But all is not as it seems . . . Chloe Todd is in a loveless marriage. Her husband a villain who works for a man called Dean Rawlins. Rawlins has been missing for a year. Det Superintendent Hedley Sharp arrested Rawlins just before he went missing. Something he's had to live with. Hedley is suspicious but his inspector is on Chloe's side – a bone of contention throughout the investigation.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

She looked like she’d drifted off to sleep, curled up in her white dress, blonde hair floating in the breeze. They called it the Angel Murder. Eighteen-year-old Angelica Brock is found dead at a local beauty spot, dressed in a pure white nightgown, her white-blonde hair arranged around her. For years her death is a mystery, her killer the one who got away for a whole generation of police.

When a high-flying adman is stabbed to death on a company weekend in the English Lake District, local detective Daniel Skelgill finds himself wrenched from his rural Cumbrian comfort zone. As the investigation unfolds, DI Skelgill is led a merry dance between London and Edinburgh, at every turn confronted by uncooperative suspects—colleagues, wife and lovers of the deceased—each of whom is possessed of motive and opportunity. Is this a crime of passion, a professional hit, or a cleverly calculated killing borne out of greed and jealousy?

TV presenter and all-round car nut Ant Anstead takes the listener on a journey that mirrors the development of the motor car itself from a stuttering 20mph annoyance that scared everyone's horses to 150mph pursuits with aerial support and sophisticated electronic tracking. The British Police Force's relationship with the car started with the chasing of pioneer speeding motorists, who were often caught by policemen on bicycles.