British Thrillers Mysteries

The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny.

Three friends go on a foodie road trip to the Scottish Highlands and Islands to celebrate their pending retirement, expecting stunning scenery, great food, fine wines, and a chance to reminisce about the good old days. When they somehow secure a reservation at a remote and extremely exclusive restaurant set on a private island in Loch Broom, they know they’re in for a once-in-a-lifetime dining experience.

The grisly headline leaves nothing to the imagination: "Woman's torso recovered from Tokyo Bay. Believed to be missing British bartender Lily Bridges." The only suspect is Lucy Fly. Her friend is dead, her lover has disappeared, and as far as anyone is concerned, she's as good as guilty. Trapped in the interrogation room, Lucy begins to unravel two stories. One, for the police, is a spare outline, offering more questions than answers. The other - the real one, if you believe her - is a gripping dive into an obsessive mind, revealing the checkered past that brought her to Japan.

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

After the horrors of their last case, DCI Kett and the rest of Norfolk Constabulary’s Extreme Crime Task Force are in need of a break. And that’s just what they think they’re getting when Superintendent Clare takes them on a team building exercise in the middle of a quiet Norfolk village. But what was supposed to be a weekend of recovery and fun soon becomes something much more sinister, when two local men turn up dead—poisoned by a horrific new designer drug nicknamed Jaw Breaker.

Sooty, sulfurous, and malign: no woman should be out on a night like this. A spate of violent deaths—the details too foul to print—has horrified the capital and the smog-bound streets are deserted. But Rachel Savernake—the enigmatic daughter of a notorious hanging judge—is no ordinary woman. To Scotland Yard's embarrassment, she solved the Chorus Girl Murder, and now she's on the trail of another killer.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

When a young woman is brutally murdered in the Norfolk countryside, the locals blame Black Shuck - a legendary wild dog. There’s only one problem: The wounds weren’t made by an animal. DCI Robert Kett is battling a black dog of his own. With his wife still missing, and the injuries from his last case leaving him in constant pain, everything seems impossible - not least looking after his three young children.

Murder isn't a walk in the park...War widow fashionista, Ginger Gold, makes a gruesome discovery while walking her Boston terrier, Boss, through Kensington Gardens. A woman of ill-repute is dead. When Chief Inspector Basil Reed becomes a suspect, the blustery and often times pigheaded Superintendent Morris pulls him off the case. Ginger’s not about to be pushed around by the superintendent despite his warnings.

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When a high-flying adman is stabbed to death on a company weekend in the English Lake District, local detective Daniel Skelgill finds himself wrenched from his rural Cumbrian comfort zone. As the investigation unfolds, DI Skelgill is led a merry dance between London and Edinburgh, at every turn confronted by uncooperative suspects—colleagues, wife and lovers of the deceased—each of whom is possessed of motive and opportunity. Is this a crime of passion, a professional hit, or a cleverly calculated killing borne out of greed and jealousy?

When a tech entrepreneur from Shoreditch is found dead in a construction site, along with three skeletons which are discovered to be over a hundred years old, Detective Kamil Rahman sets out to prove himself on his first case for the Met Police.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

Matt Mason is attempting to put the army behind him, building a life for himself training anti-poaching forces on a Kenyan game reserve. He's looking forward to meeting up with his eldest child, Jo, who has graduated naval college and taken a summer job working on a billionaire's yacht in the Red Sea. But then he receives a call informing him that Jo's boat is missing, likely abducted by Somali pirates. Mason must call in favours from old contacts as he follows Jo's trail.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

Thanks to a nomadic childhood, Revelle Lee is fluent in ten languages, which she puts to use at crime scenes and in courtrooms across London. Being a court interpreter is a stressful job, one that makes her privy to the most personal and often dark details of others’ lives. In the meantime, she’s close to adopting a six-year-old boy named Elliot from foster care. Revelle is determined to be the mother she never had, and to make up for a terrible mistake she made years ago.

Tim Mason’s gripping new novel finds Inspector Charles Field hunting a ruthless serial killer who is terrorizing Florence Nightingale and her nurses in Crimea in 1855. But when the main suspect turns up dead, Field determines the case is closed. Or is it? Twelve years later in London, amidst the turmoil surrounding the expansion of voting rights, Field discovers a woman’s body, mouth covered by the killer’s signature embroidered rose. Did Field suspect the wrong man before, or is he dealing with a copycat?