Canada Historical Fiction

For fans of Jess Watler's Beautiful Ruins, Follow the Sun paints a portrait of the 1960s International Jet Set Era through the eyes of an aspiring singer-songwriter, desperate to forge her own path in music and in love. Listeners will delight in this sun-drenched trip through a world of fashion, film, and sixties pop culture, written with an emotional, heartbreaking voice reminiscent of Chanel Cleeton.

In this dramatic sequel to Admission, a Story Born of Africa, Adam Broadford’s continuing journey of transformation is profound, compelling, and life-changing. Deserting another call-up from the South African Army, and a stowaway on a Union-Castle ship bound from Cape Town to Southampton, Adam yells a promise back to Felicity, the love of his life, to return. Desperation, desire, and guilt plague him. On his adventures he seeks resolution from his unusually difficult past, encounters far-influencing people, but remains challenged by his own deceptions and betrayals.

In 1940, as the shadow of war lengthens over Europe, three mysterious travelers enter a village in Spain. They have the appearance of Parisian intellectuals, but the trio of two men and a woman are starving and exhausted from crossing illegally through the Pyrenees. Their story, told over a period of 48 tense hours, is narrated by one of the men, who slowly accepts his unthinkable fate. In a voice despairing and elegant, he calmly considers what he should do, and weighs what any one life means.

"El evangelio según Judas, por Benjamín Iscariote" arroja nueva luz sobre el misterio de Judas, incluyendo sus motivos para traicionar a Jesús y lo que le sucedió después de la crucifixión. Partiendo de los textos canónicos como referencia, presenta una nueva versión de la historia de Jesús desde los ojos de Judas. Aparentemente escrita por el hijo de Judas, Benjamín, en el estilo narrativo de los Evangelios, este audiolibro supone una recreación provocativa, estimulante y polémica.

Brilliantly portrayed by a novelist with "a talent for hyperbole and downright yarning unequaled since Mark Twain", (Saturday Review), this slave's-eye view of the Civil War exposes America's racial foibles of the past and present with uninhibited humor and panache. Mixing history, fantasy, political reality, and comedy, Ishmael Reed spins the tale of three runaway slaves and the master determined to catch them.

From the grand estates teetering on the brink of ruin to the stark confines of the orphanage, this novel paints a vivid portrait of Mississippi during the Great Depression. As the characters’ lives intersect, secrets will be brought to light, sacrifices will be made, and the very definitions of family and home will be tested against the backdrop of a nation struggling to survive.

At twenty-eight, Vivvy Holloway is nearly the same height as when she was five. Though she hides her face behind a veil, a different colour for each day of the week, she brandishes an acerbic wit. Having just spent eight years of the 1930s in a convent failing to become a nun, Vivvy is now returning to Holloway Hall, where she will contend with the disappointment of those on whom she depends: Vivvy’s older sister, Freda, a doctor, and their ten brothers, all of whom are clerics.

When Ellie Fitzgerald looks at herself in a mirror in Hargrove House, the estate her grandmother has left her, she’s looking at a version of herself from England’s regency period. That version of herself invades her dreams, too, laughing confidently with friends instead of retiring shyly into libraries, and cavorting with a gorgeous but common young man named Matthew. The dream is so real, Ellie can still feel Matthew’s hands on her when she wakes.

"El evangelio según Judas, por Benjamín Iscariote" arroja nueva luz sobre el misterio de Judas, incluyendo sus motivos para traicionar a Jesús y lo que le sucedió después de la crucifixión. Partiendo de los textos canónicos como referencia, presenta una nueva versión de la historia de Jesús desde los ojos de Judas. Aparentemente escrita por el hijo de Judas, Benjamín, en el estilo narrativo de los Evangelios, este audiolibro supone una recreación provocativa, estimulante y polémica.