Classic English Style

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

The spectrum of all of human life, as portrayed in the poem, will unfold with breathtaking variety, drama, thought, and beauty: In the middle of the journey of our life / I found myself in a dark wood, where the straight path was lost. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

The Paradiso is a culminating aspect of a journey from Inferno to Paradiso, and it is also Dante’s vision of the variety, the paradoxes, and the wonder that human beings have any existence at all. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The best and most engaging portraits of the Romans as living people are to be found in the works like those of the four poets featured in this recording. In Howard Felperin’s lively translations, these pieces become verbal postcards of the era, revealing in exquisite detail the passion and the grief, the joy and the pain experienced by the people of Rome as they deal with the inevitable fascination of love as it permeates their daily lives.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. Originally published in 1667 in ten books and later revised to twelve, here Anthony Quayle reads book 1 and book 4.

Many masters employed the form of the sonnet, including Petrarch, Spenser, Shakespeare, Keats, and Robert Bridges. However, the most celebrated, and oft quoted, examples are to be found in the collection by Shakespeare, first published in 1609. In the 154 poems, Shakespeare surveys and dissects the subject of love in all its guises, and its relationship with youth, age, illness, death, and memory.

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

Mark Redfield narrates from a specially prepared text for performance by Dickens himself, and performs all of your favorite characters, in this beloved Christmas tale of forgiveness and redemption. Since 1843, “A Christmas Carol” has delighted millions around the globe and has come to embody the spirit of Christmas for all who have been touched by its magic.

Down through the millennia the emotion of love has inspired countless poets to great heights of lyrical expression. In this volume listeners can sample great love poems by English and American poets. Spanning over four centuries of literary creation in the service of amour, the works include a selection of Shakespeare's sonnets, John Donne's "The Ecstasy", William Blake's "The Garden of Love", Robert Burns' "The Banks o'Doon" and "John Anderson My Jo", Lord Byron's "She Walks in Beauty", and more.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

It's never been easy to be a hero. When Beowulf arrives at Hrothgar's hall, he discovers that the hall is beset by Grendel, an evil creature that kills and pillages with impunity. Beowulf, in heroic fashion, bests Grendel in combat, then follows Grendel back to his lair to finish the job.

In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust.

Perhaps the most famous epic poems ever written, the Iliad and the Odyssey have been read for nearly 3,000 years, making them the oldest written works in the Western world. The poems made characters like Paris, Helen, Odysseus, Achilles, Hector, and Ajax instantly recognizable, and they also influenced other ancient poets like Virgil, whose Aeneid is clearly modeled after them.

The Iliad of Homer is the earliest work of European literature that we have. Created in the eighth century BC it has continued to arouse interest for over 2000 years. The author intended it to be heard, as delivered by a bard or rhapsode who had made the presentation of Greek epic poetry his profession, and who had command of the vocal resources and the dramatic power to move his audience.

This epic poem by Edmund Spenser is the longest poem in the English language. It is an allegorical work, written in praise of Queen Elizabeth I. Michael MacLiammoir reads a selection from Book III.

The Georgics was published in 29 BCE, and is the second major work by the Latin poet Virgil. Its a fascinating insight into rural life and farming of the time.