Classic Horror Fiction

Paru en 1887 avec d'autres récits, "Le Horla" est incontestablement le plus original et le plus effrayant de tous les contes fantastiques de Maupassant. Pour l'écrire, l'auteur s'est documenté auprès du docteur Charcot, célèbre spécialiste des névroses et des hystéries. Mais surtout, il s'est probablement inspiré des troubles nerveux qui commençaient alors à le détruire et qui allaient bientôt l'empoter.

Walter Hartright se traslada a Limmeridge para dar clases de dibujo a Laura, una joven rica heredera sobrina del barón Frederick Fairlie. Poco antes de irse, tropieza con una misteriosa dama vestida de blanco que le habla de Limmeridge y de su propietaria fallecida, la señora Fairlie. Desde el principio Walter siente una gran atracción por Laura, quien está prometida con sir Percival Glyde, que solo busca arrebatarle su herencia. Solo se interpone en su camino la misteriosa dama de blanco.

In best-selling author Katie MacAlister’s Love in the Time of Dragons, suburban mom Tully Sullivan wakes up in a far-off place surrounded by strangers—many of them muscular, sexy ones—claiming to be dragons. They insist Tully is a dragon, too, and that she’s committed crimes deserving of death. Now Tully must disprove the allegations before time runs out.

A chilling short story from the author of Dracula. In the Valley of the Shadow is a tale about a delirious man and his hallucinations while hospitalized.

Lucy likes to tell monster stories. She's told so many that her friends and family are sick of it. Then one day, Lucy discovers a real, live monster: the librarian in charge of the summer reading program. Too bad Lucy's told so many monster tall tales.

In a world beyond the walls of sleep, Randolph Carter goes in search of an opulent and mysterious sunset city. First, he must go to Kadath, home of the Gods, where he hopes to be guided to the city of his dreams. No one has ever been to Kadath, and no one even knows how to get there - but that won't stop Carter from trying. In this masterful adaptation of Lovecraft's classic novella, I. N. J. Culbard captures Carter's journey through the dangerous and spectacular Dreamlands in beautiful, gripping detail.

Jebediah Skayne has been hunting husks his entire adult life, but there's something different about the trail leading to the fishing town of Portis on the shores of the Chalice Sea: no spoor, no footprints; nothing save the unmistakable feeling of wrongness. Finding a husk in Portis would be near impossible for someone who didn't have the sixth sense, but the instant Jeb arrives, all trace of the incursion vanishes.

“The Thing Invisible” is a story featuring Thomas Carnacki, a detective who investigates cases of an occult or supernatural nature. It is one of five tales of Carnacki's ghost hunting exploits that first appeared serially in The Idler magazine in 1910 and were published together with one more as a collection Carnacki the Ghost-Finder in 1913. After a good dinner, Mr. Carnacki relates his experiences of ghost-finding to his limited circle of four friends whom he has summoned to his home in Chelsea.

DARKNESS AWAITS, DARING LISTENER! Are you brave enough to step into the twisted worlds of Edgar Allan Poe, where shadows whisper, and terror lurks in every corner? "Classic Horror Stories Anthology: 7 Short Tales of Terror" delivers a spine-chilling plunge into the heart of Gothic horror.

Featuring work by M. R. James, Edith Nesbit, Oscar Wilde, Gertrude Atherton and many more, this enhanced audio collection of eight enduring stories - some well-known, others less familiar - transport you to a candlelit fireside to hear tales of lonely coastlines, deadly rivers, dark, creaking corridors, horrific, everlasting love and unknown entities lurking in black velvet shadows.

"The Fall of the House of Usher" is a narrative short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine before being included in the collection Tales of the Grotesque and Arabesque in 1840. The short story is a work of detective fiction and includes themes of madness, family, isolation, and metaphysical identities.

Vincentio di Vivaldi has fallen in love with Ellena Rosalba. However, his proud and noble family vehemently oppose the match: they cannot allow him to wed someone with no money or social standing. Thus, his mother, the mean-spirited Marchesa, and her minion, the evil monk Father Schedoni, set in motion a malign plot that has Ellena kidnapped and imprisoned in a convent, to prevent a hasty marriage.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.

Edgar Allan Poe est considéré comme l'inventeur du conte moderne. Les deux textes qui suivent, "Le Corbeau" et "Double Assassinat dans la rue Morgue", en sont la parfaite illustration. Dans un style inimitable, l'auteur arrive à créer des atmosphères dont lui seul a le secret. Sans nul doute, il s'agit ici de deux chefs-d'oeuvres de la littérature, histoires à la fois captivantes et universelles que la traduction de Charles Baudelaire vient sublimer.

Bram Stoker’s masterpiece, in which the instantly recognisable Count Dracula plans to sate his dreadful appetites in England only to be thwarted by an intrepid band of friends, remains an enthralling story. Exploring themes of sexuality, religion, technology and good versus evil, and told through journal entries, letters and telegrams, its cultural and literary significance is undisputed.

Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Hartshorne, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels.

Dion, the healer and Wolfwalker, is back home with her friends, and they are preparing for war against Longear. There's trouble with the wolves in the enemy counties. Many of them are fleeing in droves. The rest appear to have broken their generations-long pact with the humans, and are hunting down refugees for the enemy. Dion can no longer communicate with their packsong, and must find out why they have fled and turned.

Told in journal fragments that cannot provide any single perspective, Bram Stoker's masterpiece is at the same time intensely romantic and very modern. It unfolds the story of a Transylvanian Don Juan, the aristocratic vampire Count Dracula who preys on damsels, and the mission launched from a lunatic asylum to destroy him.

The warning was inscribed on the entrance of the hidden tomb, forgotten for millennia in the sands of mystic Egypt. Then the archaeologists and grave robbers came in search of the fabled Jewel of Seven Stars, which they found clutched in the hand of the mummy. Few heeded the ancient warning, until all who came in contact with the Jewel began to die in a mysterious and violent way, with the marks of a strangler around their neck.

Jane is haunted. Since she was a child, she has carried a ghost girl that feeds on the secrets and fears of everyone around her, whispering to Jane what they are thinking and feeling, even when she doesn't want to know. Henry, Jane's brother, is ridden by a genius ghost that forces him to build strange and dangerous machines. Their mother is possessed by a lonely spirit that burns anyone she touches. In Swine Hill, a place of defeat and depletion, there are more dead than living.