Classics Literature Horror

Volume 11 begins with Doug's well-researched insight into the stories and their authors. This is followed by Edgar Allan Poe’s highly acclaimed gothic romance "Ligeia", Ambrose Bierce's haunting "A Fruitless Assignment", H. P. Lovecraft's dark and disturbing "Pickman's Model", Sir Arthur Conan Doyle's sinister masterpiece "Blue John Gap", and more.

Welcome to Doug Bradley's Spinechillers, Volume Six, part of the world's largest collection of high-quality, classic horror audiobooks. Are you ready for our latest installment of enthralling horror masterpieces? Good, then we'll begin with Doug's well researched and passionate introduction to the authors and stories in this volume. This is closely followed by his literary majesty, Edgar Allen Poe, with the well known classic tale "The Pit and the Pendulum".

Doug Bradley's Spinechillers takes you into the world of classic short horror stories read by Hollywood horror icons. We get underway with H. P. Lovecraft, who explores dark deception in "The Terrible Old Man". An unearthed, long-forgotten artifact, is protected by powers intent on punishing those who would remove it, in M. R. James' "A Warning to the Curious".

Volume 7 starts off with Edgar Allan Poe's story of a gifted boy hounded by his shadow, "William Wilson". We take to the sky's with a pilots investigation into unexplainable events thousands of feet above ground in Arthur Conan Doyle's "A Horror of the Heights". Next up, Ambrose Bierce plays with time in "The Suitable Surroundings".

Volume 12 begins with Doug Bradley's well-researched insight into the stories and their authors. This is followed by what H. P. Lovecraft considered to be one of his best stories, "The Music of Eric Zann". "The Tool" by W. F. Harvey is a horrifying tale narrated by an inmate of a mental institution. Next Edgar Allan Poe revisits his terrifying fear of being buried alive in "The Premature Burial". Then an eavesdropper overhears five creepy and scary ghost stories in Charles Dickens "To Be Read at Dusk".

Amanda Walker is not a witch - yet. She's an artist, looking for work - unaware that someone has a desperate need for her, a dark plan that may require Amanda to enter death itself.If she is allowed to live long enough to make the choice.

This collection of 19 classic horror tales includes "The Brazilian Cat", by Arthur Conan Doyle, read by Paul Panting; "Eveline's Visitant" by Mary E. Braddon, read by Hayward Morse; "The Leopard Man's Story" by Jack London, read by Garrick Hagon; "The Eyes of the Panther" by Ambrose Bierce, read by Garrick Hagon; "The Voice in the Night" by William Hope Hodgson, read by Sean Barrett; and many more.

Volume 9 launches with "The Ash Tree", M. R. James' insight into an enigmatic woman and her rituals around this mysterious tree. A condemned man and over zealous executioners generate shocking results, in Arthur Conan Doyle's "The Los Amigos Fiasco". An immoral wager leads to terror when the dead rise in Ambrose Bierce's "A Watcher by the Dead". Lovecraft takes us exploring through a lost world of ancient evil in "The Nameless City".

Welcome to Volume Five of one of the world's largest collections of high quality, classic horror short-story audiobooks. If you're at home, then get some logs ready and put on your most comfortable slippers, as we kick things off with Doug Bradley's well-researched introduction to the authors and stories featured in this volume....

Heiress Emily and Gale Garvis wait in terror as the Ouija board begins to reveal who will die next.... Emily Garvis is sure that their dead father is sending them messages through the Ouija board. Her sister Gale, more practical, believes that they come instead from Emily's troubled subconscious. In either case, the warnings are horrifying: madness and danger and death.

When her cozy hometown is visited by death, Emma's investigative skills are enlisted by a secretive ghost. But with the uncooperative spirit holding so much back, and with the handsome local doctor pressing Emma for answers, will she ever get to the bottom of the case? Or will the Hollow be forever haunted by the secrets of the past?

In a world of demons, goblins, witches, sirens, werewolves, vampires, and so much more, it can be difficult to determine who is guilty of what and why. Chris White is a detective who fearlessly investigates this supernatural world, himself a unique product of it. He will take any case brought to him, but has a particular affinity for helping those who inhabit the poor districts of his city. From strange rituals and runaway vampires, to fighting sorcerers and confronting a demon lord, this paranormal detective will face any challenge-even a dance with the devil.

Allison Beckstrom has willingly paid the price of pain to use magic, and has obeyed the rules of the Authority, the clandestine organization that makes---and enforces---all magic policy. But when the Authority's new boss, Bartholomew Wray, refuses to believe that the sudden rash of deaths in Portland might be caused by magic, Allie must choose to follow the Authority's rules, or turn against the very people for whom she's risked her life.

Nineteen stories of the supernatural: The Brazilian Cat by Arthur Conan Doyle Read by Paul Panting, Eveline’s Visitant by Mary E. Braddon Read by Hayward Morse, The Leopard Man’s Story by Jack London Read by Garrick Hagon, The Eyes of the Panther by Ambrose Bierce Read by Garrick Hagon, The Voice in the Night by William Hope Hodgson Read by Sean Barrett, Oshidori by Lafcadio Hearn Read by Liza Ross, Markheim by Robert Louis Stevenson Read by Paul Panting.

Something has stolen the darkling mage's face. Reports of arcane theft and violence are pouring in from all over Valero. They all have one thing in common: a perpetrator who looks exactly like Dustin Graves. But Dust has been hanging in the hideout, barely out of sight of his bloodthirsty companions. An impostor is clearly on the prowl, and soon a vampire clan, the Lorica, and even Dust's own allies are giving him hell for crimes he didn't commit.

Between 1925-27, H.P. Lovecraft wrote Supernatural Horror in Literature, an extended essay about about the history of the weird tale. In it he describes supernatural horror from its earliest manifestations up to the 1920s. Lovecraft offers his own candid opinions on the merits (and deficiencies) of the world's canon of strange literature. The H.P. Lovecraft Historical Society recorded the essay as an audiobook. Read by society founders Sean Branney and Andrew Leman, the recording is approximately three hours long.

"Les Hauts de Hurlevent," le seul roman d'Emily Brontë, est un chef-d'œuvre intemporel de la littérature anglaise. Publié pour la première fois en 1847 sous le pseudonyme d'Ellis Bell, ce roman gothique plonge les lecteurs dans l'atmosphère sombre et tumultueuse des landes du Yorkshire.

When Gabriel Utterson takes charge of the will of his good friend Dr Jekyll, in which the doctor leaves everything to the mysterious Mr Hyde, he's alarmed at what appears to be a recipe for murder. Over the following months, he investigates Mr Hyde until he uncovers a horrific murder. What's the relationship between his friend and the murderer, and can Utterson save the doctor?

For 140 years, Nathaniel Cade has been the president's vampire, sworn to protect and serve his country. Cade's existence is the most closely guarded of White House secrets: a superhuman covert agent who is the last line of defense against nightmare scenarios of which ordinary citizens only dream. When a new outbreak of an ancient evil - one that he has seen before - comes to light, Cade and his human handler, Zach Barrows, must track down its source.

"The Great God Pan" is a novella written by Arthur Machen. A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism.