Crime Noir

Akashic Books’ acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion.... This collection is such a varied literary feast.

As a massive storm batters the Scottish coast, Gordon Smith’s home is falling into the sea. The trouble is: that’s where he’s been hiding the bodies. It’s too dangerous to go near the place, so there’s no way of knowing how many people he’s murdered. Or how many more he’ll kill before he’s caught. As more horrors are discovered, ex-detective Ash Henderson is done playing nice. He’s got a killer to catch, and God help anyone who gets in his way.

It’s early fall when a heatwave descends on Los Angeles. Private Detective Philip Marlowe is called to the Montgomery estate, an almost mythic place sitting high on top of Beverly Hills. Wealthy socialite Chrissie Montgomery is missing. Young, naïve, and set to inherit an enormous fortune, she’s a walking target, ripe for someone to get their claws into. Her dying father and his sultry bottle-blonde girlfriend want her found before that happens. To make sure, they’ve got Anne Riordan—now head of her own all-female detective agency—on the case, too.

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

An intense psychological thriller for fans of I Am Watching You, The Luckiest Girl Alive, and All the Missing Girls. Two missing girls. Thirteen years apart. Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to 13 years ago.

Siglufjörður: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via a small mountain tunnel. Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik - with a past that he’s unable to leave behind.

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

All that’s left of her is a depression in the dirt and a pool of blood. Robert Maxim is ruthless, powerful, and determined to find her. April Madden is a preacher’s wife, and Sydney’s mother. She’s willing to risk everything...her sobriety, her marriage, even her faith, to hunt for her daughter. But they can’t find Sydney Rye if she doesn’t want to be found. ISIS has a new enemy, a ghost haunting their territory, infecting their flock with radical ideals. They will do anything to capture her. Their reign depends on this new prophet’s destruction.

Old crimes, new consequences. In wartime Reykjavik, a young woman is found strangled behind the National Theatre, a rough and dangerous area of the city known as 'the shadow district'. An Icelandic detective and a member of the American military police are on the trail of a brutal killer. A 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings in the dead man's home reporting the shadow district murder....

Once Joe Kurtz needed revenge - and revenge cost him 11 years in Attica prison. Now Kurtz needs a job, and the price is going to be higher. Out of prison, out of touch, Kurtz signs on with the Byron Farino, Don of a Mob family whose son Kurtz had been protecting on the inside. Farino enlists Kurtz's help to track down the Family's missing accountant - a man with too much knowledge of Family business to have on the loose.

L'affaire du Dahlia noir fait référence au meurtre non élucidé d'Elizabeth Ann Short, 22 ans, surnommée le Dahlia noir. Le corps d'Elizabeth Ann Short a été retrouvé mutilé dans un terrain vague de Los Angeles le 15 janvier 1947. Ce crime a fait l'objet de nombreuses spéculations et a inspiré un roman à James Ellroy ainsi que des films et des téléfilms.

Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres - the American crime novel - but does so with a grisly humor and outrageousness that are Denis Johnson's own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

For Arthur Rowe the charity fête was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget 20 years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man, the target of shadowy killers, on the run and struggling to remember and to find the truth.

Ursula is unable to face up to the tragedy that consumes her, her world has shrunk to an almost unrecognisable state. Then Alice, who’s in the first flush of her relationship with Simon who seems perfectly normal—except that he flinches at the slightest touch. And Gareth, who lives a humdrum life as he struggles to cope with his mum’s increasing dementia. She can’t remember much about her days—not even when a postcard from his long-dead father comes through the door. None of these three strangers have ever met, but their worlds will soon collide.

The Living. Erlendur works nights. He’s a young officer in Traffic, not yet a detective. And Reykjavik’s nights are full of car crashes, robberies, drinkers and fighters. Sometimes an unexplained death. The Lost. A homeless man Erlendur knows is found drowned. But few people care. Or when a young woman on her way home from a club vanishes. Both cases go cold. The Searcher. Two lost people from two different worlds. Erlendur is not an investigator, but his instincts tell him their fates are worth pursuing.

Addison McKellar isn’t clueless—she knows she and her husband Dean don’t have the perfect marriage—but she’s still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she’s repeatedly stonewalled by Dean’s friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father’s old friend, legendary Memphis PI Porter Hayes.

Tampa Bay joins Miami in representing the (alleged) Sunshine State in the Noir Series arena.

Berlin does not make it easy to write noir fiction - or perhaps Berlin makes it too easy. Noir tradition casts a long, influential, and even daunting shadow. Neither Döblin nor Benn, Brecht nor Lang, catered to any crime fiction traditions. They merely steeped their literary projects in a great deal of noir. And so it is with most of the stories in our anthology: they do not necessarily follow the usual patterns of crime fiction, but regard noir as a license to write as they wish, a certain way of approaching the city, and a prism through which its nature is viewed....

Come sit on the veranda and pour yourself a glass of sweet tea, fortified with a slug of bourbon. Put your feet up and enjoy these stories set in Atlanta, a city sewn from the ashes, where everything that grows is both fertilized and corrupted by the past.

An escapee from a Spanish prison hunts for his best friend's killer in New York. For more than a year, Kit McKittrick languishes in a Fascist prison, his days spent in darkness and his nights tortured by fear of his limping jailer, whose name he never learns. He escapes Spain with the help of Louie Lepetino, a childhood friend who came with him to fight on behalf of the Republican cause.