Dance Art

XO Ballerina Big Sis shares Tiler Peck’s insider insights and hard-won knowledge about everything you want to know, including how to properly prepare for class, handle new roles, prep your toe shoes, control stage fright, deal with injuries, manage competition, and stay positive and focused—all delivered with Tiler’s personal touch, humor, and big heart.

In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.

A seven-volume collection containing some of the most fascinating journals and letters to have been written in the last two hundred and fifty years, all performed in a dramatised setting.

Invisible Visibility discusses the key barriers that marginalize disabled artists from taking center stage and looks at examples of good practice through three key case studies. This audiobook puts forward an agenda for change, inclusion, and, ultimately, visibility within the sector and beyond for disabled dancers from culturally diverse backgrounds.

Behind every graceful pirouette is a ballet teacher silently questioning their life choices—and probably wishing for a timeout from reality. The Ballet Teacher’s NLP Survival Guide is your backstage pass to mastering the mental chaos lurking beneath the tulle and toe shoes. This isn’t your typical feel-good teaching manual. It’s packed with sharp, practical NLP techniques wrapped in ballet jargon and just enough dark humor to keep you sane while dealing with students who think “assemblé” is a fashion statement and not a step.

Cheryl Burke has been dancing since the age of four and competing since she was 13 years old. Over several exciting seasons, she has captivated Dancing with the Stars audiences with her incredible dance performances, Emmy-nominated choreography, high energy, and bright smile. In Dancing Lessons, she takes you from her childhood years into the world of competitive ballroom dancing and on to the hit TV show.

You are about to discover proven steps and strategies from music producers on how to produce music, even if you have zero experience in recording and audio engineering. You will be able to learn everything you need to know in order to make your first single sound just the way you want it. In this audiobook, you will to learn how to build your own studio and have the right gear and software in order to start creating music.

Since Peter Senge published his groundbreaking book The Fifth Discipline, he and his associates have frequently been asked by the business community: "How do we go beyond the first steps of corporate change? How do we sustain momentum?" They know that companies and organizations cannot thrive today without learning to adapt their attitudes and practices.

When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked, "When we look at a dance, what do we see?" Her questions about the nature of our experience of dance and the nature of dance as a formed and performed art are still provocative and acutely significant today. Sheets-Johnstone considers dance an aesthetic mode of expression and integrates theories of dance into philosophical discussions of the nature of movement.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and - when he dances with Alzheimer's patients - even a kind of community service.

Chloe Lukasiak believes that things happen for a reason. She knows that life would be easier without disappointments, bullying, and medical issues - but sometimes it takes challenges to inspire you to achieve big things. From her status as fan favourite on the US hit reality television show Dance Moms to her current life as a social media star with millions of fans, Chloe has found that self-acceptance and kindness are the key to getting over the rough spots in life and realising your passions.

A joyful and inclusive introduction to jazz dance and other modern dances by world-renowned early childhood educator and performer Dr. Rekha S. Rajan. Can anyone be a modern dancer? Yes! From tap dance to swing, this board book celebrates the expressive, energetic world of jazz and modern dance. Young readers are introduced to a variety of styles from around the world and encouraged to dance freely, however and wherever they choose.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

The book reveals the creative and innovative discoveries made as a result of in depth research, and years of Graduate studies, beginning at the Villa Schifanoia, and Villa I Tatti on Renaissance Art in Florence, Italy. The Metropolitan Museum of Art in New York City with Maria Theresa Duncan and La Bibliothèque Château de Versailles. The Renaissance Culture known as Humanistic, Humanitus, as depicted in the Sculpting and Paintings of Michelangelo, Sandro Boticelli, Raphael, Da Vinci and others. Man was in balance with the Greater Universe, Art and Architecture.

Learn how to lead and follow every step following the three laws of balance, connection, and direction. This is the only unambiguous method of communicating in social dancing. This is the safest, easiest, and most natural way to dance with a partner. You learn to dance without the use of force. You improve your balance. You learn to dance as light as a feather.

The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this impressive volume of essays an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin's West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Merideth Monk and Kenneth King, and parallel movements in Britain.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

Der Tango in den 2020er Jahren wird zur Obsession für Herbert, Monique, Julia, Danae und Marie. Dieser Tanz zieht seine Energie aus der Erde und wird ihr Leben neu ausrichten, ohne dass sie es ganz erfassen und merken. Sie erliegen seiner Verführungskraft und müssen daran reifen und scheitern, aufstehen und lieben. Sie sehen sich im hohen Alter an einem idealen, geradezu idealisierten Ort am Tangotisch in einem Seniorenschloss wieder. Ihre Geschichten kreisen um den Tango und um die Liebe.

Brando è nato per la danza. Corpo perfetto, movimenti che incantano. Sua madre ha cucito su di lui un sogno preciso, che forse gli va troppo stretto. Ma quando il mondo tace, Brando disegna. Disegna per sentirsi libero, per correre incontro alla sua vera essenza. Ettore è l'opposto. La danza non lo ha scelto, lui l'ha strappata al suo corpo con ostinazione e fatica. Ogni passo è una sfida, ogni errore un colpo incassato. Suo padre non capisce, ma Ettore continua a danzare. Perché lottare è tutto ciò che conosce. Ettore però ha anche un talento naturale.