Dramatized Adaptation Western

Wayne D. Overholser, winner of three Spur Awards from the Western Writers of America, weaves a magic spell in this story with his consistent skill in presenting vibrant characters and his uncommon sensitivity to the depths of human personality.

When preacher-gone-wrong Lazarus Cain sets his sights on pilfering a herd of cattle and a team of horses, his first mistake is crossing the Sugarloaf Ranch - and the owner, Smoke Jensen. Now, Cain will have to build an army of cut throats and brigands in order to stand a chance against Jensen and his gunfighter friends.

Somewhere in his past, Smoke crossed paths with a lowlife who has now built a little kingdom as a frontier sheriff. For the corrupt lawman, holding Smoke's friend hostage is the perfect way to lure Smoke into a deathtrap. Now there's no choice for the mountain man. He knows how many guns are waiting up ahead. But he won't ever leave a brother behind. And this time, there won't be an enemy left standing — or a bullet left in Smoke's gun....

A short story gem in a Western setting...the search of a man for beauty, and how and where he found it.

A classic tale that features all the beloved subjects and icons - stagecoaches, gold rush towns, and whiskey bars - that represent the romance and excitement of America's frontier.

Yuma Prison is a fetid hellhole filled with the dregs of humanity — killers, thieves, and backstabbers who'd kill over a scrap of meat. Now it's home to Frank Morgan, who's posing as an inmate. A ruthless outlaw named Cicero McCoy has buried a fortune in stolen bank money in a harsh, desolate little piece of hell known as Ambush Valley. To get Cicero to lead him to the loot, Frank has become Cicero's new best friend behind bars — and co-plotter of a daring breakout. Until the time comes for Frank Morgan to make a fatal choice — and for one of them to die....

Smoke Jensen is the most powerful man on the Sugarloaf frontier - and he's all that stands between a greedy group of Eastern slickers and their schemes for a criminal empire in the Rockies. When Smoke heads back to Boston with his wife, it gives his enemies the opening they'd been waiting for: to kill the mountain man and take over the West.

The gold-mining town of Red Light, Montana is the kind of backwater hole less famous for the folks that live there than the ones who die there - like Janey Jensen, Smoke Jensen's sister. Smoke never would have gone there if it hadn't been for her estate. But that isn't the only thing the Mountain Man's got to settle. There's also the score between him and Major Cosgrove. The man who owns Red Light - lock, stock and barrel - is six feet of trouble looking for somebody like Smoke to bring out the worst in him.

A quick-draw tale from the wild west. T. T. Flynn has long been popular with listeners as a master of the Western story.

Bill Ash, an escaped convict returns to find his father murdered.

Joe Miles must save a family from the killing torrents of a flash flood - while under fire from thieves after a railroad payroll. Once fired for being old, he's still young enough to be a hero.

Brad Kelly planned for weeks, set everything carefully in place - then he hit the Pioneer State Bank for $53,000. Will he kill to keep it?

About the fascinating Mrs. King, young Rosalia Dures, and the strong, silent Tom Folliard. A story in which bullets supply the answer after all other ways fail.

Jane Candia Coleman is a natural storyteller whose characters come from the lands between the southwestern valleys of Arizona and the Gila Mountains of New Mexico. The night Billy the Kid died is hauntingly depicted in "Corrido for Billy". "Lady Flo" is a memoir, based on historical fact, of the black wife of an Irish nobleman. "Moving On" depicts a young girl abandoned by her family who finds her way with an itinerant Jewish peddler. And "Are You Coming Back, Phin Montana?" is the winner of the 1995 Spur Award for Best Western Short Fiction.

Two young men in the gold fields of California spend a last evening together as one of them, very sick, confronts his own imminent death. The tenderness between them may seem idealized, but you understand by listening to this story how premature death from accident and disease haunted the lives of far more westerners than death by violence.

Haseloff's characters embody the fundamental values - honor, duty, courage, and family - that prevailed on the American frontier and were instilled in the young Haseloff by her own "heroes", her mother and her grandmother. Her stories, in a sense, dramatize how these values endure when challenged by the adversities and cruelties of frontier existence.

Brother Shotgun is about an old buffalo hunter whose return to the plains after the Civil War keeps being delayed by the needs of a young woman who has taken in a number of orphans.

Julia's daddy was the judge in town. He used to be fair, but recently it seemed that had changed. What cost to regular folks would there be?

Caleb Doorn is better known by his Blackfoot name, Many Coups. Doorn is scouting for the US Army in the Mexican campaign when a small wagon train passes on its way to California. Their trek will take them into Indian country, and to protect the train from attack, the wagon master has foolishly taken a young Blackfoot woman hostage.

When Conrad Browning's wife disappears in the untamed frontier, Conrad finds himself assuming the identity of his famous gunslinging father, Frank Morgan, to find her. But his hopes of rescuing Rebel are swiftly shattered - and now he's burning for vengeance, the old-fashioned way. So he fakes his own death and starts calling himself The Loner, becoming the deadliest gunfighter this side of his own father - ready to settle the score in blood and bullets....