English Gothic

This was the most popular novel of Radcliffe's time; Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert, who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her.

Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath - but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.

Newly appointed as land agent to the youthful Lord Croft, Matthew Rowsley finds plenty to keep him busy as he attends to his lordship's neglected country estate. But he's distracted from his tasks by the disappearance of a young housemaid. Has Maggie really eloped with a young man, as her mother attests - or is the truth rather more sinister? What's been going on behind the scenes at the grand country estate...and where has his lordship disappeared to?

There are whispers about what lurks in Witch Knell—the forest where sinners go to die. The villagers call it The Eating Woods because what's taken is never given back. Only those who've lost their senses would dare to go near it. Or the banished. Maevyth Bronwick knows better than to breach the misty labyrinth of trees, but a tragic turn of events compels her beyond the archway of bones to a boundary no mortal has crossed before. One that cloaks a dark and fantastical world that's as dangerous as it is alluring. It's there that he dwells, the cursed lord of Eidolon.

Death. It's something that Ada Palomino has always known so well, having grown up in a house of horrors, surrounded by a family plagued by ghosts and demons and things that go bump in the night. But after the sudden and tragic death of her mother two years ago, death has never felt so personal. Or so close. Now 18, Ada is trying to move on with her life, and the last month of summer holds nothing but sunshine and promises, with her first year at a Portland design school just around the bend.

Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siecle wonders...and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she's sent to London to chaperone her younger sister, aspiring art critic Dorina. Unfortunately for Evadne, she soon learns too much about all of it when Dorina meets their uncle's friend, Lady Henrietta "Henry" Wotton. A semi-respectable aristocrat in public, in private she is secretly in the thrall of a demon.

The time: the waning years of the 1990s at the dawn of the millennium. The place: an isolated rural town called Auburn, which could be anywhere at all - a town where everyone knows everyone else - where dark secrets run through its veins like blood. Everyone knows that 16-year old Mikey Childress is "different." A target for bullies since he was a small boy, everything Mikey does attracts abuse: the way he walks, the way he talks, the way he looks. Everyone knows he's not like the other boys in Auburn - the boys who play hockey, who fight, the boys who pursue girls.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

In 1910, 11-year-old Iris Villarca lives with her father at Rawblood, a lonely house on Dartmoor. Iris and her father are the last of their name. The Villarcas always die young, bloodily. Iris knows it's because of a congenital disease that means she must be strictly isolated. Papa told her so. Forbidden to speak to other children or the servants, denied her one friend, Iris grows up in solitude. But she reads books. And one sunlit autumn day, beside her mother's grave, she forces the truth from her father. The disease is biologically impossible. A lie to cover a darker secret.

Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.

The third book in the scorchingly hot mafia romance Queens and Monsters series by New York Times bestselling author J.T. Geissinger, where John Wick meets Romeo and Juliet. This program features multicast narration.

Created when they intermingled with demons, the dark elves who rule over the fae of Sinaryos have come to rely on humans to keep their race alive. The royal family is no exception, with a king on the verge of death, a court riddled with spies, and a broken line of succession. Despite everything working against him, Prince Fallon Blackwood has met all the demands of the crown for nearly 100 years...except for one. After avoiding this obligation for too long, the time has come for him to take a harem and prove that he's capable of continuing his family's bloodline.

Jem has lied and cheated his way out of America and into the most fashionable circles of Victorian London's elite. He has almost everything he ever wanted: a beautiful, if gullible, tycoon's daughter on his arm and a patron who's willing to fund his lavish lifestyle. But none of it delivers the high he always thought it would. So when a mysterious woman called Felicity appears at a ball and asks him to demonstrate his legendary gunslinger skills, he can't resist. But Jem is about to realise the problem with inventing yourself an elaborate adventuring background.

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

Threatened with destruction unless he fashions a wife for his Creature, Victor Frankenstein travels to England where he meets Mary and Kitty Bennet, the remaining unmarried sisters of the Bennet family from Pride and Prejudice. As Mary and Victor become increasingly attracted to each other, the Creature looks on impatiently, waiting for his bride. But where will Victor find a female body from which to create the monster's mate? Meanwhile, the awkward Mary hopes that Victor will save her from approaching spinsterhood while wondering what dark secret he is keeping from her.

When Sonya MacTavish inherits the huge Victorian mansion on the coast of Maine, she has no idea that the house is haunted. The footsteps she hears at night, the doors slamming, the music playing, are not figments of her imagination. In her dreams she sees glimpses of the past. In the present she finds portraits of brides. And when she has visions of an antique mirror, she is drawn to it, sensing it holds dark family secrets.