English Gothic

Twelve years ago, Maven Blackthorn fled her small hometown, leaving behind the wreckage of her mother’s suspicious death. In New York City, she built a new life—one without the shadows of the past and the whispers of “witch” that always haunted her. But now, drawn back for her grandmother’s funeral, Maven and her daughter, Bea, step onto Blackthorn soil once more, only to find themselves thrust into a fresh nightmare: her grandmother’s body has vanished.

Phantom of the Opera meets Beauty and the Beast in this gothic-inspired dark fantasy romance. A haunted tower, a mysterious instructor, and the lure of the music of the night...After the death of her father, Aria is left penniless and destitute. To avoid working the streets, she becomes the ward of a Count and moves to a remote town called High Tower. High Tower is a gloomy place with one vivid attraction: The theater. Lords and ladies come from afar to be seduced by a night of unforgettable entertainment.

In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his unstable mother's abusive boyfriend. Then Billy's abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs.

The neighbors all whisper about the two sisters who live on the hill: It's Blanche Hudson who lives in that house, you know. The Blanche Hudson, who starred in big Hollywood films all those years ago. Such a shame her career ended so early, all because of that accident. They say it was her sister, Jane, who did it - that she crashed the car because she was drunk. They say that's why she looks after Blanche now, because of the guilt. That's what they say, at least.

"If you dare leave me for another - if you ever look at another man - if you ever let anyone else touch you...I’ll not let him live, Beauty. I won’t stop until I’ve ground his face into the dirt, until I’ve pulled out his eyes for looking at you, broken his mouth for daring to speak to you, until I’ve pulled out his guts, and," I glare at her, "smeared his blood on the ground." Her breath hitches and her pupils dilate. My thirst for violence seems to fulfill a need deep inside of her - one she doesn’t bother to hide from me, either.

Robert Reid moved his family to Scotland’s Outer Hebrides in the 1990s, driven by hope, craving safety and community, and hiding a terrible secret. But despite his best efforts to fit in, Robert is always seen as an outsider. And as the legendary and violent Hebridean storms rage around him, he begins to unravel, believing his fate on the remote island of Kilmeray cannot be escaped.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them - Cara first - dark and beautiful - then Peter - striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle.

When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.

I thought no alpha could tame me. I was wrong. Many men have tried to master me, but never one like Aric. He is not just an alpha, he is a fearsome beast, and he means to take for himself what warriors and kings could not conquer. I thought I could fight him, but his mere presence forced overwhelming, unimaginable need upon me, and now it is too late. I'm about to go into heat, and what comes next will be truly shameful.

Seven months ago, Ollie surrendered to the darkness, abandoning me in the process. He stripped me of my walls, only to leave me defenseless. Now he's back, along with fresh new faces and obstacles standing in our way. He says to trust no one. Not even him. How am I supposed to be strong for us both when I'm losing my grip?

Sixteen-year-old Sage is a lonely child. Her adoptive parents watch her obsessively, as if studying her for warning signs of...something. And maybe they're right to - even she can't make sense of the strange things she sees and hears. She possesses knowledge that other teenagers don't, that her parents and teachers - no adult - could possibly have. So when Sage finally makes a friend who understands her alarming gift, he becomes her confidant, a precarious link to the truth about who she really is.

From book one: Being able to rip the soul out of a creature, store it in a precious gem, and use it to cast spells might make me the most powerful student at the Astra Argent Magical Academy. Only I can’t tell anybody about it. Because it's illegal, and they’ll kill me if they find out. But they need me whether they know it yet or not, so I’m going to capture a lot of souls and cast a lot of spells. This is gonna be a crazy semester. This is a monster-girl harem dark-magic academy story.

In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. Evelyn and Lily have only ever known each other. What was before the garden, they have forgotten; what lies beyond it, they do not know. Each day is spent in languid service to their home: tending the bees, planting the crops, and dutifully following the instructions of the almanac written by their mother. So when a nameless boy is found hiding in the boarded house at the center of their isolated grounds, their once solitary lives are irrevocably disrupted.