English Gothic

On prom night, Caroline Winterfield walked away from the ruins of an abandoned mansion called Haven Cliff and into the woods…never to be seen again. Only her three best friends know what really happened. But a secret is a secret, and a promise is a promise—even when it shatters lifelong friendships. On the twenty-fifth anniversary of that night, Midge, Kelly, and Talia reunite at Haven Cliff, now a gleaming architectural jewel. But they aren’t alone. Someone is watching.

On a blistering summer day in 1968, nine-year-old Tommy vanishes without a trace from Coram House, an orphanage on the shores of Lake Champlain. Some say a nun drowned him, others say he ran away. Or maybe he never existed. Fifty years later, his disappearance is still unsolved. Struggling true crime writer Alex Kelley needs a fresh start. When she’s asked to ghostwrite a book about the orphanage—and the abuses that occurred there—she packs up her belongings and moves to wintry Burlington, Vermont.

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

Ghost underestimated me. Judas likely didn’t think of me at all. Wolf pitied me. To them, I was a peculiar jokester, a shameless flirt, and a restless musician. Brothers and lovers often trivialized the gifts of their counterparts.

After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she’s the heroine of a gothic novel—the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel’s ending, she’s found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused.

What is the terrible secret at the heart of The King in Yellow? The forbidden play’s second act is said to drive all those who read it mad. And the sinister text casts its shadow of dread over Robert W. Chambers’s collection of weird, supernatural stories of the same name. Threaded with elements of fantasy, science fiction, the supernatural, and gothic horror, this cult classic continues to inspire the imagination of artists - from H. P. Lovecraft to the writers of HBO’s True Detective - and delight connoisseurs of the macabre.

When Maxim de Winter brings his shy new bride to his beautiful stately home on the Cornwall coast, it seems like all her dreams have come true. The terrace slopes to the lawns, the lawns stretch to the sea and the gardens are full of scented flowers. But she soon finds that Manderley is haunted by the shadow of Maxim's first wife, Rebecca, who died the year before. It was Rebecca who made the house and gardens the showpiece of the county and her memory is revered by all, especially the housekeeper Mrs Danvers.

I should have run before they caught me. I'm just trying to survive my sophomore year at college. Now I'm caught in the crosshairs of four men who leave terror in their wake: Cav, Kaspian, Axe, and Wilder. They stalk the halls of TFU, their presence marked by unexplained disappearances and hushed fears. The puppeteer, the bogeyman, the phantom, and the hellhound. They want something from me, something I don't even know I have. A jewel, they say, tied to my family's past and drenched in centuries of violence.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

Caroline Verlaine knows something is wrong. Her sister has gone missing, and no one can tell her why. The only option is to go where Roma was last seen—an estate with a deadly history. The Stacy family has lived off the Dover coast for generations, carefully navigating the treacherous quick sands nearby. But the sands aren't Caroline's biggest threat. Everyone here has a secret, especially the enigmatic young heir Napier Stacy. No matter where Caroline turns, the ground she walks is dangerous.

In what Henry James called a 'trap for the unwary', The Turn of the Screw tells of a nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care. But is the threat to her young charges really a malign and ghostly presence or something else entirely?

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting. During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp. But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno.

Banished from Dreagan eons ago because of a betrayal that shattered his entire existence, his sole focus in life is to exact revenge against the Dragon Kings. A formidable fighter with centuries of rage on his side, Ulrik will stop at nothing to take down those who exiled him.

I have 36 hours to live. Thirty-six hours to find a solution. Thirty-six hours to kill them all. My friends. My family. My subjects. It's a cruel fate, one my maker subjected me to over a century ago when she placed me in this hell. I learned then that freedom is a falsehood. Escape doesn't exist. I'm a ticking time bomb, slated to erupt.

Robert Reid moved his family to Scotland’s Outer Hebrides in the 1990s, driven by hope, craving safety and community, and hiding a terrible secret. But despite his best efforts to fit in, Robert is always seen as an outsider. And as the legendary and violent Hebridean storms rage around him, he begins to unravel, believing his fate on the remote island of Kilmeray cannot be escaped.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

Naomi Alderman's The Lessons reflects the truth that the lessons life teaches often come too late. Hidden away in an Oxford backstreet is a crumbling Georgian mansion, unknown to any but the few who possess keys to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous.

It is 1917, in that sliver of borderland that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest, handsome, intelligent); Cob (short, heavyset, a bit slow); and Chimney (the youngest, thin, ill-tempered). Several hundred miles away in Southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula.

'The Manual For Good Wives, a fast-paced tale of courage and resilience is beautifully written and remarkably moving. An absolute masterpiece' - Mike Gayle, author of All the Lonely People 'Simply brilliant' - Alexandra Potter, bestselling author of Confessions of a Forty-Something F**k Up *****...