English Renaissance

Every age and social strata has its bad eggs, rule-breakers, and nose-thumbers. As acclaimed popular historian and author of How to Be a Victorian Ruth Goodman reveals in her madcap chronicle, Elizabethan England was particularly rank with troublemakers, from snooty needlers who took aim with a cutting "thee" to lowbrow drunkards with revolting table manners. Goodman draws on advice manuals, court cases, and sermons to offer this colorfully crude portrait of offenses most foul.

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

For years d’Artagnan shared his adventures with his three comrades - Athos, Porthos, and Aramis - but now, in Between Two Kings, the First Musketeer returns to the forefront. This is truly d’Artagnan’s novel, bringing to a dramatic climax the story that began when he first arrived in Paris 30 years earlier in The Three Musketeers.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. But one woman hears the tidings with utter dread. Amy Dudley, wife of Sir Robert, knows that the peal of bells she hears will summon her husband once more to power, intrigue, and a passionate love affair with the young queen.

“Can you recommend fiction that has main characters who are like us?” This is a question we who are disabled, Deaf, neurodiverse, Spoonie, and/or who manage mental illness ask way too often. Typically, we’re faced with stories about us crafted by people who really don’t get us. We’re turned into pathetic, tragic souls; we merely exist to inspire the abled main characters to thrive; or even worse, we’re to overcome “what’s wrong with us” and be cured.

This is a fantastic first novel in a trilogy. Set in a parallel world, in an Italy that in this world is called Talia and in a Venice that in this world is called Bellezza, the narrative follows Lucien, who in this world is ill with cancer. Given a marbled notebook to help him communicate when his throat hurts too much to speak, this notebook is the means that transports Lucien to this magical, dangerous new world. This is a world which is set in the C16, and thrills to the delight of political intrigue, including assassination attempts both foiled and successful.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.

Since the publication of The Prince five centuries ago, Machiavelli has been associated with political amorality. But that characterization is unfair. In Be Like the Fox, Erica Benner sets the record straight: far from the ruthless "Machiavellian" henchman that people think he was, Machiavelli emerges here as a profound ethical thinker who fought to uphold high moral standards and restore the democratic freedoms of his beloved Florence.

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

It's been two months since the Kaplan family hunted down the Serpens relic. But when the evil Galina Krause suddenly and violently reappears, Wade, Darrell, Lily, and Becca have no choice but to face her again.

Galileo's oldest child was 13 when he placed her in a convent near him in Florence, where she took the most appropriate name of Suor Maria Celeste. Her support was her father's greatest source of strength. Her presence, through letters which Sobel has translated from Italian and masterfully woven into the narrative, graces her father's life now as it did then. Galileo's Daughter dramatically recolors the personality and accomplishment of a mythic figure whose 17th-century clash with Catholic doctrine continues to define the schism between science and religion.

From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by 500 years, who each hide Leonardo da Vinci’s Mona Lisa - with unintended consequences.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

If ever a catharsis in Western European Civilization occurred, it had to have been the period we refer to as the Renaissance. After a thousand years of theocracy, manorialism, feudalism and narrow economic development, Europe was ripe for change. She got it with a vengeance.

The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it.

In the year 1492, the Inquisition has all of Spain in its grip. Yonah Toledano, the 15-year-old son of a celebrated Spanish silversmith, has seen his father and brother die during terrible days - victims whose murders go almost unnoticed in a time of mass upheaval. Trapped in Spain by circumstances, he is determined to honor the memory of his family by remaining a Jew. On a donkey named Moise, Yonah begins a meandering journey, a young fugitive zigzagging across the vastness of Spain.

England, 1651. Oliver Cromwell has defeated his royalist opponents in two civil wars, executed the Stuart King Charles I, laid waste to Ireland, and crushed the late king's son and his Scottish allies. He is master of Britain and Ireland. But Parliament, divided between moderates, republicans and Puritans of uncompromisingly millenarian hue, is faction-ridden and disputatious. By the end of 1653, Cromwell has become 'Lord Protector'. Seeking dragons for an elect Protestant nation to slay, he launches an ambitious 'Western Design' against Spain's empire in the New World.