English Theater

The Sit Room brings you inside the secretive Situation Room of the White House, the most important deliberative room in the world, during the early 1990s when the author was one of the policymakers who framed the Clinton Administration's policy toward the bloody Balkans War. Drawing upon newly declassified documents and his own notes, David Scheffer, who later became America's first Ambassador-at-Large for War Crimes Issues, weaves the true story of how policy options were debated in the Sit Room among the highest national security officials.

Uncertain Allies looks at the United States military's experience in the China-Burma-India (CBI) theater during World War II through the eyes of Joseph Stilwell, the commanding general of American forces in those three countries. Historian Eric Setzekorn focuses on two themes: uncertain allies and ambiguous missions.

Michelle has been figuring out what her life is like now that the demon has been killed, and Sylvia and Varro are dead. Even the clans of witches trying to attract her to their way of life have backed off and given her a chance to grieve. Her relationship with Elron is stronger than ever, but there are things left unsaid. On the way to her parents' wedding, the delicate calm she’d been living in is broken. Witches are out for her blood, her family is caught in the crossfire, and friendships are threatened.

Blending a behind-the-scenes history of New York City’s Public Theater with an affecting remembrance of her husband, Public Theater founder Joe Papp, Public/Private is Gail Merrifield Papp’s enthralling and heartfelt memoir of a legendary theatrical institution.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

More over-the-top violence, harem fun, and awesomeness as one man fights against a deathly conspiracy and one woman seeks justice. Letha plans to ascend to Planet Paradise Fourteen, where she will finally have her revenge. If only this planet were everything it appeared to be on the surface, instead of the golden-framed and crystal-distorted mirror image of Planet Kill. They still have their sex parties, their fighting competitions, and even a sport that is in a way a shrine to everything she tried to leave behind.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In considerable operational detail, this chronicle captures not only the logistical nightmare of fighting in the CBI theater, but also the impossible dilemma confronted by colonial subjects in Asia during an inescapable global conflict. Should they trade a western colonial power for a Japanese version? Should the Burmese National Army betray Japan and ally with the British and Allied forces? Could Japan be trusted to “Free India” within a “Greater East Asian Co-Prosperity Sphere” as the India National Army hoped?

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million.

When an extra ticket becomes available to see the dress rehearsal of King Lear, Kellan tags along with Nana D and her buddies. But when one of them dies of an apparent heart attack in the middle of second act, Nana D asks Kellan to investigate. With family members suddenly in debt and a secret rendezvous between an unlikely pair, Kellan learns that the Paddingtons might not be as clean-cut as everyone thinks. But can Kellan find the killer, or will he get caught up his own stage fright?

Most histories of the US Army in World War II view the Mediterranean Theater of Operations primarily as a deadly training ground for very green forces, where lessons learned on the beaches of Oran, in the hills of the Kasserine Pass area, and at the collapse of the Tunis bridgehead all contributed to later success in Western Europe. Steven Barry, however, contends that victory in the MTO would not have materialized without the leadership of battalion-level commanders. They operated at a high level, despite the lack of combat experience for themselves and their troops.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

There are too many cases to deny. This area of UFO research has been ignored for too long. Something profound is happening here. This book reveals a bizarre type of UFO behavior that only a lucky few have ever seen. So, come along on a fascinating journey that is sure to change the way you feel about UFOs.

From the shores of Cape Gloucester to the quiet atolls and islands of the Solomon Sea, the Second World War left a profound mark on this sheltered corner of the globe, which would be felt for decades to come. Caught in the center of a vicious struggle between two superpowers, these islands would form an unconventional battleground for the US Marines and the Japanese Navy.

The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

Mr. and Mrs. Puddleduck have found the perfect place to nest: a cozy planter by a theater in a sunny seaside village. While Mrs. P is warming the eggs, Mr. P is drawn to the spellbinding songs, fabulous feathered costumes, and dazzling dances he’s secretly watching during rehearsals. He’s even showing off some fancy new footwork to Mrs. P! But it turns out he’s been learning much more than how to put on a show.