English Theater

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

The Dickens script did not include the dead body on the stage. When a student at Cold Creek College is arrested for the crime, Professor Sheridan Hendley is cast in the role of amateur sleuth. Only the student is Marty’s nephew and the detective on the case is Brett. Tensions run high, friendships are strained, and the college administration is beginning to panic.

Sorry... Really? Thrust? Anyway, Danny Kendrick was a down-on-his luck performer who always struggled to find his place. He certainly never wanted to be a hero. He just hoped to earn a living doing what he loved. That all changes when he pisses off the wrong guy and gets sucked into a fantasy realm straight out of a Renaissance Fair. Getting used to a new world is tough. It's even tougher when you're surrounded by axe-wielding barbarians, super hot elf assassins, strange magic, and a jaded System that doesn't appear interested in being charged with yet another companion.

On the cusp of entering the prestigious Lumina Deck-Building Magic Academy, the young mage Alistair harbors a dark secret: within him dwells Ghost. A reborn master assassin hellbent on revenge. Bound together by fate and magic, Alistair and Ghost embark on a dual journey of vengeance and discovery. As Alistair navigates the arcane halls of the academy, mastering battledeck spells and summoning skills, Ghost seeks to unravel the mysteries of his untimely demise.

The second edition of Building the Successful Theater Company takes listeners even deeper into the world of theatrical production, examining in great depth the financial realities of establishing - and maintaining - a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry.

Ethan Wolfe, once the top enforcer for the Grimm Family Mob, has eliminated the Cobras, an infamous street gang, and taken the second card of the Gate to the Underworld set. Unfortunately, Wolfe’s old boss, Big Man Grimm, was slain during the fighting. Damian Grimm is still around, though, and he’s got a bone to pick. He wants Wolfe’s cards, and he’ll do anything to get them. So, Wolfe faked his own death and moved to the nearby town of Joliet, along with his girlfriend, Shel. He thought he could leave the Dark Noimoire underworld behind…

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.

The Heroes of the Militant Church, led by Inquisitor Gallio, scour the forest in search of the Haunt, while Ed desperately attempts to uncover the secret behind the Heroes' origin. Can Ed and his friends defeat the Inquisition and secure their own place in the world, or are they destined to become the monsters of their own tale?

Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all-the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave a new definition to "hell-raising" - on the ground and in the skies.

With the circumvention of Aurora’s grim fate—and a heavy heart at what’d been required to avoid it—Rowan and his budding Party take their first steps toward realizing their goals; Aurora, a brilliant young woman, is determined to uncover the truths behind her father’s disappearance. Nathaniel, the stalwart companion, is shackled by his name and longs to be free. Rowan, a wily old geezer, is compelled by his circumstances to turn their unlikely coalition into a force that can survive the fated calamity.

Ah, Nyil, with its magic, its monsters, and its petty gods. A divine spat leaves French medic Viv stranded in the middle of an arcane disaster zone crawling with undead horrors. Thankfully, there are strange allies to be found, not least the mysterious interface that helps humans survive in this merciless world. Viv will have to progress fast to survive this calamity and find civilisation. She will also need a bit of luck. Unless, of course, she becomes the calamity herself. After all, luck is such a fickle thing.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.

Adair Finch, the most powerful warlock in the world, is back in business! But first he must complete his pact with a mischief spirit by finding her a human body. Seemingly no easy task, as the mischief spirit is beyond picky about her future body. But on his way to Oakland, Finch stumbles upon the dead body of a social media star—both a solution and a major problem.

Lewis Hallam Jr. was a theater manager and one of the stars of the early American stage. But it wasn't always easy for theater troupes during this time.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the journey to the capital. On the night after Christmas, the city's only theater is packed with holiday revelers. In the middle of a performance, the theater goes up in flames. Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

London, 1815. Amateur sleuth Atlas Catesby is about to discover the dark side of the bright lights. His long-awaited night at the opera with Lady Lilliana ends abruptly when a notorious courtesan is shot to death in Covent Garden. The infamous victim was the mistress of the powerful Marquess of Vessey. Atlas believes that the marquess - his former brother in law - is responsible for the long-ago death of Atlas' sister, Phoebe. Atlas seizes the opportunity to potentially avenge his sister's death.