Entertainment Science

The Power of Art is an epic work of non-fiction that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking listeners from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives, and inspires us to benefit from its transformative and regenerative power.

Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics - himself included - can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities of modern existence.

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Ever wonder which circles of Dante’s Inferno have the nicest accommodations? Where’s the best place to grab a bite to eat in the ancient Egyptian underworld? How does one dress like a local in the heavenly palace of Hinduism’s Lord Vishnu, or avoid the flesh-eating river serpents in the Klingon afterlife? What hidden treasures can be found off the beaten path in Hades, Valhalla, or TV’s The Good Place? Find answers to all those questions and more about the world(s) to come in this eternally entertaining book from Ken Jennings.

Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art.

Star Wars dominates the film world. The combined box office revenue of the Star Wars movies equates to over $10 billion, making it the second highest-grossing film franchise of all time. But this franchise is no blaster from the past. Its fantastically successful films have now been followed by multiple television series set in that same galaxy far, far away. The franchise’s flagship television series, and likely the firmest fan favorite for some time to come, is The Mandalorian.

Considered by many to be a founder of Afrofuturism, Sun Ra - a.k.a. Herman Blount - was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz.

Listen to This stands out as the first book exclusively dedicated to Davis' watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for 10-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis faced large changes in social conditions affecting the African-American consciousness.

A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer.

Evangeline finally got what she longed for - the cursed pendant off her neck and Caden in her arms - only it has come at a steep price. An unknown poison now courses through her body, slowly morphing her into something no one but the Fates can foresee. She has her suspicions, though...and, if she is right, it will spell certain ruin for her and Caden.

Before Amy Gumm lands in Oz in Dorothy Must Die, Dorothy Gale rules a twisted land where the Good have become truly Wicked - and it's up to the Wicked to stop her reign. Follow your favorite witches from Dorothy Must Die as they form an elusive, secretive group known as the Revolutionary Order of the Wicked and begin training their own army to defeat Dorothy.

Zoey and Daniel were childhood sweethearts until a violent car crash took his life and left her shattered. When Daniel returned from the grave as a vampire, his only interest in Zoey was in keeping her safely apart from the secrets of his dark world. He has vowed to protect her, but his heart seems as cold as the night he calls home. Five years later, a mysterious new client named Lucas Halfer offers Zoey a fortune to steal the Light of Alhorra. The search for the Light leads Zoey into the arms of an earthbound faery prince.

A teenage girl awakens to find herself trapped in a coffin. She has no idea who she is, where she is, or how she got there. Fighting her way free brings little relief - she discovers only a room lined with caskets and a handful of equally mystified survivors. Beyond their room lies a corridor filled with bones and dust but no people and no answers. She knows only one thing about herself - her name, M. Savage, which was engraved on the foot of her coffin. She finds herself in charge. She is not the biggest among them or the boldest, but for some reason the others trust her.

The Sandman ha sido definida por la revista Los Angeles Times como “la mejor epopeya de la historia del cómic” y ha conseguido revolucionar el formato al adaptar su lúgubre universo literario de fantasía y horror para convertirse en un fenómeno cultural de talla mundial. Por fin ha llegado el momento: Audible y DC presentan The Sandman, la primera producción sonora del cómic superventas del New York Times, escrita por el afamado autor Neil Gaiman que además es coproductor ejecutivo de esta adaptación.

Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require. That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story - and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic.

Everybody knows Cate Cahill and her sisters are eccentric. Too pretty, too reclusive, and far too educated for their own good. But the truth is even worse: they're witches. And if their secret is discovered by the priests of the Brotherhood, it would mean an asylum, a prison ship - or an early grave.

When Fancy Feast was in her high school production of "Cabaret," she convinced the director to cast her as a sexy Kit Kat Club Girl, not the old landlady part that always, always goes to the fat girl. In a black slip and fingerless gloves, Fancy made her debut appearance in a fluorescent-lit high school auditorium—and has never looked back. In Naked, Fancy draws back the curtain to reveal a world that most denizens of the daytime never see.

William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the 19th century, and professionals in the 20th, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.