Family Life Fiction

It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants.

Eudora Honeysett is done with this noisy, moronic world - all of it. She has witnessed the indignities and suffering of old age and has lived a full life. At 85, she isn’t going to leave things to chance. Her end will be on her terms. With one call to a clinic in Switzerland, a plan is set in motion. Then she meets 10-year-old Rose Trewidney, a whirling, pint-sized rainbow of sparkling cheer. All Eudora wants is to be left alone to set her affairs in order.

On the eve of her daughter Alia's wedding, Salma reads the girl's future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things.

Like many Overseas Filipino Workers, Mary Grace Concepcion has lived a life of sacrifices. First, she left her husband, Ale, to be a caregiver in Hong Kong. Now, she has travelled even farther, to Canada, in the hopes of one day sponsoring Ale and having children of their own. But when she arrives in Toronto, she must navigate a series of bewildering and careless employers and unruly children.

Barrie Anne Blythe and her aunt Charlotte have always known that the other residents of their small coastal community find them peculiar - two women living alone on the outskirts of town. It is the price of concealing their strange and dangerous family secret. But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband - who is not quite the man she thought she married.

Cece is in love. She has arrived early at her in-laws’ beautiful lake house in Salish, Montana, to finish planning her wedding to Charlie, a medical student with a brilliant future. Charlie asks Garrett, his best friend from college, to officiate, though Cece can’t imagine anyone less appropriate for the task; Garrett doesn’t believe in love, much less marriage. But as she spends time with Garrett, and his gruff mask slips, her long-held expectations for her life with Charlie begin to crumble, her feelings for Garrett—haunted by a tragic event from his past—become impossible to bury.

One moment June Nealon was happily looking forward to years full of laughter and adventure with her family, and the next she was staring into a future that was as empty as her heart. Now her life is a waiting game. Waiting for time to heal her wounds, waiting for justice. In short, waiting for a miracle to happen. For Shay Bourne, life holds no more surprises. The world has given him nothing, and he has nothing to offer the world. In a heartbeat, though, something happens that changes everything for him.

Little Women is the story of a wife and her four daughters living in genteel poverty in the environs of Boston while the father is away as a chaplain in the Union Army during the Civil War.

Achim is 11 years old when he moves from the orphanage to the house by the sea. Here everything is strange and new. But one day he discovers an unusual door that leads to a circular room with walls made of rough stone. The light coming through the window is hazy, as if the room is under water. It is a magic room - which he calls “The Adopted Room” - belonging to another world. And on a bed in the room sits a boy who is waiting to take Achim with him into the realm of the powerful Nameless One.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love.

Jamais un roman québécois de Claude-Henri Grignon ne s’est multiplié à ce point depuis sa parution en 1933. Feuilleton radiophonique puis téléromans refaits puis repris à répétition, cinéma, bande dessinée, l’avare Séraphin et sa pauvre Donalda ont enragé ou fait pleurer plusieurs générations de québécois. Sous la férule du gros curé Labelle, les personnages de ce roman culte s’acharnent à peupler puis développer le territoire à la terre ingrate des Laurentides.

It's the end of a night out and Joanna is walking home alone. Then she hears the sound every woman dreads: footsteps behind her, getting faster. She's sure it's him—the man from the bar who wouldn't leave her alone. So Joanna makes a snap decision. She turns, she pushes. Her pursuer tumbles down the steps and lies motionless, facedown on the ground. Now what?

When Kate Bowman temporarily moves to her grandmother’s Missouri farm with her husband and baby son, she learns that the lessons that most enrich our lives often come unexpectedly. The family has given Kate the job of convincing Grandma Rose, who's become increasingly stubborn and forgetful, to move off her beloved land and into a nursing home. But Kate knows such a change would break her grandmother’s heart.

Amelia Jones has always dreamed of attending the Mystwick School of Musicraft, where the world’s most promising musicians learn to create musical magic. Unfortunately, Amelia botches her audition and her dream comes crashing down—until the school agrees to give her a second chance. Amelia vows to do whatever it takes to make her dream come true.

Joey is not excited to spend an afternoon with his grandfather. He is always sad and doesn’t seem to like Joey all that much. After struggling to find something to do together, Joey finds an old chess set. His grandfather decides to teach him how to play chess. Will this game help Joey see his grandfather in a new light?

Deep in the night, Matthew paces the house, unable to rest. Though his sixteen-year-old daughter, Holly, lies sleeping on the other side of the bedroom door, she is light years away from him. How can he bridge the gap between them when he can’t shake the emptiness he feels inside? Holly knows her father is drifting further from her; what she doesn’t understand is why. Could it be her fault that he seems intent on throwing everything away, including their relationship?

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Twenty-five-year-old Takako has enjoyed a relatively easy existence—until the day her boyfriend Hideaki, the man she expected to wed, casually announces he’s been cheating on her and is marrying the other woman. Suddenly, Takako’s life is in freefall. She loses her job, her friends, and her acquaintances, and spirals into a deep depression. In the depths of her despair, she receives a call from her distant uncle Satoru.