Family Poetry

The follow-up to her acclaimed poetry debut Split, Becoming Ghost documents Cathy Linh Che’s parents’ experiences as refugees who escaped the Vietnam War and then were cast as extras in Francis Ford Coppola’s film Apocalypse Now, placing them at the margins of their own story. The poetry collection uses persona, speculation, and the golden shovel form as a means of moving Vietnamese voices from the periphery to the center. The speaker’s disownment raises questions about the challenges of using parents as subjects, telling familial stories to a broader public, and the meaning of forgiveness.

Blythe Baird’s If My Body Could Speak is a celebration of girlhood and all of its struggles and triumphs. In poems that dig deep into sexuality, acceptance of the body, survival of trauma, and learning to love yourself in spite of everything telling you not to, Baird’s voice is a rich addition to her generation. Searing, soaring, and heartbreaking, If My Body Could Speak balances the softness of femininity with the sharpness that girls are forced to become.

Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

Poetry for every listener. Bibliophile has three sections. Poems about family fill "The Tie that Binds." Poetry about art is the theme of "A Thousand Words." The book ends with a section of humorous poems, "Flights of Fancy."

Dylan Thomas wrote "A Child's Christmas in Wales" in 1955, in which he recreated the atmosphere of Christmas Past as he remembered it. Each one of us will have similar memories of the glitter and the emotions of this time of innocence, plenty, fun, anticipation, and excitement.

In this anthology of poetry, combining her bestselling collections She Must Be Mad and Validate Me, and with 70 new poems and handwritten annotations, she paints a complex picture of the formative experiences of womanhood and living with Bipolar II disorder.

In What Lies Within by CBA best-selling author Karen Ball, something is missing from the life of the successful owner of Justice Construction Co. But Kyla Justice doesn’t realize what it is until she begins building a center for inner-city kids. She’s now undeterred by supply problems or gang opposition. She won’t be stopped by her boyfriend’s suggestion to sell her businessand marry him. And she certainly won’t be sidetracked by that disagreeable Rafael Murphy.

Trini: My Life of Poems is a story of determination, courage, and unyielding faith. Each poem is a chapter in a life filled with a single mom's struggles and perseverance. Breathe in each line, and share those experiences, viewing them through the windows of her eyes.

It is May 1634 when Jonathan and Elizabeth Pratt arrive in the Massachusetts Bay Colony from England. They are unaware of the beauty and dangers that they will encounter in this wilderness as they embark on their journey of faith.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

This collection of pieces that I have written is, in my opinion, some of my best writing thus far in my short endeavor into being an author. They are poems and quotes about relationships that I have had over my lifetime, and though most I will never see or hear from again, they still are and will always be very much alive in my ink and memories. With that being said, there are always those that stand out in my heart, mind, and soul more than all the others and today are a very big part of my life in one way or another.

「上野さんはなぜ、男に絶望せずにいられるのですか？」「しょせん男なんてと言う気はありません」。女の新しい道を作った稀代のフェミニストと、その道で女の自由を満喫した気鋭の作家。

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

In the collection of prose and poetry Letter to My Wife & Other Tales, his sequel to the successful The Time of Our Lives: Memories and Fantasies of a Blissful Nonagenarian, 96-year-old Elliot Schubert etches incisive portraits of the family members, friends and colleagues. These are the stories of those who helped shape his extraordinary journey through the 20th and 21st centuries as an athlete, Naval officer, scholar, scientist, writer, husband, and father.

After a year of distance-learning, Emily Sofer finds her world turned upside down: she has to leave the only school she's ever known to attend a public school in Chinatown. For the first time, Emily isn't the only Chinese student around...but looking like everyone else doesn't mean that understanding them will be easy—especially with an intimidating group of cool girls Emily calls The Five. When Emily discovers that her adoptive parents have been keeping a secret, she feels even more uncertain about who she is. A chance discovery of Emily Dickinson's poetry helps her finally feel seen.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

The poems of Dear October chronicle the evolution of the natural world and a daughter caring for her mother during the last year of her life. Months of the final year act as the scaffolding for the collection as they reflect on the 12 moons. The spirit of home, family, and mother-daughter relationship intertwine with the diversity of culture and ecology in Northern New Mexico.

In We Inherit What the Fires Left, award-winning poet William Evans embarks on a powerful new collection that explores the lived experience of race in the American suburbs and what dreams and injuries are passed from generation to generation. Fall under the spell of Evans' boldly intimate, wise, and emotionally candid voice in these urgent, electrifying poems. This eloquent collection explores not only what these inheritances are composed of, but what price the bearer must pay for such legacies, and the costly tolls exacted on both body and spirit.