Film Production

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

Можно смело утверждать, что XX век был веком режиссуры. Под влиянием режиссера, то есть организатора, педагога, творца, развивались театр и кинематограф. За прошедший век режиссура обогатилась многими выдающимися именами, среди которых немало наших соотечественников. Это К.С. Станиславский, С.М.

I sine stærkt underholdende erindringer fortæller Woody Allen om et liv som instruktør, standupkomiker, forfatter, musiker og skuespiller - og som familiefar og ægtemand. Et ofte tumultarisk liv, der tager sin begyndelse i Brooklyn, New York. Allen giver et levende indblik i sin 60 år lange filmkarriere, fra klassikerne "Annie Hall", "Manhattan og Hannah og hendes søstre" og frem til nyere film som "Midnight in Paris" og "A Rainy Day in New York".

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set - and even further behind the scenes - of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood's top directors.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more.

Удивительно, но до сих пор нет однозначного ответа на вопрос, когда, собственно появилась режиссура. Еще в 1890-х годах театральный режиссер был фигурой второстепенной и выполнял преимущественно административные функции. И вдруг в конце XIX столетия режиссер становится хозяином театра.

It was the triumph and the tragedy of his life. As a producer, he had reached the pinnacle of success; there was nowhere else to go. In this biography, noted Hollywood chronicler Bob Thomas reveals the stormy career of a shrewd, self-confident intellectual whiz kid who today personifies the image of a studio head during the Golden Age of movies. It tells of the women Selznick loved and the fortunes he amassed and lost; of the great stars he made and the magnificent motion pictures he created— the man who was an entrepreneurial genius, a driven perfectionist, and the author of endless memos.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

Noel Cronin’s autobiography, founder of Talking Pictures TV, is a must-listen for those interested in British film history. He takes us from his schooldays in north London to a job as a post-boy at Rank, then as a film editor in Soho in the Swinging Sixties and Seventies, starting a film distribution company, to the ground-breaking Talking Pictures TV. It shows the grit and determination necessary to make a living in the film business, and the leaps of faith one should take if you’ve got a good idea.

Twilight for the Gods: The Art and History of Film Editing is a passionate exploration of the important role played by editing in the process of filmmaking and a functional guide to using editing most effectively. The book explains how an editor is, in many ways, responsible for the final rewriting of a script - and that editing is in reality a pictorial form of writing.

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million.

You don't need Hollywood. No, seriously. When we first started making movies, we were broke college kids with no connections or experience. Fast forward five years and we were producing a million-dollar movie with well-known Hollywood stars. We wrote The Break In to share all the most valuable lessons (and hilarious stories) from our experience so that you can launch a promising career on your own terms.

Don't Do What I Did explains, in frank English, how to make a living in film and video production. From networking to booking gigs to taking care of yourself, this book comprehensively and methodically lays out what to expect in this industry.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.